Throughout the novel, Victor Frankenstein’s worldview vaguely surfaces in various sections. Frankenstein, one of the main characters of the book, obtains worldly ideas from his fascinating experiences, friends, and heterogeneous studies. Following the formation of the monster, Victor experiences and feels numerous intense emotions and forms of stress, consequently leading to his death. Important and intriguing, his viewpoint of the world not only inspires many people all over the earth to discover his religious perspective on life, but to understand his different beliefs and learn from his numerous mistakes. Peculiarly, everyone seems to interpret, decipher and define his view of the world differently. However, most Christians refuse to follow …show more content…
Firstly, he denies the existence of a single Creator. Although he mentions spiritual elements throughout the novel, Frankenstein quickly proves non-Christian with his ungodly behavior and sinful acts. Insane and engaged, he becomes a “creator” himself when he builds the monster. Victor Frankenstein, unaware of the future consequences of his invention, unknowingly acts as a god, thus disobeying the Lord. After his miscreation murders one of his loved ones, Frankenstein fills with vengeance, wanting to destroy the repulsive demon and “avenge the deaths of William and Justine” (Shelley 82). Eventually, he feeds into sinfulness which leads to his ultimate doom. Since Frankenstein bases the majority of his ideas in his studies, he follows the atheistic path and ignores the way of …show more content…
Presuming absolute truth is nonexistent, New Age adherents believe men must trust in their goodness, remind themselves to trust their feelings, and understand they possess godly powers (Baldwin 51). In the novel, Frankenstein appears fairly selfish, naively assuming he knows everything about the world. Inconsiderate and careless, Frankenstein continually forgets to consider any possible consequences of his actions. For example, he disregards any probable terrible outcomes of his creation until after he finishes making the demon. Similar to New Age advocates, he simply trusts his inner desires (Baldwin 51). Accompanying feelings of horror and terror, Frankenstein “feels the bitterness of disappointment” once he realizes the outcome of his ghastly concoction (Shelley 49). His one major mistake, the monster, catches up with him, driving him full of revenge and turning him ill (Shelley 190-193). Sadly, these selfish New Age-like characteristics lead to Frankenstein’s
Morally ambiguous characters make both good and bad decisions, making their character neither a hero or villain. The novel Frankenstein by Mary Shelley conveys a morally ambiguous character through Victor Frankenstein. Frankenstein made choices that ended fatally for many but didn’t directly cause people harm. Victor Frankenstein’s moral ambiguity builds key events shaping the novel. Originally Frankenstein says that if he creates life the new creation would “owe there being” (32) to him.
Frankenstein The story of Frankenstein focuses on the scientist Dr. Victor Frankenstein, who has the idea making life himself rather than let the natural process of life used, and thus arising the question of is god real and if he is real how come humans can make life out of old body parts then? One of the major questions that had arised, when he created the creature and it escaping from his laboratory. It was a question of his own sanity. When he would be in a situation where the odds that he be put to be blamed to the crime that was committed, or that the creature would be found out and him dubbed the maker of the creature thus making him the one who commits the crime by default as maker of the creature. When he discovered
In the novel, Frankenstein, by Mary Shelley, the two main characters, Victor Frankenstein and his creature, both display a sense of moral ambiguity. Each character has committed both good and evil alike, and neither knew the consequences of what they had done. However, Victor Frankenstein is generally the morally ambiguous character by his treatment of his creation and his own imperious personality. He wanted to be able to help science by recreating life or bringing it back, but at the same time, he did not want to consider the consequences of doing so. Victor tries to prove himself as a good moral character in the relationship between his creation and himself.
Zachary Tew Miss Sibbach Honors English IV 11 December, 2015 Is Victor Frankenstein Like God? In Frankenstein Victor plays the role of God with the creation of the creature. Victor studies for years about the dead to see how new life works. He creates life from the dead with his studies of electricity.
The foil’s purpose in a novel is to help clarify the protagonist’s character. In the Frankenstein or the Modern Prometheus by Mary Shelley, the purpose of the Creature is to serve as the foil of Victor Frankenstein. The Creature contributes substantially in allowing the reader to see Victor’s true self. In the novel, Victor Frankenstein is portrayed as obsessive and ambitious, with a God-like complex.
In the end of the novel, Shelly concludes that moral and spiritual development can best be obtain through the rejecting of dogmatic belief structures, resulting in the elimination of God towards the realization of self-realization. Despite the lack of learning in the morals and ethics of Christianity, the monster in Frankenstein is able to form his own code of behavior based on example and the behavior he views from others. It should be mention that his instinctive sense of morality comes without the knowledge of God or a creator. While this seems to be an atheistic way of thinking about how morality is "inborn" it is impossible to ignore the way the bible and religious learning influence even this aspect of the novel.
Dr frankenstein is ultimately responsible for the monster's actions. In the play when the monster was created Frankenstein saw him as evil. Mary Shelley the writer of Frankenstein has provided us with a detailed understanding of the characters in the play. The monster's actions are very strong and have caused a lot of damage.
The moment Victor Frankenstein successfully infuses life into his creation he is overcome with horror and disgust. Without further examination he is certain to have created a monster, not a human being (Shelley 35-36). However, despite his grotesque appearance, Frankenstein’s creature was not born malicious. During the first stages of his existence, unbeknownst to Frankenstein himself, his acts are motivated by innocence and virtue, which even earns him the title “good spirit” (79). Frankenstein did not create a monster.
Victor Frankenstein turns away from his responsibilities by ignoring the existence of his creation. Throughout the novel, Victor is constantly running away from the monster and not giving him attention, which resulted in the monsters change of personalities. For example, in page 71 the creation said, “All men hate the wretched; how must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us.” This quote suggests that because of the ignorance of Victor the monster began to become evil and have the urge to seek
Mary Shelley demonstrates her own worldview through her book, Frankenstein. She makes comments about God, by having the characters in her story talk about the Creator. The people as well as the monster in the story demonstrate her view of the nature of mankind. Lastly, she shows the readers her view of nature through the remarks of her characters. Shelley does not present the Biblical worldview in most parts of her novel, Frankenstein, but a few parts do illustrate the Biblical worldview.
In many novels symbolism functions as a way to reveal much of what is intended for the reader to understand about characters and the work as a whole. Symbols can be ideas, objects, or actions that constitute multiple interpretations or meanings. This is also true for many older novels including Frankenstein. Throughout the gothic fiction novel Frankenstein by Mary Shelley, the use of symbolism and the role it partakes in the entirety of the story signifies its importance. There are many symbols throughout the novel some including light and fire, the creation story, and exploration.
In the novel Frankenstein,by Mary Shelley, the mysterious and unnatural origins of the character of Frankenstein’s monster are an important element. The Monster, having been created unethically and haphazardly, is at odds throughout the novel, resulting in his alienation from society and prolonged feelings of anger, desertion, and loneliness. Shaping his character, his relationships with other characters, and the meaning of the work as a whole, the Monster’s origins are what define him. The Monster faces rejection and violence every time he attempts to make contact with the new, foreign world he has been thrust into.
Such passion is seen in Victor’s ‘noble intent’ to design a being that could contribute to society, but he had overextended himself, falling under the spell of playing ‘God,’ further digging his grave as he is blinded by glory. His creation – aptly called monstrous being due to its stature, appearance, and strength – proved to be more of a pure and intellectually disposed ‘child’ that moves throughout the novel as a mere oddity, given the short end of the stick in relation to a lack of familial figures within his life, especially that of parents. Clearly, Victor Frankenstein had sealed his fate: by playing God he was losing his humanity, ultimately becoming the manifestation of Mary Shelley’s hidden desires, deteriorating into The Lucifer Principle by which the author Howard Bloom notes social groups, not individuals, as the primary “unit of selection” in human psychological
(Shelly 42, 43) Here, the effects of his continued pursuit of knowledge and neglect of well-being is shown evidently. Once Frankenstein creates the monster, his unquenchable thirst for knowledge is frightened into silence. He then presently returns to the outside world,
Frankenstein: Does this Story Reflect Modern Society? This book is just that. A story. There has been no indication that an “inanimate” object can be given the power of human life.