“What's the difference between Hollywood characters and my characters? Mine are real” (Spike Lee). Spike Lee, born as Shelton Jackson Lee, is an African American director. He was born on March 20, 1957, in Atlanta, Georgia, but as a young boy moved to Brooklyn, New York. As a kid, Lee was an energetic and naughty kid which earned himself the nickname “Spike” in reference to his toughness according to his mother, Jacqueline Carroll. He attended Atlanta’s Morehouse College, where he earned a BA in Mass Communication and made his first student film Last Hustle in Brooklyn (1976). Later, he took on a couple of film courses at Atlanta’s Clark University. He ended his studies with a Masters in Fine Arts in Film and Television from Tisch School of the Arts in New York. Lee’s initial recognition was in …show more content…
According to the biography on Spike Lee, Fight The Power: Spike Lee’s Impact On Black Cinema, “it becomes clear that he uses his own experiences of living in an integrated neighbourhood in New York to help express the hidden, if not conflicting, messages on the ideals of racism ‘between African Americans and their non-black New York City neighbours’” (The Film General Website), which makes his films more accurate. His experiences have helped him give an honest representation of the black community. An example is his 1988 film School Daze. School Daze is a musical drama that deals challenge issues of racism, for example, skin tone bias within the black community. The film was influenced and depicts his own experiences at Morehouse College and Clark University. Moreover, themes and topics in School Daze, and in other of his early works like Do the Right Thing (1989), and Malcolm X (1992) helped him gain respect as a director in
Although the movie does seem to want to get a point across about racism being relevant even in mainly black neighborhoods, it mostly furthers society’s institutionalized racist thoughts towards the black
Auteur theory is an important mode of film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background and distinguishable personality have contributed to his technical skills as well as to his unique style as a film director. The particular chapter will also include the synopsis as well as the technical analysis of each film correspondingly.
An Honorary Oscar for Spike Lee as He Lambasts Hollywood Spike Lee has never been one to mince words, and his views on the lack of diversity in Hollywood are well known. Lee was been nominated for the Best Original Screenplay Oscar for "Do the Right Thing" in 1990 and again for "4 Little Girls" in 1997. While he did not win either time, his blanking from the academy ended Saturday night when he received an honorary Oscar at the Governor 's Awards. (According to Rolling Stone, Lee did receive a "Student Academy Award" in 1983 for his NYU thesis film Joe 's Bed-Stuy Barbershop: We Cut Heads.)
Racial Elements of the Trial The movies opening scenes introduce the racial issues to be carried throughout the film. According to legal theorists, race is an extra-legal factor that can influence the legal system and its principles. As a result, law is racist and these racial inequalities are embedded into the legal system (textbook). In 1984 when this movie takes place, it was years after the civil rights act of 1968 but the tensions between races were still dominant, especially in southern states such as Mississippi.
Spike Lee is known to be one of the most innovative and talented filmmakers living today. His films touch upon controversial topics such as racism and religion which has gained a great admiration by numerous of people. Lee’s first feature film, She’s Gotta Have It gained praise by welcoming a change in the representation of African American cinema. Although this film was a success, if Lee had to remove a scene from the film, the sex scene between Nola and Greer would be the one.
Flannery O’Connor was very influential to many American filmmakers and directors. One of these directors was Quentin Tarantino, one of America’s inspirational filmmakers. He is very famous for his bloody and gory productions. Reading one of O’Connor’s stories readers can tell that she heavily influenced much of Tarantino’s work. One of Tarantino’s films that seem to be influenced by O’Connor is Pulp Fiction.
Malcolm X, directed by Spike Lee and was released in November 18, 1992. Malcolm X lived a many unique lives, every in its way a crucial aspect of the African American proficiency from nightmare to aspiration. There was not ever any intermediate for the man who was originally called Malcolm Little, the son of a Nebraska teacher, and later was given the Muslim name, El-Hajj Malik El-Shabazz. Malcolm traveled far, through many personifications to develop as much respected, as he was dreaded as the black freedom movement's most confrontational presenter and inexorable integrity. As the film movies through the 40's, it agonizes shudders of memories to Malcolm's childhood in Nebraska and Michigan.
Although race relations in the United States between whites and African Americans have significantly improved since the abolishment of Jim Crow laws, director Spike Lee’s socially conscious satire, Bamboozled shows that discrimination has only evolved. Released in 2000, the film sought to edify the African American population about the racist and stereotypical treatments blacks endured during the Jim Crow era when they were used to entertain the white masses. Moreover, it also shows how that culture is still propagated today, with African American film makers just as guilty. From the time the first African set foot in the North American colony of Jamestown, Virginia, in 1619, race relations have always been whites’ superiority over blacks.
Not every Black kid does drugs. And finally not every Black kid is a troublemaker. Spike Lee knew that many of the people that would go to his movies wouldn’t be Black, and he successfully showed the audience an accurate representation. This representation was revolutionary because it made you as an audience member question how you think and feel about Black youth. Maybe you’ve become biased by recent films and music.
The opening scene of Do The Right Thing, gives the audience a brief glimpse of several eccentric characters actions on the morning of a hot summer day in New York City. Although each shot appears unrelated, each of the characters exhibited will play a significant role in uniting or dividing the neighborhood they all inhabit during a riot which emmerges in the climax of the film. At its core, Do The Right Thing, directed by Spike Lee, is a film which explores race relations, following the lives and actions of several characters as a growing conflict emerges between the Italian-American and African-American residents of the community. Lee effectively builds tension throughout the film by following conventional narrative elements in some cases,
Malcolm X and Martin Luther King, Jr. The African American Civil Rights movement of the late 1950s and early 60s brought many reforms for the Black community. Prominent leaders like Martin Luther King, Jr. and Malcolm X pushed for changes to provide equality and opportunities for African Americans. King was able to obtain legislative victories such as the Civil Rights Act and the Voting Rights Act to end discriminatory practices in America.
I seldom watch indies before because I usually watch films for entertainment. A independent film could be meaningful when it has audiences appreciate it, otherwise what the filmmaker has done and his/her personal vision that the filmmaker attempts to express would be a mug’s game. Confined to a filmmaker’s thoughts, there is no expectation that every audiences can accept ideas of that indie. Hopefully, target audiences of indies are those who are sophisticated and watch movies not just for entertainment. Watching indies give those audiences a chance to ponder over their lives and society where they live in.
Get your hands on the latest Denzel Washington Pictures Very few actors are able to make an impact in a movie, however, those that can do the job tend to immortalize the characters that they played on the silver screen with a slew of emotions to follow with everything from rage, hate or even love from the people that watch the movies. Such actor are very rare to come by who do the movie and the role a lot of justice by acting it. Some actors ascend higher and become icons of the nation and Denzel Washington is no exception in this case, having played groundbreaking roles in major franchise films, every tabloid just craves to have Denzel Washington Pictures posted all over its pages every single time a new movie of his becomes a major hit.
Not racism in a bad way, but in a way as if it does not exist. Duke says, “When you speak of problems between blacks and whites in the U.S.A. you are referring to categories” (Martin 13). Duke wants nothing to do with racism. Anytime it is brought up he talks about how everyone should be seen as equal, not as different. A song of his, Take The A Train, speaks a lot about Harlem.
Over the course of the American history, black people were oppressed and treated unfairly. A few ways that society treated black people is by segregating them from white people, beating them up, and taking advantage of them. As a consequence, African Americans grew up in an environment were limited in their abilities, had hatred towards the white, and had a constant judgment from white people. These factors contributed towards the way society viewed African Americans, flawed, uneducated, and poor. Yet, a notable person who overcame these obstacles and made the most out of his experiences was Malcolm X. He made a dramatic change not only in American history but in African American rights.