Shirley Jackson’s “The Lottery” is an amazing fiction short story. This story is highly focused on symbolism, imagery, and allegory. These three literary devices are what make this story as successful and impactful as it is. This profound impact from symbolism is more immediate and keeps readers interested throughout the story. It does not take much creative thought to connect the objects in the story and how they foreshadow their use.
The stories The Lottery by Shirley Jackson and The Rocking-Horse Winner by D.H. Lawrence share similarities in their stories. The difference is based on the three major areas in examining any story which are the character, plot, and setting. In general, the atmosphere is configured so that readers are attracted to fiction. A brief prose tale that can be read in one sitting, usually plot function as the driving force. The writer allows the reader to have a complete view of the story, based on the configuration.
“The truest characters of ignorance are vanity and pride and arrogance” (Samuel Butler). In the play Antigone, written by Sophocles, Creon is the tragic hero due to his dramatic actions. By the end of the play, Creon’s error in judgement causes his downfall. His ignorance begins to fade away as he recognizes his mistakes, but is too late. His decisions led him down a path in which there was no return, sealing his fate.
While real life traditions are rarely so extreme, Jackson’s exaggerated fictional example emphasizes her point to great effect. By the end of the story, the audience is convinced that the town is wrong to uphold the lottery tradition, but Jackson is not really writing about a lottery; she is writing about how damaging it can
The use of foreshadowing and tone in Shirley Jackson’s The Lottery effectively establishes the suspense and a sense of dread in the story. The writer holds back on the revelation of what is happening for so long yet there are subtle uses of foreshadowing to prepare the reader. When the characters assemble in the town square for “the lottery”, it creates suspense as a lottery is usually a positive event. The first example of foreshadowing is when the boys begin to stuff their pockets with stones, at that point in the story – there is no explanation for this yet by the end of the story, this event turns the ending into a realization rather than a surprise. There are many signs of tension throughout the story but they are all subtler than piles
“A Rose for Emily” is a unique short story that keeps the reader guessing even though its first sentence already reveals the majority of the content. William Faulkner’s “A Rose for Emily” is the epitome of a work that follows an unconventional plot structure and a non-linear timeline, but this method of organization is intentional, as it creates suspense throughout the story. William Faulkner’s “A Rose for Emily” follows an unusual plot structure, which creates an eccentric application of suspense to a short story. Throughout the story, there are no clear indications of standard plot structure in each section, such as intro, climax, and denouement. Instead, there are sections, which are not in chronological order, that describe a particular conflict or event, which in turn creates suspense, as each conflict builds upon each other to make the reader question the overall context and organization of the story.
The story has all its ups and downs leading up to the climax to then the falling action and eventually its resolution. It is very interesting how the story does not give the reader a clear conclusion, it opens the door for anyone to create their own ending. We see how plot structure is very important not only here but in every novel, short story, novella, etc. because it is the controlling force that drives a story. It is clear, not simplistic or predicable but easy to follow, yet engaging enough to make people want to read the
It turned out that colour pink means purity in Dark Romanticism. The whole story is hemmed in by this tiny detail, so I assumed that young Goodman Brown 's journey to the powwow is simply a fiction, his dark fantasy. However, Hawthorne was not so merciful to grant his readers with any clues, thus sentencing them to bewilderment once and for