All the monster wants is love. The Monster is the victim because his creator abandons him, his appearance affects his relationship with the people he meets, and his desire to feel loved. To begin, his creator abandons him. Victor creates Frankenstein, but is afraid of him. “He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed down stairs” (Shelley 44).
Franz Kafka starts his story, The Metamorphosis, by transforming his main character into a vermin, one of the most disgusting and loathsome insects. With Gregor’s transformation, Kafka is exposing a metaphorical view of how life can be shown in a tangible, physical way. Gregor’s metamorphosis consists in his insides coming out. His new state of being reflects his life and his inner thoughts. A cockroach is a tangible representation of how he feels about his life and the relationship with his family.
He tells his father that he's made new friends on the other side of the island, but he doesn't tell him they're hidden in the past. Over the next few days, Jacob goes back and forth between the past and the present, finding the past more attractive (the girl specifically) and the present more frightening. When he pass news on to Miss Peregrine, Jacob is shocked to learn that the killings from the present are most likely the result of attacks by monsters in human form in search of food
Frankenstein 's arrogant and impetuous character comes back to bite him as he hastily demolishes the creatures companion, even with knowing the risk of doing so. The creature was abandoned ever since he was brought to life, and was forced to fend for himself. Not being able to fit in with human society is what provoked him to ask Frankenstein to create a companion for him. Although it took awhile to convince Frankenstein, he reluctantly agreed and began to create a new creature. However, quite abruptly “with a sensation of madness on [his] promise of creating another like to him, and trembling with passion, [he] tore the thing on which [he] was engaged.
The Creature’s feelings of rejection from society and the abandonment from Victor compel him to use violence and seek revenge. In so, the Creature ends up killing a great many of people throughout the story, some of which include: Victor’s younger brother William, Justine Moritz, Victor’s close friend Henry Clerval, and Victor’s soon to be wife Elizabeth Lavenza. Many would say that the story of “Frankenstein” from the start sets out to make the creature seem to be naturally evil and a monstrosity of a thing which is directly the cause of its uncontrollable bloodthirstiness, but I believe this to not be the case. Although the Creature behaves viciously and murders several people, he is not inherently evil or malicious. It is because of the human relationships he endured and the consequences of a neglected psycho-social responsibility that drove him to do such
As time goes on I would say that Victor and the monster becomes more similar. In addition, Victor is the real monster in this story because of what he has done to the monster. First, Victor and the monster both have a thirst for knowledge. Victor has the thirst of knowledge in science. He says, "I at once gave up my former occupations, set down natural history and all its progeny as a deformed and abortive creation, and entertained the greatest disdain for a would-be science which could never even step within the threshold of real knowledge” (2.24).
Without love and responsibility, the monster killed Frankenstein’s best friend, Henry Clerval. This extremely shocked Frankenstein to behold his friend with the mark of the monster’s fingers on his neck. This is example of when people is pushed too hard and feel no way out, they will stand up and fight back. The monster stayed next to the master’s house who were teaching him English and basically how to act like a human being. In chapter
When making the decision to destroy his half-finished female form, Victor recalls that he had already “created a fiend of unparalleled barbarity” in his first monster, and that this new creation might even be “ten thousand times more malignant than her mate” (138). In the wake of the trauma the monster has caused both to himself and his family (via his post-partum depressive state and the deaths of Justine and William respectively), Frankenstein is now overwhelmingly conscious of the horrible consequences that birth can entail. In contrast to his previous aspirations, he characterizes his creation with words of negative connotation such as “barbarous” and “fiend,” and suggests that a future creation could even be exponentially more evil. Victor’s initial dreams of fatherhood have been grotesquely morphed into terror of future creation, which would be made possible by creating a female monster. He speculates that one of the first results of creating a mate for his monster would be a “race of devils…propagated upon the earth” who would make the “very existence of man…full of terror” (138).
None of his interactions with humans was positive, starting with his master (Chapter 15). Unlike a human baby who is exposed to many types of people, the monster only saw corruption. Thus, when it was his turn to do something, he mimicked the people he saw. Even the De Lacey family, whom he thought to be contrary to the norm, ran away from him (Chapter 16). This ultimate act of repudiation propelled him over the edge, and he ended up committing his first act of manslaughter; he killed Victor’s nephew William Frankenstein (Chapter
Frankenstein and his monster begin with opposite lives: Frankenstein has everything and the monster has nothing. However, in creating the monster, Frankenstein’s life and feelings begin to parallel that of the monster’s life. Frankenstein is incredibly intelligent with a fascination for science, but ultimately his thirst for knowledge leads to his undoing. Similarly the monster is determined to understand the society around him. But once he does, he understands that he will never be able to find companionship, which leads him to pain and anger.
Grendel vs. “The monster” Grendel in the novel by John Gardner is very similar to “the monster” in Frankenstein by Mary Shelly because both Grendel and the monster feel like outsiders, they kill humans, and they both are able to learn new things. Grendel feels like an outsider because he knows he is different and he wants to know the truth of why he is what he is and why God made him that way. Grendel asks his mother “Why are we here?” which means that he is doubting his existence. Grendel kills humans in the mead hall while they are asleep. “Swiftly, softly, I will move from bed to bed and destroy them all, swallow every last man.” He kills them because he was affected by the shapers death.
Many of the advantages are that we can now successfully avoid illness and diseases because we can take out the gene that engenders it. Frankenstein is an example of a disadvantage of using genetic engineering. Victor Frankenstein is the creator of a monster who learns that because he is ugly and everyone hates him, he can kill Victor’s friends and family for making him the way he is. Victor creates the monster in order to destroy the meaning of death but the actions he takes after creating the monster leads to many more deaths than expected. Victor’s thoughts after bringing the monster to life were, “A mummy again endued with animation could not be so hideous as that wretch.
After creating it and completing the deal, he tears the new creation apart causing the monster to be forever alone. This also causes the monster to promise that he will be there on Victor’s wedding night. So, as the story presents, the monster’s intentions were mostly misunderstood. The monster never learned how to love or be loved. It is said that love is an equalizer for the darkest of places of the human consciousness, which includes the most monstrous; this is
This monster was unlike any other monster, he had a tactic to what he did whenever he would come and and eat the people of the town. Whenever he had the urge to eat the monster Grendel would go to the town and once the people have passed out, because they were so drunk, he would then break in and
When first meeting Frankenstein, the monster “muttered some inarticulate sounds, while a grin wrinkled his cheeks” (61, Shelley). This horrifies Frankenstein as he “escaped and rushed down the stairs” (61, Shelley). The monster assumes Frankenstein is his mother. However, as the monster reaches towards Frankenstein, “rather than clasping his newborn child to his breast in a nurturing maternal gesture, he rushes out of the room”, indicating Frankenstein’s un-nurturing spirit (Mellor). Frankenstein’s lack of feminine nurture leaves the creature in abandonment, demonstrating the isolation caused from lack of nurture.