“I am not free while any woman is unfree, even when her shackles are very different from my own” (Audre Lorde). In A Cat on a Hot Tin Roof, by Tennesse Williams, the main focus is Brick and Maggie. How Maggie yearns for love and a happy marriage but Brick is absolutely miserable. The tables turn in A Waiter’s Wife by Zadie Smith, Aslana is extremely unhappy and pregnant in her arranged marriage with Samad. How do both of these characters connect? They are both unsatisfied with their current relationships and living situations.Their sense of their feminine identity is clouded by the fact that they are expected to live up to unnecessary expectations and cater to a relationship on the brink of falling apart. In Tennessee Williams’ famous Cat …show more content…
The quote reflects how lonely she feels, and how she doesn’t feel loved or needed in her relationship with Brick. Her constant need for attention and approval takes away from her personality and who she really is. She is trying so hard to gain his love and approval she is losing her own sense of identity by being completely consumed by her marriage. Through Maggie's actions, Williams highlights the destructive and self effacing tendencies and the loss of individuality that can arise from a relentless pursuit of acceptance within dysfunctional relationships. Alsana and Samad are together because of an arranged marriage; they have recently immigrated to london. Alsana is carrying twin boys. The story strongly focuses on traditional gender roles between husband and wife. Alsana is affirmative and knows what she wants. “Two plates smashed to the floor. She patted her stomach to indicate her unborn child and pointed to the pieces, ‘Hungry?’” (1569). She desires Samad to take on a more traditional masculine role, providing food and financial support for his family. On the other hand, Samad wishes for Alsana to fulfill conventional female duties, such as preparing meals, maintaining a clean household and managing the …show more content…
Unable to find balance between their personal needs and societal expectations, they experience emotional turmoil and seek solutions for their complex lives. The stories of these characters reveal the profound impact that societal expectations can have on women's struggles in marital relationships. Maggie tries to force Brick to love her and feel attracted to her, by doing this she loses sight of herself and why she married Brick in the first place. Alsana did not have a choice; she was put into an arranged marriage with Samad who is a lot older than she is. While in this relationship she struggles to assert herself not only in her marriage but also in London, a place which is still unknown to her and her cultural beliefs. Through the lens of this challenging dynamic, these texts highlight the struggle that women often go through in unhealthy relationships. Both individuals are forced to confront the complexities and hardships that arise from these diverging perspectives. The comparison between Maggie and Alsana is that both of their identities as wives, and mothers are clouded by the stereotypical gender roles they are trying to fit into to please their spouses or to please the people surrounding them so they can gain a sense of belonging. Ultimately, such depictions in literature allow readers to gain a better understanding of the
This distinct view of women isn’t only used by men but also by women themselves. They’ve been boxed into these standards for so long that they pass it along to their daughters and normalize it. Lola’s own mother says that this is what she’s supposed to be doing because she’s the daughter, illuminating how all of these duties are placed solely on the women. Taking care of not only the house but, the men of the house is what makes her the “perfect”
Her actions with Jay end up ruining her relationship with Tom while altering her relationship with her daughter. As her relationship crumbles, she hopes that her daughter is a “little fool” because that is all a girl can be. This illustrates that the social norm for women at this time was to marry, showing the poor conditions women endured throughout the 1920s. Additionally, another woman in this novel, Jordan Baker, experienced harsh conditions similar to Daisy. For instance, Jordan knew she had to marry someone to secure her place in society.
When Maggie starts feeling attractions towards Pete, she imagines the power people give to him. This imagining comes from her inexperience to the lower-class pleasures he offered her. When Maggie was around Pete, she admired the way Pete presented himself towards her. He showed loved to her, but he also acted he was better than the people in the same class as him. “She thought he must live in a blare of pleasure.
Although they are in a tempestuous relationship, they tend to always go back to one another, but this is all due to the wrong reasons. It is based on the flaws of the two, Tom’s infidelity and Daisy’s materialism. They are both married to one another only out of their concerns about their image. Tom loves having a both young and beautiful wife that makes him look good. While Daisy likes the wealth and comfortable lifestyle that comes with being married to him.
In the play Trifles, written by Susan Glaspell, and the play A Doll’s House, written by Henrik Ibsen, there are two ladies who undergo two different situations. Mrs. Wright is someone who is assumed as the murderer of her husband Mr. Wright. On the other hand, Nora manipulates her husband by taking out a loan without his approval. These two ladies both face isolation in their relationships and eventually end up without their husbands. These two characters differ in their personalities, their actions in their marriages, and their overall marriage.
It is heavily demonstrated that women are reliant on men when O'Connor describes how the Grandmother lives, “Bailey was the son she lived with, her only boy” (O’Connor). This suggests that because the Grandmother seems to
Due to her disability, which renders her mute and possibly deaf, Maggie becomes a target for the “gar girls” to torment and release their frustrations on. Throughout Morrison’s short story, Twyla and Roberta connect over their experiences with Maggie at various stages of their life, though their perceptions of Maggie change throughout the story. As a result of her disability, Maggie is unable to speak out against the other girls and lacks agency as a result, mirroring the helplessness of Twyla and Roberta, who are both confined to the children’s home due to no fault of their own. After witnessing the “gar girls” beat Maggie in the orchard, both Twyla and Roberta experience significant guilt at their failure to help Maggie. At first, Twyla claims
In the novel The Great Gatsby, by F. Scott Fitzgerald, the male-female relationships are characterized by a loss of control which portray the nature of these relationships as destructive and lonely. From an outsider’s perspective, these relationships seem joyful and full of love but underneath are catastrophic. They create false images for themselves to look good in the public eye and hide from their true feelings. Daisy and Tom, the happy, wealthy couple, are stuck in a fatal relationship. Daisy and Tom are in love at one point; however, throughout the novel they lose feelings for each other.
From the moment Daisy married Tom, she is under his control and confined from developing her own self. Daisy shouts that she’s “change’ her mine” demonstrating, for the first time in the novel, a clear opinion and view of something. Fitzgerald juxtaposes Daisy’s independence and emotional range before marrying Tom, to afterwards when “she didn’t say another word” (76). Daisy getting married to Tom illustrates how difficult it is for women to defy patriarchal values in society. Moreover, Edith Wharton portrays the struggle of marriage for women in her writing.
In Amy Tan’s short story “Two Kinds”, a girl and her mother struggle to keep up good relations between them. All of these texts have great examples of signs of good and toxic relationships. The
When at home the women are subjected to monotonous chores that are laid onto them by the men and have to cope with the thought that they will never get to work towards something greater. Women are assigned to sexist roles that they have to act out within their community. Because both women were subject to such similar roles Mrs. Hale, Mrs. Peters, and Mrs. Wright develop a bond with each other through their shared experiences. During this time period the women do not have a support system for the misogyny and sexism they face. The men ridiculed the women for their gender and because of this they experienced a unique female expression when faced with sexism.
Despite some differences between Minnie Foster from Trifles by Susan Glaspell and Ruth from Still Stands the House by Gwen Pharis Ringwood, they have many similarities. Although their relationships with their respective spouses are in stark contrast, they do share qualities like their seemingly inadequate femininity and lonesome lives. Firstly, Ruth Warren, the wife of Bruce Warren can be described as sweet, caring and even somewhat passive. When Hester Warren, her sister in law treats her coldly she replies with kindness, only saying “Please—I’ve never had a sister, and when Bruce told me he had one, I thought we’d be such friends—” (Ringwood, 6).
In the 1970’s women were expected to stay at home and take care of the household. They were usually not expected to further their education, but instead take care of the children or tend to their husbands’ needs. In 1972 Judy Brady decided to let the readers of Ms. Magazine know how she felt about her “duties”. In her short essay, “Why I Want a Wife,” Brady uses pathos to connect and appeal to the reader’s emotions while explaining why she wants a wife.
Both couples show that they have a loving, but unstable relationship. For each couple, there is either an illness or dishonesty. For instance, Tom cheats on Daisy with “some woman in New York” (Fitzgerald p15). Even though Tom does cheat on Daisy, he
This novel is also autobiographical. Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a