At the beginning of William Shakespeare’s Othello, Emilia, Iago’s wife and Desdemona’s attendant, remains blindly loyal to her husband. Emilia demonstrates her blind loyalty when she steals Desdemona’s handkerchief for Iago, stating that she is “nothing but to please his fancy” (3.3.343). However, by the end of the play, she comes to realize the dark truths about her husband and reveals them. Unlike the other characters in the play, including Iago, Othello, and even Desdemona, Emilia is driven by honesty and logic, rather than passion or jealousy. Her ability to think logically eventually causes her to abandon her loyalty to Iago and pursue of truth and justice. Her loyalties switch from Iago to Desdemona, whom Emilia knows has remained faithful …show more content…
Iago and Desdemona are stark contrasts to one another, acting as opposing forces in Emilia’s life. Iago consistently lies in order to further his own agenda and manipulates many of the characters in the play. Iago’s hatred for Othello motivates him and Othello compares him to the “devil” (5.2.337). On the other hand, Desdemona’s love for Othello motivates her to leave her father, Brabantio, and marry Othello. Desdemona remains honest and faithful to Othello throughout the play and Emilia calls her an “angel” (5.2.161). This contrast is further exemplified by their opposing opinions on women. Iago is misogynistic, describing women as “pictures out of doors...and huswives in your bed” (2.1.122-125). Whereas Desdemona believes all women are pure and cannot fathom that any women would commit adultery: “That there be women do abuse their husbands/In such gross kind?” (4.3.68-69). Emilia, however, believes in the equality of genders, “wives have sense like [men]. They see, and smell” (4.3.105-106), acting as a middle ground between the idyllic views of Desdemona and the misogynistic ones of Iago. The men, including Iago, in the patriarchal society in which she lives in do not reflect her ideals, and thus causes her to speak disparagingly of men: “They are all but stomachs, and we all but food” (3.4.121). While Iago embodies evil and deception, Desdemona represents benevolence and truth. When Emilia begins to reveal the dark truths about Iago, he demands her to be silent. She defies him, demonstrating that she is no longer loyal to him: “I will not charm my tongue. I am bound to speak.” (5.2.220). Additionally, Emilia vehemently defends Desdemona integrity to Othello: “O, she was heavenly true!” (5.2.166). Emilia’s change in allegiance from Iago to Desdemona highlights not only her loyalty to Desdemona but also to goodness and
However, all this hatred is unfounded, and if Othello just dug a little deeper into Iago’s claims, he would realize that Desdemona is innocent. Othello’s problems affected Desdemona in more ways than one. She now has to deal with a husband who is angry at her for no reason. As mentioned in the last paragraph, the mental struggle one goes through when beating themselves up over something is great. Desdemona beats herself up because she doesn’t know what she did to Othello, but Othello is still angry.
Speaking of which, Iago only becomes Othello 's lieutenant solely due to the suspicion he plants in Othello 's mind, proving how even this friendship isn 't pure. Iago is at the center of all relationships pulling the strings. Moreover, the truth between Emilia and Iago 's so-called matrimony is seen as Emilia confides in Desdemona about men, "They [men] are all but stomachs, and we all but food; They eat us hungerly, and when they are full, They belch us" (3.4 121-123). Not only does this explain the root of the men 's wants in amorous relationships, but it demonstrates the true intentions of all the men in the play in relation to the women in the play. Although Othello does not have any examples of friendship, one must make affirm that life is filled with people unlike the characters in
In Act 1 Scene 1, Iago tells Brabantio "... you’ll have your daughter covered with a Barbary horse, you'll have your nephews neigh to you…" it’s obvious that Iago’s use of animalistic language insinuates that Othello is a beast, highlighting that his marriage is unnatural. Iago’s description of Othello attempts to exploit his care for social status to make Othello doubt if he deserves Desdemona. In Act 1 Scene 3, Brabantio’s discovery of Desdemona’s marriage to Othello prompts him to question their union and to state that it is “against all rules of nature and must be driven to find out practices of cunning hell”. Brabantio uses hyperbole to emphasise the incorrectness of the marriage. This forces Othello to doubt his marriage and exposes his jealous and naive flaws.
In this quote Iago’s choice of words shows how he sees her, as his possession. This is why Marxist criticism is the criticism that best describes Iago, he is the true definition of a Marxist character. He likes that sense of power that he has over her and their marriage. Iago doesn’t care about the relationship that he and Emilia have but he cares about what come with the thought of marriage. Typically in a marriage the man is who pays the bills, runs the household, and makes the wife stay home.
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
Othello starts to believe Iago’s lies about his friends and wife, leading Othello to change his behavior towards his closest allies. Iago instigates a fight between Cassio and Montano, and Othello must take charge of his soldiers, he says: Thy honesty and love doth mince this matter, Making it light to Cassio. Cassio, I love thee But never more be officer of mine. (2.3.210-213) Othello makes the decision to fire Cassio, and things get worse when Iago makes his wife, Emilia, steal Desdemona 's handkerchief.
Feminist point of view means the analysis of any literary works based on the feminist perception. Feminism has gradually become broad and noticeable in its attacks on male-dominated society. The Shakespearian era of the 16th century was a time when women were very inferior in the society. If we compare with other writers, Shakespeare was always careful of women and tried to give them respect in his different writings. If we look at his famous play named Othello we need to judge the equality of women in terms of political, social and economic perspective.
His detachment towards the characters then drives him to do sinister deeds on to them, ultimately causing his downfall. Emilia, Iago’s own wife is another character to which he is detached from. In Act Five, scene two, Iago kills his wife for telling
While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.
He ends up uses all the money Rodrigo gave him, for himself. Not only that, but Iago ends up killing Roderigo, he says, “if Roderigo lives, he’ll expect me to give back all the gold and jewels I swindled him out of as gifts to Desdemona, that must not happen.” Iago stabs Roderigo, and puts all the charges on him. Emilia is Iago’s wife as well as Desdemona’s maid, he lacks attention and sympathy towards her. It is very obvious that he does not care about her.
Although, Iago creates this immoral images of women to feed his revenge, while doing it by this mean he reveals his true perception of women. Iago perceives his wife as a promiscuous woman and without having any facts or proof convinces himself and takes as a fact the rumor that Emilia had an affair with Othello (1.3.324-27). Iago acknowledges his wife as an easy woman who has betrayed him more than once, murmuring: “For I fear Cassio with my
Manipulation is shown in many ways such as politics, the media, misleading information and false advertising. To convey one’s thoughts to your own advantage is seen as crude and unnecessary. However, many people have their reasons in manipulating someone whether they are good or bad. In Shakespeare’s Othello, the concept of taking advantage of someone through manipulation leads to unnecessary, horrible events.
Throughout the play we observe Emilia’s character change, and how she suffered the consequence of challenging the system. Shakespeare’s Othello, utilises a range of dramatic techniques to showcase how women where portrayed during early modern England, as tools, chaste and naive. The antagonist, Iago takes this to advantage to manipulate his wife to unintentionally take a part in the moral dissembling of Othello. The idea where women were being victimised is presented when Iago utilises his power and authority to
In Othello, Othello and Desdemona are both characters that are struggling with their identities. In the beginning of the play we find Othello as a respectful man that is successful, but then we get Iago that manipulates him to make him seem as the bad guy. We also find Desdemona that turns against her father and the Elizabethan society to marry Othello, but we also find that she is respectful and obedient to Othello.
Her sole aspiration is to impress and please him. "Heaven knows, not I; I nothing but to please his fantasy. " she said as she theif on Desdemona’s handkerchief. This great love, which is a redeeming trait in her personality and morality. Despite of her affection, she eventually recognizes Iago’s disinterest towards her and inequality in their marriage.