Illusion Of Hope In Milton's Paradise Lost

In “Sinners in The Hands of an Angry God”, Johnathan Edwards uses fear to create images that help his audience experience the consequences of sinful behavior. He uses imagery and figurative language to persuade his readers. He wants us to get a mental picture of Hell in your head and he wants us to fear the wrath of God. One such image was when Edward wrote, “When men are on god’s hands and they could fall to Hell, natural men are held in the hands of God, over the pit of Hell.” God could let us fall into the eternity of burning flames anytime He wants to. Edward is trying to persuade people, especially sinners, to turn to God and to look to Him for Salvation. “The devil is waiting for them, Hell is gaping for them, the flames gather and flash about them, and would fain lay hold on them and swallow them up”, in this quote, we can imagine the horrors of Hell and what’s waiting for us. The devil can make us do anything and make it seem like it’s blameless for us,

In the nineteenth century gothic novel Frankenstein, Mary Shelley uses numerous allusions within her novel that can easily be interpreted by the reader. These allusions make it easier for readers to understand the characters and compare their circumstances throughout the story. The most significant and most used was from John Milton’s epic Paradise Lost. It is known that, “…Paradise Lost stands alone in the eighteenth and nineteenth centuries atop the literary hierarchy, and Milton’s epic is clearly rooted in the history of Puritanism and in the bourgeois ideal of the individual, the ‘concept of the person as a relatively autonomous self-contained

The monster compares himself to devil. He was once good and full of promising compassion, but neglection had led his to be

In Dante’s Inferno, he writes about his journey through hell for the purpose of recognizing his sins. He goes through this journey with Virgil, a voice of reason for Dante.

The author of the science fiction book Fahrenheit 451, Ray Bradbury is taken by most readers as pessimistic. The reason for this is because of the plot of the book being that instead of firemen stopping fires they create them. In addition to that, he seems pessimistic because of occurring events that happen throughout the book. The main character of the book is a "fireman" but his job as a fireman is to burn all books and houses with books in them. This seems very pessimistic, but as the book goes on and throughout the book it shows that Bradbury could also be optimistic. I believe Ray Bradbury is mainly pessimistic with some optimism because burning houses down as our future in society is very pessimistic, also through all the "new" mechanical technology that is ruining the world of Fahrenheit 451 which is very pessimistic, yet at the same time Montag 's courageous actions Bradbury is showing his optimism.

Dante’s Inferno is an epic poem by Durante “Dante” degli Alighieri, written in the 1300s. He wrote a trilogy, known as the Divine Comedy, consisting of Inferno, Purgatory, and Paradise. Dante was inspired by many events and issues happening at that time, such as the war between Guelphs and Ghibellines, the Battle of Montaperti, and Christian religious beliefs. In this paper, I will explore the first book, Inferno, on the topic of Hell and how the sinners had a significant impact on Dante’s journey through Hell. In Circle 5: Styx, Canto VIII, Filippo Argenti, a sinner of Wrathful, helped Dante to symbolize to readers his anger towards Black Guelphs, political enemies of the White Guelphs. In Circle 7: Round Three, Canto XV, Ser Brunetto Latino,

Though The Odyssey and Paradise Lost are penned during completely separate time periods–with a span of roughly nine centuries between the writing of each–the two works still share many similar themes and subject matters. Some are more vital components for the genre in general, necessary for a piece of literature to be considered an epic; others remain less conspicuous, though with just as great an impact on the overall story.

In the novel, Frankenstein, written by Mary Shelley, Victor and the Creature are the main references when it comes to the issues of morality. Several themes such as good versus evil, prejudice, and ambition & fallibility, the importance of friendship along with references to other famous texts like the Christian bible are manifested through the use of Victor and the Creature as they interact with each other allowing readers to construe examples of morality. Many debaters may argue the Creature is “evil” since a majority of his actions harm others while Victor is good because he was the victim and seeks to destroy his creation. However, one may counter this argument if they accentuate Victor is evil since he was the Creature’s creator,

In Dante’s Inferno, Dante Alighieri's depiction of Satan at the bottom of hell reveals the theme that in Hell the punishment is always befitting of the due to the fact that the lower you go, the farther that person is from god. The picture of Satan satisfies the reader because he shows that he is the opposite of god and that he is full of evil. Lucifer is the demon in the circles of hell which he has three faces, and bat like wings in which he creates the cold wind where the sinners suffer. “The face in the middle was red, the color of anger. The face on the right was white blended with yellow, the color of impotence. The face on the left was black, the color of ignorance,” (34). Lucifer is pictured as a terrifying demon to give a better

The desires of humanity often reflect the temptations residing in the heart’s depths. Evil’s lure is a strong pull felt by all, regardless of the appearance put on through the conscious mind. In literature, temptation is explored thoroughly, especially in the short story, “Young Goodman Brown”. “The tale becomes in great part, thus, a record of temptation” (Pualits 578-579). The author of “Young Goodman Brown”, Nathaniel Hawthorne, was born in Salem, Massachusetts, in 1804. His family has a long standing history in Salem, as his relative John Hathorne was a judge in the Witch Trials. Soon after the trials a ‘w’ was added to the family’s last name to distance themselves from the horrors of the time (Nathaniel Hawthorne Biography). Set during

called Lucifer and was the greatest of all angels l, rebelled against God over his jealousy of man. Turning evil and fighting the Almighty, he was destined to lose and thrown out of heaven, along with his army. In Dante’s Inferno, he resides in the deepest bowels of hell, where he tortures the three worst traitors in human history: Judas Iscariot, betrayer of Jesus of Nazareth, Cassius and Brutus, slayers Julius Caesar. In hell, contrapasso rules, and the appearances of the fallen angel Lucifer agrees with it.

As he does not even have a name as a marker of identity, he longs for parental recognition from Victor in order to end the confusion about who he is, and the more he understands the fear and hatred he unintentionally provokes in others, including Victor, the more hopeless his view of the world and his future becomes, which leads him to try and gain that recognition through violence. The murder of William, as Knoepflmacher argues, marks also the irreversible loss of “the ‘benevolent’ or feminine component” of the creature’s identity, which makes him “indistinguishable from Victor Frankenstein, similarly alienated from his feminine self” due to the loss of his mother and later on, his wife. The identities of the two are, indeed, intertwined and become fragmented in relation to Milton’s Paradise Lost, to which the novel constantly alludes. The creature reads Milton’s work and although he at first sees himself in Adam, he soon finds himself forced to identify with Satan. Chris Baldick argues that not only the creature but Victor himself starts to feel more like Satan than God – with whom he should identify in this instance – as the story progresses in the sense that “he too bears a hell within him”. Thus, the creature’s questions “Who was I? What was I? Whence did I come? What was my destination?” truly underline the entire novel and not only remain unanswered but become increasingly blurry for both the creature and his creator. Indeed, Baldick notes that as the two “refer themselves back to Paradise Lost – a guiding text with apparently fixed moral roles – they can no longer be sure whether they correspond to Adam, to God, or to Satan, or to

The classic novel Frankenstein, written by Mary Shelley in 1818, displays the use of literary devices, foreshadowing, allusions and figurative language, which aid the reader in understanding the authors opinion on scientific exploration. These techniques are used to arouse anticipation within the reader, therefore engaging them throughout the text. Along with providing a greater understanding of the novel, by referring to other books, and using the novel to portray the authors own perspective on scientific exploration. All these devices are effectively used within the novel to provide a deeper understandings of Mary Shelley’s work.

Authority gives a person the chance to feel superior, and as seen throughout this film, those within the position of authority will only then abuse this opportunity. Given the chance for people to gain authority or rather the sense of authority is enough to awaken the evil within. Within the movie, The Stanford Prison Experiment the guards were enabled to set a line of difference between the prisoners and themselves. They were able to make the prisoners feel weak or emasculated, forcing the students to strip and wear the assigned prison clothes that barely covered their genitals (Alvarez). Forcing the prisoners to wear these feminine articles of clothing and assigning them a number, gives the opportunity to strip away their personality and

In chapter three of Aquinas for Armchair Theologians by Timothy Renick, Aquinas’s philosophy on evil in the world and the free will of humans is heavily discussed. Renick describes a very complex topic and transforms it into something the average person can read and understand. Aquinas answers the questions of whether evil exists, did God create evil, why does evil exist, and if evil exists, who or what removes it. He also answers the questions of whether humans have the free will to make decisions or has God predetermined every decision and its outcome according to his plan. While I found this article somewhat easy to follow, I can understand how some of Aquinas’s arguments can lead to debate or confusion on the nature of God, evil, and free will. Despite this, because of reason and what God is envisioned to be, I agree with conclusions that Aquinas has made.