Although Capote conveys the Clutters as a simple mid western family, his primary purpose was to display how pivotal the Clutters were to the flow and function of Holcomb’s community, therefore; Capote asserts that everything in life is a chain reaction, nothing just affects one individual.
The use of imagery is important to the story because the author is able to form images in the reader 's mind about the way that certain events unraveled in the story and to describe the appearance of certain objects and places in the story. An example of how the use of imagery was used in the story to describe an event was when the daughters father ran out of the house to shoot some crows because he believed that it was an American tradition, “father heard a
In In Cold Blood, the issue over the death penalty is prominent. Did Perry and Dick deserve to die? Should the severity of one’s crime determine one’s fate? Although Truman Capote writes the novel in a straightforward, “from a distance” way, he conveys, through his characters, theme, and plot development, that the death penalty is an issue that should be looked at from all sides and that the legal system itself is the real issue at hand, and that the death penalty is used as a means to suppress the distress and indignation of the citizens surrounding the case, instead of suppressing the victim himself.
Truman Capote, the author of In Cold Blood, creates sympathy for almost every character the reader comes across. Through the use of manipulating the reader's emotions and connecting them to each character, Capote successfully pulls it off. There are four main groups that Capote chooses to create sympathy for the murder victims, the murderers, the law officials involved, and the ordinary citizens of Holcomb, Kansas. Truman Capote created the most sympathy for two characters, Perry Smith and Detective Dewey.
How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists. Additionally, Capote expressed the idea of there being two sides to every story for both the protagonist and antagonist. By doing so, he used a unique writing style to help develop the story. In Cold
The novel, In Cold Blood, is an anomaly in the literary paradigm. The author, Truman Capote, designed his novel in a way that made it unique when compared to others. His fundamental purpose was to present the problem of American violence and the fragility of the American Dream and how it can be so easily shattered. In order to portray his purpose, he used many rhetorical devices including syntax, diction, tone, ethos, logos and pathos. These devices allowed Capote’s novel to be different from the spectrum of other non-fiction novels and to support his purpose.
English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book. Much
Throughout In Cold Blood, Truman Capote hints at his own opinion of the death penalty, yet lets the readers decide for themselves what they believe Hickock and Smith's punishment should have been. When the murderers are being hanged, a conversation occurs between a reporter and an investigator about what it might feel like to be hanged: "'They don't feel nothing. Drop, snap, and that's it. They don't feel nothing.' 'Are you sure? I was standing right close. I could hear him gasping for breath.' 'Uh-huh, but he don't feel nothing. Wouldn't be humane if he did'" (340). Furthermore, Capote includes the amount of time before Lowell Lee Andrews and Dick Hickock died. From the time of hanging to the time their hearts ceased beating, it took nineteen and twenty minutes, respectively. Also, in preparation for the trial of the Clutter family murderers, doctors did psychiatric evaluations of the pair. Capote includes what the doctors would have said had they been allowed to elucidate during the trial. The evaluations suggest that Hickock and Smith might have been better off in a mental institution. By including the conversation at the hangings, the elapsed time before death, and the doctors' unspoken evaluation, Capote suggests that neither the death penalty nor hanging is always the best course of action for a person's crime. Contrastingly, the opposite opinion is revealed through the character Alvin Dewey in the book. Capote writes about Dewey’s beliefs on the case: “[The Clutter family] had experienced prolonged terror, they had suffered. And Dewey
1729, a Papist infected Ireland was being devoured by the taxes that the British placed on them. The taxes were turning into what once was a glorious place into ruins. Jonathan Swift, an Englishman and Irish sympathizer, realized that someone had to do something to wake up the British. This lead to the creation of A Modest Proposal, a pamphlet heavy with irony and juvenalian satire, which was how Jonathan Swift planned on compelling the British to do something about the poor situation in Ireland. His use of rhetorical devices gets his point across in an effective and powerful way.
Located in a “lonesome area,” the town did not have much to see. All of the local buildings were falling apart; with their chipping paint and “dirty windows” and “irrelevant signs.” The citizens of the dreary town were nice people, everyone knew everyone, and they spoke to each other in an accent "barbed with prairie twang.” The description of this town makes it sound very dull and boring, doesn’t it? Yes. Some of these phrases are used by Truman Capote in his introduction to In Cold Blood. Capote describes the small town of Holcomb, Kansas in this way while using imagery, specific details, and brilliant word choice to take us into the town and experience the story rather than read it.
Everybody has desires that constantly weigh over their heads, pushing them to be diligent in all their endeavors, but what would you do if you knew that one day you would no longer have the opportunity to fulfill these desires? Everybody lives their lives so focused on the end goal that they are oblivious to the world around them, and the sad part is that in some cases the end goal is unattainable or never reached because the person dies. In In Cold Blood, Truman Capote utilizes symbolism and descriptive diction to tell his readers Perry’s wants and wishes. Throughout this subchapter the reader is able to learn more about how Perry feels in the moments after the Clutter family murder. The reader learns that Perry wishes he was loved by others
In Cold Blood by Truman Capote is a true story of a quadruple homicide in the small town of Holcomb, Kansas that greatly impacted the community in 1959. Capote begins his novel by introducing a prominent, well respected family in the community, the Clutters. The Clutters lived average everyday lives until they were abruptly ended at the mercy of a 12 gauge shotgun. The killers were two men unknown to the Clutters, who had two completely different backgrounds and personalities. By choosing to include details about each of the killers, Capote delineates the differences between psychopaths and sociopaths and suggests that the combination of the two personality disorders creates the environment for horrific
Truman Capote’s novel, In Cold Blood epitomizes the shifting sentiments related to the murder of the Clutter family which range from terror, to sorrow, to pride, and all mixed emotions in between. Yet through Capote’s particular descriptions about each character, the connection between their feelings and their actions become further clarified. In effect, the readers experience feelings of sympathy for the victims, their friends and family, the investigators, and even the brutal murders of the innocent family. In order to craft this association, Capote employs a pathos appeal to amplify the audience’s ability to sympathize with each and every character. He succeeds in creating these complex personalities that many can relate to by using a myriad of tones to illustrate every aspect of those engaged, such as their childhood, their family, or their emotions. For instance, Bobby Rupp, Nancy’s boyfriend and Perry Smith, one of the slayers, represent two individuals who readers commiserate with due to their distinctive characterization.