I. Thesis 1: The monster is only a metaphor for a certain feeling, time, or place in a culture. It signifies something other than itself. It is constructed by society and different monstrous ideas are projected onto it like a reflection. The monster stays alive because no one knows the next turn it is going to take. The uncertainty in the monster’s decisions is what makes it immortal.
A. Scene Connection: Curtis discovers what the tail of the train has been eating for the last eighteen years, cockroaches, and this new knowledge makes him have more hatred for the head of the train controlling him, Wilfur. This projects a new more horrible idea on the already existing monster.
B. Essay Connection: Kimmel argues throughout Masculinity as Homophobia” that society is who puts up these guidelines and rules that men have to follow in order to be considered manly. They project what a real man should look, feel, and act like.
II. Thesis 2:
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It vanishes when after one fear and returns just in time for the next. It always returns slightly modified in a different disguise. Cohen used different monsters throughout the world to show the diversity and slight changes in each monster, but showed how they’re all the same idea.
A. Scene Connection: Just when Curtis thought they were making progress by working their way up the train, he gets thrown a new monster from Paul, the protein bar maker. Curtis gets stopped in his tracks when he finds out how low he has been really living. He has to face the monster of being fed cockroaches by himself in order to be a good leader.
B. Essay Connection: In Gay’s “Bad Feminist: Take One”, there is not one set idea of feminism. Every feminist she wrote about in her essay had a different idea of the word and meaning. The word feminist has a lot of negative connotations connect to it and a lot of women do not want to be associated with the ever-changing monstrous word.
III. Thesis
In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it; for example, vampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
History has repeatedly given men privilege due to their physical advantages; yet it is these same advantages that have developed into “rules” or expectations that all men should conform to in order to prove their manhood. Michael Kimmel’s essay, “‘Bros Before Hos': The Guy Code” outlines the “rules” where men are expected to never show any emotions, be brave, act knowledgeable, be risk takers, be in control, act reliable, and be competitive, otherwise they would be showing weakness which is analogous to women. It is humiliating that men associate weakness with women; they should focus on the potential of the individual rather than their gender. Most insults toward men attack their masculinity because society finds it shameful for men to be
The being then becomes a monster both externally and internally, ultimately confirming society's previously assumptions. The monster moves from one horrid act to another, indulging in evil. First, he kills William. Then he frames Justine as the murderer and she is hanged for his crime. He warns Victor that "if I cannot inspire love, I will cause fear;" (Shelley 125) and "if I have no ties and affections, hatred and vice must be my portion" (Shelley 126).
Over time, the thought patterns of many individuals mould to believe only one perception of what is morally acceptable— a perception that is completely faulty. The ideology of the male body and demeanor is only one of the many societal norms constructed by the media, and it alone can result in mental health fatalities, mass violence, or the mere elimination of self-identity whilst attempting to meet the ever-changing ideals of masculinity. The continuous and stereotypical depiction of masculinity in the media has idealized invulnerability, toughness and physical strength as the sole qualities of a ‘true man’. As a result, the complexity of masculinity is flattened, and immense pressures are placed on individuals to meet requirements that are entirely faulty. According to Katz, cultures, topics, and even genders are not one-dimensional; in order to fully comprehend the meaning the entirety of something, one must look at more than its representation in the media.
The first attempt and success to climb Mt. Everest occured in 1953. Since then, almost 4,000 people have been able to scale the mountain, but over 230 people have not been able to climb it successfully. There is a chance of accident or death when climbing this mountain or any dangerous activity. All people should should have the right to rescue services even if they knowingly put themselves at risk because there is always a chance of an accident happening, rangers are there to save people in danger, and there are rescue vehicles being produced to be used in case of an emergency.
Isolation and a lack of companionship is the tragic reality for the monster, who was abandoned by his creator and is repulsive to everyone that he comes across. Victor removes himself from society for many months; severing nearly all human contact then renouncing his creation based on the monster's appearance. As the monster matures he begins to understands the relationship the cottagers share with one another, while the monster, “yearned to be known and loved by these amiable creatures: to see their sweet looks directed towards me with affection was the utmost limit of my ambition. ”(Shelley). Armed with nothing but the longing for a real connection, the monster approaches his unknowing hosts only to be “brutally attacked—by those he trusted...because of their human ignorance.
In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
The seventh thesis “The Monster Stands at the Threshold…of Becoming” brings attention to the fact that we are the creators of monsters. They make us question why we have created them; how we perceive the world, how we have misinterpreted so that we can reevaluate cultural assumptions about the different race, gender, sexuality.
The monster depicts his otherness when he wonders: “Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned” (Shelley 85). The monster evidently remains in isolation and is dehumanized. The monster attempts to get integrated into his society but his appearance and lack of social skills hinder his success. The monster strives to be accepted but is incapable of acceptance. The monster reiterates this feeling of isolation as he says: “I felt as if I were placed under a ban- as if I had no right to claim their sympathies – as if never more might I enjoy companionship with them” (Shelley 108).
The monster archetype has been one of the most riveting archetypes that surrounds the concept of ‘evil’. It has been portrayed as a supernatural creature with grotesque features that normally brings disruption to the city and needs to be tamed or controlled to bring once again peace to the story. Due to this, it is most commonly depicted with a negative connotation, and with the idea of horror and fear. The monster has been present since the bible, which was written approximately 3,400 years ago, with the anecdote of Goliath. It has remained with its primary role of converting the protagonist into a hero and providing fear to the storyline.
In his attempt to satiate his hunger for success and acceptance, he brought forth the story of the monster, who similarly sought to belong and be understood by those around him, coming across Felix and Agathe in his pursuit, who were excluded from society and lived in segregation, also wanting acceptance. The importance of understanding
The monster was a troublemaker. Nobody liked him and he was always damaging everybody’s property. He shook the ground every time he walked. The people were terrified of him. They trembled when they saw him coming towards them.
“Masculinity as Homophobia” an article by S. Kimmel, that talks about how men these days have the fear of being judged and ranked based on their manhood. There are some arguments that the Professor mentions and uses in his article that supports his argument and some experiences from other people 's perspective in life of men over the years. The author’s main argument is about how men these days are being watched and judged closely based on how they walk, talk, eat, dress, move and look like. The author explains how the world is judging men and how it tries to take that power and that pride of being a man.
In multiple parts, the creature is shown mistreatment by humans after he performs good deeds. For example, he saved a little girl “and dragged her to shore… the man saw [him] draw near, he aimed a gun, which he carried, at [his] body and fired,” (Shelley 61). The creature had done a good deed, out of the kindness of his heart and the actions taken by the old man had once again, shown the creature that he would never be accepted in society due to his figure and how terrifying he appears. Once again, the behavior of mankind led the creature to his only option left, revenge. The creature says, “I only wonder that at that moment, instead of venting my sensations in exclamations and agony… I left the spot where I had committed the murder,” (Shelley 62).
Misinterpretation on feminism becomes an issue in America because the definition altered in various communities. In the essay, “Feminist Politics: Where We Stand”, the author Bell Hooks discusses the misconception of feminism in the United States. Bell Hooks states that the reason of the misconception of feminism occurs because of the patriarchy of America because mass media represents feminism as an anti-male group. However, feminism is the exact opposite of an anti male groups. Feminism defines itself for equality between men and women.