The people you see on the outside are different from the inside. The story, I Am Not Your Perfect Mexican Daughter by Erika Sanchez, observes the life of Julia Reyes, a 15-year-old Mexican girl. Who reveals secrets about her own family and finds her true identity. Julia lives with her parents and perfect sister, Olga who died of a tragic death by a bus. Olga, the ideal daughter took care of the family and remained nearby. While Julia wants to pursue her dream and leave home to be herself. At the beginning of Olga's death, Julia had a spark of interest in her sister’s life. Learning the secrets of Olga's life causes stress to Julia. The stress releases Julia’s secrets to her parents, sending Julia to Mexico to recover. When arriving and returning
Whether the books were fact or fiction Julia Alvarez expressed her life experiences of having to be constantly on the go and her struggles and a young Dominican
“Don’t be afraid to start over. ”These are the words that come from immigrants all over the universe. Immigrants have a rigid life. Some of them may have been very rich, but lost everything. Esperanza is just like one of these immigrants in the book Esperanza Rising by Pam Munzos Ryan.
The story The Red Umbrella by Christina Diaz Gonzalez and the immigration photo by Jose Hernandez Clare are two things that i am comparing. The common subject that is portrayed in these stories/Photographs is family separation. The Red Umbrella and The Immigration photo both have thing in common, they both also have their own unique thing about them. In these stories/photo they both have something different, in the immigration photo the men chose to leave everything they know and love to go to america and in the red umbrella the children were forced to go to america they didn’t have a choice and they didn’t want to go.
In Julia Alvarez’s book, How the Garcia Girl Lost Their Accents, the best literary theory to analyze the book with is Formalism, specifically looking at the recurrence of Yolonda feeling as if they don't belong, to demonstrate the greater immigrant experience during the time period. After Yolonda has lived in the United States for a while, she heads off on her own to college. She notices how her peers act differently than her, “...I cursed my immigrant origins. If only I too had been born in Connecticut or Virginia, I too would understand the jokes everyone was making in the last two digits of the year, 1969. I too would be having sex and smoking dope; I too would have suntanned parents who took me skiing in Colorado over Christmas break, and
The Mirabal sisters were four Dominican sisters in total with their papa having another four with another women, concluding in their rough upbringing. The sisters were know to live in a middle- class household with both of their parents, all who had been living in a rural town of Ojo De Auga, Salcedo Province. Located in the Cibao region of the Dominican Republic. Julia Alvarez is a renowned Dominican-American who’s work finds its power interactions: like that between Last Name 2 personal and political, or novel “How the Garcia girls Lost Their Accents” is based on her families immigration experience. Which led to her connection to the Mirabal sisters.
Trespass by Julia Alvarez is a short story that depicts the life of a young immigrant girl whose family has relocated from the Dominican Republic to New Jersey and the many emotions, trials, and tribulations that come with such a massive change. The oldest of four girls, Carla, seems to have the hardest time adapting to this new environment and circumstance. When their mother makes a typical Spanish dessert and inserts a candle to commemorate the one-year anniversary of the move to the States, she says, "Let us please go back home, please, She half prayed and half wished" (Alvarez 99). Aside from the anguish of leaving her extended family and the challenges of adjusting to a new neighborhood, school, and country, she has the strongest ties to the Dominican Republic and the most difficulty assimilating to English and American culture.
Olga was the perfect daughter who did not go to college, followed all rules, and put family above anything. While Julia is her complete opposite; troubled, outspoken, and independent, with many dreams of attending college and becoming a writer. Throughout the book, Julia struggles with accepting the role of being a perfect Mexican daughter, handling adolescence and her parents’ high expectations; after all her sister was the one who was the perfect one. However soon she discovers not everything is as black and white as it once seemed and starts to discover the truth behind being the perfect Mexican-American daughter. I am not Your Perfect Mexican Daughter by Erika Sanchez is accurate with its truthful portrayal of the immigrant experience for Mexicans and the unfortunate history they have held when it comes to deportation, it provides a fair understanding of what the Mexican culture truly is and the values they uphold, while also providing a useful depiction of what it means to deal with mental health moreover giving more insight of the life of a teenage girl who is coping with grief and
I’ll never see them again. The one thing I loved most in life has been taken away from me” (Sánchez 208). Erika Sanchez shows the readers the importance of respecting other people's life interests by utilizing conflict in the book that acts on the opposite. The character Julia faces internal conflicts, surrounding feelings of resentment and guilt towards Olga. As she discovers various ways Olga hides the details of her contradicting expectations, she becomes upset at the hypocrisy of the situation.
What Would You Do? How would you like to be imprisoned in a country that is not like the United States at all? If you were, how would you escape? The book, Not Without My Daughter, written by the main character, Betty Mahmoody, tells an incredible true story about Betty being imprisoned in Tehran by her husband and how she escaped. It all started when Sayyed Bozorg Mahmoody, or Moody, the husband, said they should take a family vacation to Tehran to visit his family because his family wanted to see Mahtob, their daughter.
In the essay "Children of Mexico," the author, Richard Rodriguez, achieves the effect of relaying his bittersweet feeling regarding how Mexicans stubbornly hold on to their past and heritage by not only relaying many personal experiences and images, but also by using an effective blend of formal and informal tone and a diction that provides a bittersweet tone. Among the variety of ways this is done, one is through repetitive reference to fog. The word is used many times in the essay, especially in segments relating to Mexican-Americans returning to Mexico for the winter. One of the more potent uses reads as follows: "The fog closes in, condenses, and drips day and night from the bare limbs of trees.
Alvarez and her family have a lot of trauma considering there lives in the dominican republic and living under the dictator,through it all alvarez's parents raised a daughter who would share their story in a fashionable matter that told the story how it was.
But the only time I ever asked her why she didn’t move out or go to a real college, she told me to leave her alone in a voice so weak and brittle, I never wanted to ask her again. Now I’ll never know what Olga would have become. Maybe she would have surprised us all “(pg. 3). This dynamic of Julia feeling judged and disregarded caused Julia's feelings of depression and shame. And then when Olga died her mental health declined , she had to confront all her emotions, and make a change.
Gloria Anzaldúa’s “La Prieta” tell her struggles with identity by talking about prejudices she dealt with while growing up. These prejudices, such as colorism, sexism, and heteronormativity, were not only held by people outside her social groups but within them as well. Anzaldúa goes on to explain the way identity is formed by intersecting factors and not only one aspect of someone’s life therefore denying one factor of identity can cause isolation and self-hatred. The fact that Anzaldúa developed faster than is deemed normal the first struggle in forming her identity.
She became more worried about fitting in and having friends then of being proud of who she was and where she came from. This proves the harshness of moving to a new country during the 60s and possibly even now. There is a constant need to change and adapt yourself in order to be accepted. However, by finally accepting herself nearing the end, Julia was able to laugh at all the names she was given while still having a connection with herself and her
Dialogue is used in a writing piece in order to move the plot, to develop or define the character, or just to deepen the conflict. All together, dialogue is used to help the reader infer the theme of the text. Sandra Cisneros expresses the theme throughout the novel with the use dialogue to develop the characters in The House on Mango Street which retells her life experiences that made her who she is today in vignettes just like No Speak English. In her other work of literature, Eleven she shows the same theme, with the addition of the theme that there is a certain amount of power held by age. In the texts Eleven and No Speak English by Sandra Cisneros, the use of dialogue helps reveal aspects of the characters in each piece in order to develop the theme of identity and belonging.