Iago gets into othello 's thoughts causing him to overthinking everything. Iago aslo yells “oh murd’rous slave! O villain (Shakespeare 5.1.62), right before stabbing roderigo and killing him. Iago tells this to make it seem like he 's the hero for killing rodrigo because rodrigo wounded cassio. This is sinister because rodrigo and go planned to kill cassio but then iago beytrade rodrigo, killing him.
Othello tells Iago to go get some poison to kill Desdemona, but Iago refuses and just tells him to strangle her in her bed (IV. I. 223-229). Iago’s manipulation has not only lead Othello to believe the rumor is true, but has lead him to kill his own wife as well. Iago even manipulates Othello to strangle her, which is a much personal and vengeful death than poison.
Iago’s jealously is what caused the whole tragedy in Othello. Iago suspected of Othello to have slept with his wife. Iago had sexual jealousy which cause him to suspect Othello to be one who had intercourse with Emilia. In “Jealousy” David Suchet, the actor who played Iago in Royal Shakespeare Company, suggest that “Iago’s hidden motivation to do evil originates from his envious reactions to other principal figures in the play.” As Othello promotes Cassio over him, Iago would become envious and jealous of Cassio. We also know Iago is jealous of Cassio because in Iago’s soliloquy he said “If Cassio do remain/ He hath a daily beauty in his life/ This makes me ugly.” (5.1.18-20) What Iago is saying is, if Cassio remains alive he would be jealous because Cassio is beautiful and he is not.
Othello is then poisoned by jealousy by his ensign, Iago, and plans to kill the love of his life, Desdemona, because of outlandish claims. After he is confronted with the truth, it is too late, he takes his own life out of grief of killing his own wife. Although this play was made centuries
Character can be broken despite how strongly it is shaped. In William Shakespeare’s tragedy, Othello, Othello was a brave Moor who was quick to marry his lover Desdemona. His sinister ensign Iago deceived him into believing his loyal wife had committed adultery. Although Othello believed the alleged accusations, he also gave up his moral character to Iago. Regardless of the lack of trust from Othello, Desdemona did deceive her father prior to the situation.
The importance of the handkerchief with Iago is quite different. Iago used the handkerchief as a tool of destruction. He wanted to prove Desdemona’s unfaithfulness to Othello. Iago begged his wife Emilia to steal the handkerchief from Desdemona, and in Act III, scene 4, she finally did it. Emilia stated, “I have a thing for you.
Emilia hears Desdemona’s voice, and attempts to come to her aid but the door is locked. After Othello finishes smothering Desdemona, he opens the door to the bed chambers to allow Emilia in. He confesses to killing Desdemona because she was cheating on him with Cassio; Emilia asks who could of possibly told him that lie. Othello tells her that her husband has told him of the affair. Emilia seems confused and baffled and begins repeating “My husband”?
“Iago is an extreme instance of diseased intellectual activity, with the most perfect indifference to moral good or evil, or rather with a decided preference of the latter” -William Hazlitt. In Shakespeare’s Othello, Iago is the main antagonist who drives most of the plot and creates great conflict for Othello and other characters. Iago hates Othello because Cassio was promoted to Lieutenant over Iago, causing Iago to craft a destructive revenge plan to convince Othello that his wife, Desdemona, is having an affair with Cassio and actually trying to sleep with her himself. This plan will ruin the lives of Othello, Cassio, and anyone else in Iago’s path. Because of the pure jealousy that fuels his revenge, the genius complexity in his destructive plans, and all the while manipulating everyone around him without their knowledge, Shakespeare presents Iago as one of the most compelling villains in all of literature.
Similarly, but in a contrasting locality, during this time period, it is known that the Devil’s abilities are able to convert even the purest and sinless people away from God. As written by Arthur Miller, “the Devil [works] again (...) just as he [works] within the Slav who is shocked at (...) a woman’s disrobing herself in a burlesque show. Our opposites are always robed in sexual sin, and it is from this unconscious conviction that demonology”. The Devil “gains both its attractive sensuality and its capacity to infuriate and frighten,” which displays the control he holds over the society in that he can lure in a pure soul, but frighten one as well
he had Puck drug them for his enjoyment and to help out Helena who he takes pity on. He takes pity on her because no one loves her, and because he feels bad about Demetrius brushing her off. Lysander, Demetrius, Helena, and Hermia have a crazy and complicated love square that gets even more complicated throughout the play. Being crazy in love is a major theme of A Midsummer Night’s dream by Shakespeare. This is shown by many characters throughout the play.