In Gaston Leroux’s story, The Phantom of the Opera, Christine's attraction to both the Phantom and Raoul leads to turmoil and difficult decisions as shown through repetition when referring to both.
Firstly, on the roof of the Opera house, Christine tries to prove to Raoul that the Phantom of the Opera really exists. After expressing how terrifying her experience with him was, she, in a trance-like state, says “but his voice filled my spirit with a strange, sweet sound” (Leroux 38).
The author's use of alliteration shows a shift in Christine. Christine shifts from being terrified of the Phantom to being allured by the thought of just his voice. Through this line Christine's turmoil is evident. Despite her fear of the Phantom, part of her cannot
…show more content…
The repetition of the word “one” shows Raoul and Christines’ devotion to one another. They no longer live as two people, they exist together as one. From the omniscient point of view, one can see that the Phantom of the Opera hears the whole exchange and gets enraged by it. Despite his efforts to win her over, Christine and Raoul sing this line again when finally escaping the Phantom's lair. The Phantom has no other choice but to listen and weep. This shows the power of love between Christine and Raoul as well as the Phantom's inability to change fate. At the end of the story, the Phantom forces Christine to either stay with him forever or watch as he kills Raoul. After realizing that his true disfigurement lies not in his face but in his soul she says “farewell my fallen idol and false friend . . . One by one I've watched illusions shattered” (Leroux 74). The author’s use of alliteration once again shows a shift in Christine. She no longer pities the Phantom and finally acts in her own best interest. At this moment Christine experiences catharsis and for the sake of Raoul promises her love to the Phantom with a kiss. The Phantom then experiences anagnorisis, realizing Christine does not truly love him, and he lets the two go. The author’s use of repetition emphasizes Christine’s realization and the reasoning behind her next
He introduces his emotions by using diction when he explained how he felt about the woman running away from him. He said he felt “surprised, embarrassed, and dismayed all at once.” (Staples 1) When describing her he used alliteration. She “was a woman-white, well dressed…” (Staples 1)
Continuing on, Irene’s and Clare’s face to face conversations displays two different discourses, leading us to speculate the true honesty of the narrator. At the tragic scene of Clare’s fall, we question the conclusion of what could have happened due to Irene’s perspective ineffectively matching the events; permitting us to then, with evidence, to view the narrator as unreliable. By carefully reading a novella such as Passing, we can definitely understand the general message portrayed. Depending on how the story is communicated, we can encode the message
2-4 sentences per work As the story progresses, Stephen King continues to write Christine in chronological order. To further explain some things, he brings a memoir, in the form of a flashback, into the story. This gives bit of a backstory. He uses memoirs, to take the reader back in time, giving a sort of personal account.
While reading one of Clare’s letters, the narrator doesn’t properly communicate the actual description of the message as it sends two different interpretations to the readers. Not to mention that the phone calls between Clare and Irene also fails to communicate both viewpoints as the narrator only mentions one side of the direct discourse. On that note, the direct and indirect discourses of their face to face conversation demonstrates two different conative discussions, giving us a better insight of their true characteristics. As the end approaches with a mysterious tragedy, we are to question Irene as her dialogue and interpretation ineffectively matches the reader’s perspective, due to her outlook bordering between accidental and intentional motives. With the characters and narrator using different methods of communication, such as the letters, phone calls, and in person conversations, it leads us to question their integrity and whether the discourse accurately represents the climactic fallouts of the
This evidence is significant because it shows the author’s use of literary devices, such as imagery, to show Annabelle’s struggles. This scene contributes to the overall meaning of the book by emphasizing the importance of facing trauma and grief face to face. Confronting grief and pain can be difficult, especially because Annabelle’s grief took over her
The orchestra maintained the musical score and provided ornamentation and emphasized the melodic contour of the singer’s vocal line. Without reading the subtitles, there is such emotion and energy in the male singer’s performance that it is easy to see, along with the physical positioning and facial expressions of the female performer, that there is an impassioned dialogue being given from him to
In detailing the events that led up to her change in perspective, she made note of the honeysuckle that covered the walls of the well-house, the warm sunshine that accompanied going outdoors, and the cool stream of water that she felt as she placed her hand under the spout. These details kept the reader with her in the moment as she felt something less simple, but still universal; the returning of a, “ misty consciousness as of something forgotten.” In using rich diction, she maintained a sense of intimacy with the reader which allowed her to call on personal details from her own life and theirs. Later in the passage, she described how, once the reality of language was opened to her, and she returned to the house, “every object which I touched seemed to quiver with life.” She had gone through a complete shift of perspective, one that, to her, was felt entirely through senses other than sight or sound.
Blanche’s insanity emerges as she retreats fully into herself, leaving the world of actual reality, since is is unable to go forward and accept reality. In order to escape reality fully, however, Blanche must come to perceive the exterior world as that of which she has imagined. This, reality is not a solution to Blanche’s fantasy world. Rather, Blanche adapts a world, which she thinks is true, to fit into her delusions. While this has been accomplished with both the physical and the psychological sections, there is no boundary between fantasy and reality in which for Blanche, is permeable.
The speaker also conveys his sorrow through his farfetched diction and his use of alliteration. He begins by mentioning his “louring head so low” (2), which displays alliteration and also the pain that he feels.
“The face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.” This moment in “The Story of an Hour,” is relatable to Kate Chopin's own life. Though Kate loved her husband dearly, she was restricted from a lot of the things she wanted to pursue.
In Kate Chopin’s “The Story of an Hour” demonstrates the personal growth of the dynamic protagonist Louise Mallard, after hearing news of her husband’s death. The third-person narrator telling the story uses deep insight into Mrs. Mallard’s thoughts and emotions as she sorts through her feelings after her sister informs her of her husband’s death. During a Character analysis of Louise Mallard, a reader will understand that the delicate Mrs. Mallard transforms her grief into excitement over her newly discovered freedom that leads to her death. As Mrs. Mallard sorts through her grief she realizes the importance of this freedom and the strength that she will be able to do it alone.
The irony in Kate Chopin’s “The Story of an Hour” enhances the protagonist’s situation by revealing a deeper meaning. The quote, “She had loved him - sometimes. Often she did not. What did it matter!”
Louise’s victory in accepting her husband’s death is a feeling that she now cannot live without. The ultimate death of Louise Mallard is one that represents physical and emotional defeat. In this dramatic short story, Chopin uses imagery to sew together a tapestry of emotions all encompassed in an ill-stricken widow. Works Cited Chopin, Kate. “The Story of an Hour.”
In her childhood, the unnamed narrator has had a wild imagination which still haunts her: she admits "I do not sleep," and as a result she becomes restless.(653). Her imagination makes her live in an imagined world of her own and completely detached from reality. The
In the meantime, the castle is said to be haunted by supernatural spirits. Julia and her sister are extremely frightened by these sounds, and decided to inform their father about them. However, the marquis declines their claim and attributes these sounds for their wild imagination. By this time, Julia, the younger sister and the novel’s protagonist, falls in love with a young and handsome Italian nobleman Hippolitus de Vereza. Though their love is mutual , Hippolitus doesn’t has the courage to ask for her hand for his inferior position.