Iago tells this lie knowing it will send othello into a fit of rage. This would be the last straw for othello. That is what iago wants, he wants othello to ruin his marriage by himself. Iago gets into othello 's thoughts causing him to overthinking everything. Iago aslo yells “oh murd’rous slave!
The portrait of Dorian Gray acts as his moral indicator, but Gray simply disregards it. Dorian instead prefers to curtail his sins and live his life with the absence of morality by locking away the portrait. The memory of this terrible portrait however continues to return to haunt him. This makes Dorian paranoid and he fears that the painting will be discovered and his appearance will be forever tarnished to the world. Dorian eventually sees that “his beauty to him had been but a mask, his youth but a mockery,” (Wilde, 223) and the full weight of his sins begin to become apparent.
When he does not get the position he wants and also heard that Othello has been sleeping with his wife Emilia, Iago’s manipulation increases. Iago plans his scheme based on, “[Othello] has done my office, I know not if’t be true/ But I, for mere suspicion in that kind/ Will do as if for surety” (I. III. 431-433). This use of manipulation is all based on an assumption that Othello has slept with Iago’s wife, and this assumption leads to even more horrible events.
Macbeth loses his heroism and becomes fear-stricken when, undeservingly, he acquires certain knowledge about a few unrelated events of his future life. Having tasted “certainty” of the irrational world, Macbeth becomes more and more troubled by the uncertainties of the rational world and his fear is aggravated and heroism disappears more and more. He turns out to be a divided personality as he lives in one world and abides by another. His reason and imagination don’t work as parts of a unified sensibility. Imagination makes him more frightened and less heroic.
The thought of revenge on a "birbaro marido" (1564) who has committed adultery after his marriage to her, entices her into believing that "los imposibles parecen / ficiles" (1566-67) (Everett W. Hesse 1997) . While she occupies herself with the thought of a secret revenge, she is overcome by the fear of the Duke 's justice and so restrains herself for the present, convinced that "... mayor fuera / mi desatino, si diera / puerta a tan loca pasión" (1573-75) (Everett W. Hesse 1997). In the second act Lope portrays Casandra in a warm and sympathetic light, Casandra tells Lucrecia that the Duke spends nights away from home, that it is all you can expect from men that the world allows it, she proclaims that he spends none of his nights with her and that she would be better off as a simple farmers wife ‘en aquella humilde esfers como en las camas reales se gozan contentos tales que no les crece el valor si los efectos del amor son en las noches iguales’(Everett W. Hesse 1997). From this it is impossible not to feel sympathy for Casandra, she has been forced into this horrible marriage by her father a man whom she loves but evidently can no longer trust. She has lost all faith in men due
The men in Othello mistrust the women and always quick to associate them with being deceptive and unfaithful. Even in the beginning of the play there are hints of mistrust in women. For an example, when Brabantio discovers that Desdemona married Othello he says, “Fathers, never trust your daughters just because they act obedient and innocent” (1.1.15-17). Brabantio implies that women put on an act and pretend to be trustworthy.
Following Desdemona’s murder, the satanic allusion in Emilia’s accusations “thou art a devil … thou art rash as fire” reduces Othello’s initially high status of an honourable soldier to that of a “cuckhold”. This loss of his positive image leads to Othello’s self-execution in an act of attempted atonement, portrayed in the paradoxical statement “for nought I did in hate, but all in honour …” demonstrates his preoccupation to salvage his reputation. Othello’s inability to face the consequences of his actions, resulting from his obsession with reputation facilitates his ultimate demise and the pathos in this allows the play to retain relevance with modern
Through the repetition, it is clear that he is determined about his viewpoint and expresses self-destructive behaviors that inhibit Oedipus and as a result, he starts recapping the events repeatedly in his mind. The word “misery” negatively connotes his performance and thus indicating that Oedipus is degrading himself as he believes he is not worthy of happiness, love and is exceedingly embarrassed about himself and the influence he brought upon his people. Therefore, he states that nobody should ever look at his“misery.” Oedipus is eager to distort his perception of himself from a pride man with a successful future transforming it into complete
While Shakespeare's Othello is full of deceitful acts of immorality, Iago is behind each one of them. Iago’s, deceptions make Othello believe that his wife is cheating on him with Cassio. Through many remarks Iago is able to force images of sexual relations in Othello's mind. These images and the rage that the images bring soon lead to the hatred of both Othello and Iago. Iago is motivated by his need for revenge and his hatred that he has for Othello.
This creates a whirlwind of problems for Holden, convincing the reader that “Holden is clearly flawed . . . (Bickmore and Youngblood 254)” His failure to reflect upon his poor choices, such as his failure to study and lack of motivation, can be seen as the birthplace from which many of his problems spring, leading to his pessimistic
His arrogance and anger cost him his life but with the warning “Be not quick in your spirit to become angry, for anger lodges in the heart of fools.” he might have been spared that consequence. However, because of his actions he can be described as vain. This is because throughout almost the entire play he is out to kill someone, namely Romeo. This also proves that he is very self-centered because of his reasons for attacking Romeo which was: crashing a Capulet party and being a Montague.
In “The Birthmark”, Aylmer is bothered in seeing a birthmark on his wife Georgiana’s cheek. I believe that Aylmer was truly evil in the way he manipulated Georgiana in thinking he truly cared about her. Aylmer’s ideas of perfection were the most dangerous thing about him and even led him to kill. When Georgiana learned of her husband’s disdain towards her birthmark she was devastated. Slowly, Aylmer manipulated Georgiana into believing that this mark would need to be removed.
The grief he contains prepares the audience for the catastrophic tragedy. Nevertheless, Oedipus fails to comprehend Teiresias’ warning, and calls him “cold, stubborn, fool (38)” out of anger; he could no longer resist the need of unmasking the murderer. The diction he chooses demonstrates the way he scorns the prophet, considers him to be puny as he does not provide him with the answer he wants. Finally, Teiresias is fed up after Oedipus shunned him, and blurts out “the plague is [Oedipus](39).” He discloses, Oedipus is the root of the problem that arose in Thebes; Oedipus is shaken by the statement, and deems that he is a victim of conspiracy.