How Does Toni Morrison's Song Of Solomon Relate To Music

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Throughout Toni Morrison’s Song of Solomon, music is a driving omnipresent force, revealing hidden truths about Milkman, Macon, and Pilate. If we were to apply a Freudian framework to Milkman’s familial life, Macon would be his ego – eternally in need of material possessions in order to create an image of himself he can admire – and Pilate would be his id – buried emotions and subconscious desires, overshadowed by his unforgivingly-egotistical Macon Dead exterior. Over the course of Milkman’s journey, music acts as a God-like omniscient presence, ultimately guiding him back to where he started, but flipped: instead of Pilate singing to Milkman as he is born, Milkman sings to Pilate as she dies. And the song itself plays into this reversal: Pilate sings “O Sugarman done fly away” at the birth of Milkman, and when Pilate has no words left to sing at the end of the novel, Milkman sings the …show more content…

We don’t see him singing until the very end, and he never brings up music at any point in the novel, up until the very end. So why did Morrison choose to open the book with Pilate singing at the birth of Milkman, if music wouldn’t be an obviously important part of the novel? To me, this is the genius of Morisson’s writing: instead of littering the entire book with references to some central theme of music, she opens with music and ends with music. Throughout the novel, then, our lingering motivation to keep reading is the desire to understand the role of music. By the end of the novel, when Milkman is singing to Pilate as she dies, we get it. The role of music in Song of Solomon is to help us understand the two worlds Milkman is stuck between: One full of music, one devoid of it. In the end, it took Pilate dying for Milkman to make up his mind, and that’s when he sings. It took a long journey, both physical and mental, yet ultimately, Milkman ends up back where he started: with Pilate, with

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