Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.
Secondly, Iago manipulates Cassio the most throughout the book. He uses Cassio’s social status and his trust with Othello to ruin his reputation. Iago is jealous of Cassio because he is higher status and has a strong relationship with Othello. For Iago’s plan to work he needs to get closer to Othello, but first he needs to break Othello and Cassio’s trust first. So one night Cassio is supposed to be keeping a party under control Othello tells him “good Michael, look you to the guard tonight.
While he knows that his actions are immoral, he embraces it fully by calling for evil forces to help in his plans to destroy Othello’s life. This imagery shows Iago’s true nature to the audience, one that wishes for the corruption of people’s lives and actively acting it out. Moreover, Iago refers to himself as a devil in a soliloquy after Cassio drunkenly --------, saying "When devils will the blackest sins put on, / They do suggest at first with heavenly shows, / As I do now" (2.3.351-353). He reveals his intentions to harm Othello to the audience, showing that he does not have empathy for Othello or those his actions would affect, showing his ------------------------------------------------------------------------.
In many stories, there are villains who seem to control how the characters act by manipulation. These kinds of villains use multiple techniques to get what they want and to execute their plans. The techniques are used to affect the characters in a negative way in favor of the villain. In Othello, the antagonist Iago, plays that role. Iago affects the characters’ lives in a negative way by his honest reputation, his ability to “read” people, and how he “proves” to be Loyal.
He is manipulative and tells Othello to “observe her [Desdemona] well with Cassio” (Shakespeare, 3.3:197). Iago feeds Othello with countless lies and makes him miserable with something that is not factual. He is determined to get revenge and he does not realize Iago stands insincere. Furthermore, Iago is selfish when he tells Othello, “I am yours for ever” (3.3:479). He betrays Othello yet still let’s him depend on him for his own
When he does not get the position he wants and also heard that Othello has been sleeping with his wife Emilia, Iago’s manipulation increases. Iago plans his scheme based on, “[Othello] has done my office, I know not if’t be true/ But I, for mere suspicion in that kind/ Will do as if for surety” (I. III. 431-433). This use of manipulation is all based on an assumption that Othello has slept with Iago’s wife, and this assumption leads to even more horrible events.
Savagery in Othello and Lord of The Flies In all of us lies savagery; vile and animalistic impulses, typically brought out by extreme circumstance. This truth is the essence of Othello by William Shakespeare and Lord Of The Flies by William Golding. Othello focuses on the character Iago’s manipulation of Othello, a Venetian general. He believes that Othello had an affair with his wife Emilia, and feels resentful toward him for choosing Cassio instead of him as lieutenant, when he is clearly more experienced.
In Act 4, Iago lies to Othello saying,“What if I had said I had seen him do you wrong?” convincing Othello of Desdemona and Cassio’s affair (4.1.24). Iago knows Othello’s jealousy overwhelms him at the thought of Cassio and Desdemona, giving Iago control over Othello’s emotions and
“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes.
Kolin observes that Iago stands out among Shakespearean villains since he is the only one to survive his own monstrous acts (25). Unlike Richard III, apart from telling stories, Iago carries out a downright fraud through other means of manipulation, which makes him the most evil and intelligent character. To be exact, Iago is a puppeteer who sets up scenes to deceive the “credulous fools”—Othello, Cassio and Desdemona (4.1.45). Iago talks to Cassio about Bianca while telling Othello that the subject of their conversation is the Moor’s wife. He is so smart and careful that he even gestures Othello to come closer when Cassio is about to illustrate how Bianca entangles him.
When something goes to far normally we would end it however, that 's not what happened in the shakespeare play Othello. In the source “Destructive revenge in Othello” by Harry Keyishian it talks about the revenge that fueled the play as well as Iago’s true ambitions. Keyishian also talks about how Iago tricks almost everyone in order to get his sweet revenge. Once Iago Stabs his assumed friend Roderigo it’s clear revenge had been taken too far.
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the