The poem I have chosen to discuss are, John Clare’s “I am” and “Ode to Autumn.” by John Keats. Both of these poems deal with the sublime and express the concern of self-consciousness that poetry addressed during the romantic period.
John Clare’s “I am” is a refection upon ones last minutes of breathing life, or rather a pondering of death. The poem is cleverly constructed through the structured use of complex poetic techniques in the phonics and sense appealing aspects of the poem. Clare writes to manipulate the reader, not to show them his grief and despair from his point of view, but instead, a point of view of which he would like them to see from. I chose this poem because the poem itself, almost becomes self-aware, as though the experiences
…show more content…
Autumn introduces herself as a neighbourly accomplice that works alongside the sun to perfect this beautiful scene depicted.
In the second stanza, the beauty doesn’t seem to be in autumn’s creation but in
“Autumn” herself, as she is personified and manifested into this Greek goddess style figure. The attention shifts from the aesthetic scene to its creator, which
Keats also depicts quite sensuously. This woman is depicted dosing off in poppy fields, or watching the cider press squeeze fresh apple juice, although they focus on her actions and not what her actions affect this time round. She sits on a granary floor with her hair, said to be “soft lifted.” This segment certainly deals with the problem of self-consciousness as the poet is very aware of what he likes and what he can find pleasure in. The poem opens with fruitful rich images, but also with an underlying threat of “Nothing lasts forever”. He personifies the season of harvest and makes her godly and divine. He marvels her actions but not the product of them and he finally begs her to listen to her own music, her birds and her insects and her babbling brook and all the fine ripeness
Two scholarly writers brilliantly conveyed nature in their own opinion, an essay written by John Miller called, ”The Calypso Borealis," and a poem by William Wordsworth called, "I Wandered Lonely as a Cloud.” Both authors created work that acquires their idea of the beauty of nature while showing their compassion and love for nature. They each endured the essence in their own way. Each author also used their memory as descriptive imagery to creative share the scenery and amazement of their experience. Each individual has their own personal opinion about nature and how they decide to express their feelings can be diverse, and both authors, John Muir and William Wordsworth, expressed their compassion and love for nature in their own way.
It’s detailed like a memory and provides the audience of just one incidence the narrator was able to recollect. The poem’s main focus is to take a little look into the disparity between traditional feminine
As one single poem can intrigue the everyday college student, one can imagine the obsessive nature that one poem can have on the mind. The poem, circulating, round and round in the mind, leaving one to ponder the day away all because one poem, as one can be left questioning, such as in "Prayer" by Galway Kinnell. However, even if someone were to be obsessed with one poem, there are ones who are intrigued by not just one, but two, maybe dozens of poems, all by the same author that had them intrigued since the first poem looming in their head. Nevertheless, as one may ponder across an entire work of a single author, this pondering may lead to one who is passionate about the entire work of an author to publish articles about someone and their work respectively. In the article, "Galway Kinnell: Transfigured Dread," by Edward Hirsch, the pondering over the entire works of Galway Kinnel are discussed in great detail.
The poem begins with the narrator describing being alone in the woods. She is being dragged through the water, by a mysterious man which develops the sense of imprisonment. She describes the man’s language as not human and she turned to prayer to find strength.
The Poem “The Poet” by Tom Wayman is a poem that takes the reader through the physical characteristics of your average poet. The entirety of the “The Poet” consists of a list of 14 descriptors that could be used to describe the typical poet. Each of the descriptive phrases seems to be negative towards the unknown poet that he is talking about. Although the poem seems quite literal, a figurative message is portrayed though text, tone, structure and the literary devices used in the poem. To start off, the specific word usage that Wayman chose to use gives off the impression that poets have their drawbacks.
A loss of physical innocence is shown here, "I can 't see my own arms and legs or know if this is a trap or blessing" She is telling us that she has become physically detached from her body and she is confused as she doesn 't understand if this moment is a "trap of a blessing. " The loss of innocence clearly links up with post-apocalyptic times in The Road to Winter where Finn lost his innocence when he decided whether to kill Ramage or not and him discussing his emotions. The novel has many dangers moments in it and this is shown in the poem as well, "rises up silently like dark bread. " This simile reflects the dangers of the natural world in post-apocalyptic times.
Stanzas can be used in a poem for a wide variety of things. A poet might include stanzas in his poem to group ideas, indicate a change in tone, or simply to create rhythm. However, in this poem the poet does not use stanzas. Each line of the poem takes you through a stage in her life. Her story begins with “...being nine years old and feeling like you’re not finished…”(1-2) as each line continues she takes the reader through the trials and tribulation of puberty, insecurity: “ pimping in front of mirrors that deny your reflection”(8-9) to joyous energy: “ jumping double dutch until your
In this essay, I will analyze the poem Verses Upon the Burning of Our House (July 10th, 1666) by Anne Bradstreet, a puritan who most critics consider to be America’s first “authentic poet. The poem is based on a true story as Anne’s house really did burn down and illustrates her meditations on this event, the pain she felt after losing her home and the effect it had on her faith. The main theme is Anne’s struggle to not become attached to material things. I will begin by explaining the rhyme, style, and tone of the poem, continue by explaining which literary devices and interesting features we can find and the effect they have on the reader, then I will analyze the poem and finally I will give a brief conclusion. Verses Upon the Burning of Our House is a poem written in couplets in iambic tetrameter scheme which makes the story flow nicely.
The end of the poem you see her in a casket with a new nose and makeup and essentially she looks like a doll. Everyone who is there to see her comments on how pretty she. She is said to now have a happy ending. This poem talks about how this girl was just an innocent girl who didn't have any issues with herself till she reached a certain age.
The different key features also plays an important role for example the tone that is being formed by the lyrical voice that can be seen as a nephew or niece. This specific poem is also seen as an exposition of what Judith Butler will call a ‘gender trouble’ and it consist of an ABBA rhyming pattern that makes the reading of the poem better to understand. The poem emphasizes feminist, gender and queer theories that explains the life of the past and modern women and how they are made to see the world they are supposed to live in. The main theories that will be discussed in this poem will be described while analyzing the poem and this will make the poem and the theories clear to the reader. Different principals of the Feminist Theory.
The combination of words and syntax create a very vivid and unpleasant image of a rotting body. In line five she describes, “The Forehead copied Stone--…” The odd comparison to the stone, helps the reader understand how the forehead of the dying person feels. Thus,
In Li-Young Lee’s poem, Eating Alone, Lee uses many literary techniques such as imagery and tone to develop the speaker’s grief towards his father’s death. The poem is about a son who is mourning the loss of his father in which the fall brings back the memories of his father. When first reading this poem, it is very confusing and does not make much sense. Once the poem is analyzed, the reader can determine the distinction between life and death in the poem, where the speaker is missing the presence of their father. Imagery is a big factor in the poem for the speaker to communicate his themes of memory and loneliness.
The poem, in brief, is about the struggle the speaker faces as he prepares for war and attempts to explain to his lover how important honor is to him, surpassing even his feelings for her. It is written creatively, with a unique style. The poem is also personal and temporal, a trait of poems of this era. The poem is written in a conversational tone and is read as if by a male writer to a female lover. Lovelace weaves poetic techniques such as assonance, and metaphor together to create a good rhythm, and a theme based upon honor.
The poem 's content points not to just a single memory, but an entire sexual affair from the speaker’s youth—chronicling the erotic encounters that would eventually lead to his lover’s “footfall light” and both of them “silent as a stone”. Thus the memory is also clouded by the nature of erotic
Although Coleridge reflects on nature as being that “one Life within us and abroad “in most of his other poem, but coming In “Dejection: An Ode” we see more of the dialects between the imagination’s role in creating perception and nature guiding the soul. In the opening stanzas of “Dejection” the flipside to the romantic celebration of nature –the romantic emphasize on subjective experience, individual consciousness, and imagination. If our experience derives from ourselves, then nature can do nothing on its own. Beginning with the fifth stanza, Coleridge suggests that there is a power –personified joy that allows us to reconnect with nature and for it to renew us and that comes both from within and from without: “the spirit and the power, / Which wedding Nature to us gives in dower / A new Earth and new Heaven” (67–69).