III. Fear of the Foreign
“Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things.” (Stoker 23)
During Queen Victoria’s reign Great Britain became a powerful nation and a global empire. It was the centre of banking and the source of the capital for investment. Britain came in touch with a variety of cultures. By the end of the nineteenth century, one-quarter of the earth’s land was part of the British Empire. Britain’s successful expansion was the result of its civilizing mission. The civilizing mission was based upon their own national, racial, and moral ideals and beliefs. Late Victorian society believed that non-Europeans were less evolved and therefore were unable to properly to lead their
…show more content…
Britain feared that the diversity of nations would weaken their imperialistic power since they had a strong national character. According to Arata, the fear of dissolving into vampires is the fear of ‘dissolving into Roumanians’ (cited in Gelder 12). Stoker’s vampirisation symbolises colonisation, or more likely reverse colonisation: “Stoker tackles the issue of colonization and the metaphoric revolt of the “inferior” East visible through Count Dracula’s desire to become a part of the English society.” (Lukić and Matek 6). Dracula returns colonisation to the main colonisers. Harker discovers Dracula’s enthusiasm about England, apart from significant business interests: “The books were of the most varied kind, history, geography, politics, political economy, botany, geology, law, all relating to England and English life and customs and manners.”(Stoker 22). He speaks German and “excellent English, but with a strange intonation.” (Stoker 17). Stoker conveys that foreigners seem as enthusiastic about England as England is about other countries. They feared that the colonised countries would use the gained knowledge against them. Eastern Europe is aware of multiple nations and is proud of it, as Dracula explains, he is a proud Szekely in whose “veins flows the blood of many brave races.” (Stoker 33). Since they do not have a national identity, they are willing to blend their Otherness with other nations. England cannot accept the idea of a foreigner invading their own concept of nationality, beliefs and values. Stoker expressed Britain’s worst nightmare through Jonathan Harker by
APUSH Unit 2 Long Essay In 1603, the English were still a small rising nation, poorer than most, and less powerful than Spain and France. Although the British colonies settled in the Americas late, they quickly became a dominant force in the new world. After they acquired their first permanent settlement in Jamestown, VA in 1607, the British became attracted to greater power and more land, which was the first building block of perhaps the most powerful European nation of the time period. Due to their growth in the Americas, the British were able to be compared to the Spanish colonies of the time period, which boosted the English’s confidence.
Bram Stoker's Dracula is filled with interesting symbology and religious comparisons. Dracula is a gothic novel set in late 1800s Britain and Transylvania. Dracula is an epistolary, meaning it is told through a series of journal entries, news clippings, etc. It’s like the written version of found film. Dracula draws from many old myths for its villain and is the basis for the modern vampire.
The topic I have chosen for my essay is how Dracula is meant to remind society of the importance of religion, specifically Christianity, in Stoker’s time. I intend to do this through analyzing symbols in Dracula, drawing connections between these symbols and Christianity, and analyzing the implications Stoker attempts to make. I chose this topic because vampires and their sacrilegious implications, such as burning when touching a cross, have always been of interest to me, hence why I chose to study Dracula in the first place. My thesis is: Stoker uses Count Dracula as symbol to represent what society may become if they abandon religious beliefs.
In Bram Stokers novel “Dracula” there’s a battle between good and evil. The good uses Christian references to ward off evil. This starts a holy war. Stoker’s novel is an obvious ‘good versus evil’ kind of story. We all know that Dracula is going to get defeated, but how?
At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the
The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that
One of the many characteristic features of the Victorian culture was its patriarchal ideas about women. This culture looked upon sexual activity as a negative matter amongst women. The theme of sexuality is very significant
Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.
Throughout the excerpt from Bram Stoker’s Dracula, Stoker utilizes diction to convey the central idea that peoples’ worst fears lie in the unknown. In this section, the narrator is being held captive by an unknown entity. He begins to feel that his only hope is to understand the captor and starts to question the manner of the individual. In an effort to express the central idea, Stoker employs diction.
Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.
His novel, Dracula, tells the tale of five people who encounter and have to deal with the evil undead vampire Count Dracula, who terrorizes them and even causes two out of the five to become undead like himself. Thankfully, the group eventually discovers a way to eventually vanquish Dracula once and for all, and by the end of the book they destroy him, preventing him from terrorizing the people of Europe once and for all. Stoker explores several significant themes in this book, including the theme of deception. In Dracula, Stoker uses the theme of deception with the characterization of Dracula,
During the Victorian period in which Dracula was written, morals and ethics were often strictly enforced. Some of the morals that were upheld had to do with personal duty, hard work, honesty, as well as sexual proprietary. It was very important during this period that one was proper in their sexual behaviors and conventional in whom they had sexual relations with. However, during this period, many authors sought to challenge the ‘norm’ with ideas of reform and change and Bram Stoker was no exception to this. In his novel, Dracula, Stoker provides a critique of this rigidity in his portrayal of Dracula and Dracula’s relationship with Jonathan Harker.
Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,
In Bram Stoker’s gothic novel, Dracula, the overall and fundamental theme of the book is given away the further you read, expressing Stoker’s view of religion. The novel is an account of the paths taken by many different characters such as Count Dracula, Van Helsing, Jonathan Harker, Mina Murray and Lucy Westenra. Since this poem was written with ideas focused primarily on the concepts of evil, as it was viewed during an appearingly-conservative nineteenth and twentieth century society, the book can be seen as a parallel to Eliot’s and others’ own religious quests. While Bram Stoker attempts to acquaint the reader with a frightening tale on the accounts of a dreadful vampire named Count Dracula, he also expresses the goal of strengthening
A battle between good and evil is a common plot to Dracula. The forces of evil, Count Dracula and other vampires (the un-dead), try to take over Britain. The novel heroes Dr. Van Helsing, Dr. John Seward, Johnathan Haker, Quincy Morris, and Arthur Holmwood are the first responders for this evil invasion of the British Empire. In the novel the characters Dracula and Van Helsing play a major role for being the leaders of their respective groups, therefore they controlled the actions of their groups. Dracula’s actions in the novel have the purpose to flourish the rise of the un-dead, while Van Helsing’s actions aim to preserve and protect the human race.