My childhood was full of exciting experiences with soil, papers and cloth as well as my eyes all of which taught me to become friendly close to nature. Although playing with scissors, glue, painting colors, watercolor, Crayons and paperboards are common activities among children, for me it was a way to express myself. My handcrafts had all a name and a story. These stories continued through my adolescence when I found architecture as part of my life before entering the university. In 2009 when I was at high school, I bought a book titled “Human, Nature and Architecture” by Nazanin Golparvar Fard (2009; 1388 In Persian) which I found later was a textbook in bachelor’s course. The title itself attracted my attention and its content developed my interest toward nature- inspired architecture. However, Nature of Human was what I realized as a core factor and central goal of effective designs.
It should be noted that I never understood these facts until I entered the Islamic Azad University of west Tehran Branch as a student of architecture. During past 4 years, Architectural Design I-V courses were all attractive to me and I put most of my time studying them. Environmental Perception, Introduction to
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In fact in my opinion, one can just put a value on the way he/she analyzes and examines that information, by which conclusions, meanings, and concepts could be extracted. This is just what happens by human’s brain! I firmly believe that the science of architecture is not related to test scores, as it is still an emphasis of many universities, instead the main influence is a comprehensive understanding of relevant topics. It seems that performance of a creative mind has nothing to do with anything but an apprehension of the way by which it produced its
Taking art 1301 was one of the best decisions in my life, because I learned the true meaning of art, history plays a important part in art and there is art everywhere. I discovered that the art museum had so many great paintings and some of the artwork comes from the old times, like during the world war I and II , I did not know the museum would have amazing historical artwork. One thing I noticed is that some artist have created the same type of artwork they use one skill for all their paintings or statue for example Fred Wilson created the “ Were ancient Egyptians black,white,or brown” his artwork has the same faces created five time, but the only difference is the color of the statue. He used the same technics, which makes his art
Many people who go into nature always see it as something beautiful and aesthetic, but they never see the other side to nature. Humankind’s connection with nature isn’t a real one. They always look at the bright side of nature but are blind to the true dark side of nature. JB MacKinnon’s article “False Idyll” (2012), reveals that nature is not just flowers in a field but can also be the survival of the fittest. He backs up his claim by talking about nature through anecdotes and expert’s research.
According to Chris Hedges in his excerpt “Empire of Illusion,” “The most essential skill in political theater and a consumer culture is artifice” (Hedges 1). Chris Hedges wrote this book to persuade the audience that the most essential skill a person can have is artifice, the skill of deception. Throughout the excerpt, Hedges covered the important of artifice by detailing the importance of personal narratives, where the reality is irrelevant (prompt). This topic is broadly known as controversial due to the fact that some people believe artifice is necessary to be successful in life. However, others believe there are various other skills one can possess while being just as successful.
He highlights the concerns and identity of the cultures that have influenced him into creating his pieces of art. With In his artwork Home Décor Algebra
The environment is connected to the individuals, and within the environment there are many resources and systems of support; including individuals, families, and groups (Long, Tice, & Morrison, 2006). Through the application
Author Rasmussen’s book Experiencing Architecture further elaborates on this architectural experience by emphasizing “You must observe how it was designed for a special
Mankind has always faced many natural obstacles, one of them being the harsh elements of the weather. In order to protect themselves, humans began to build shelters to keep warm and survive. This acted as the roots that gave rise to the industry of architecture. As time has passed and societies have come and gone, the advancements in architecture have continued to grow, but never again has there been a time more influential and lasting on architecture than the era of the Greeks and Romans. Their architectural achievements revolutionized modern architecture in a way that is still being used to this day.
New designs have been adopted since the onset of architecture, and thus, with the concentration of a history of architecture, new phenomenon and innovations are realized that would help in further explanation and address of other necessities in the same sector. A concentration in the History of architecture and landscape architecture as a course incorporates more than one element of
Though this may seem as a simple objective, two main limitations stand in the way of achieving it. The first is the limited understanding of the human attachment/inclination towards nature. In spite of the growing body of research (Appleton, 1975; Kellert, 2005a; Heerwagen, 2005; Biederman & Vessel, 2006), still it is not clear why certain natural forms and settings arouse positive feelings in human beings. The second limitation is the difficulty of translating this limited -but growing- knowledge in architectural terms; form, form making principles, form language, structural systems…etc. (Alexander, 2001-2005; Salingaros & Bruce, 1999; Kellert,
He called this “Organic Architecture”. He managed to create his own architectural language that was true to his beliefs in design. Along with his design ideology he published the essay “In the Cause of Architecture” that set guidelines and proportions that were the basis of his work. In his essay he lists a number of important points: “ 1. Simplicity is the quality that defines the value of any work of art “– 1.
Tectonics is defined as the science or art of construction, both in relation to use and artistic design. It refers not just to the activity of making the materially requisite construction that answers certain needs but rather to the activity that raises this construction as an art form. It is concerned with the modeling of material to bring the material into presence - from the physical into the meta-physical world (Maulden, 1986). Since tectonics is primarily concerned with the making of architecture in a modern world, its value is seen as being a partial strategy for an architecture rooted in time and place therefore beginning to bring poetry in construction. Tectonics, however, has the capacity to create depth-ness of context resulting in the implicit story being told by the tectonic expression.
These sensory signals have a large impact on our relationship and experience of an environment because they are able to physically and emotionally engage and connect us to the architecture. Although these types of sensorial qualities may not make or break the successfulness of architecture, they must remain of high importance because of their ability to reinforce an individual’s personal connection to a place. Juhani Pallasmaa, claims that our design culture has forgotten the importance of the senses in engaging our whole being- physical and emotional- in an architectural experience. This theory speaks to an experience that goes beyond a visual relationship between a person and architecture.
Introduction: Our earth is the most precious gift of the universe. It is the sustenance of ‘nature’ that is the key to the development of the future of mankind. It is the duty and responsibility of each one of us to protect nature. It is here that the understanding of the ‘environment’ comes into the picture. The degradation of our environment is linked with the development process and the ignorance of people about retaining the ecological balance.
In the times of modern design, art and design has already become a part of our life and plays important roles in our society. Design not only decorates our society and living places, but also brings us a well-rounded life and makes our life become more colourful. Design is a great benefit that would not cause any negative issues to our society. So can you imagine how boring and dull will be if does not exist any art and design in our daily life? Can you imagine how our life will be in the future?
The research need, aim, question, objectives and an outline of the overall research design are summarised. The chapter concludes by outlining the overall structure of the dissertation. 1.1 The Nature of Architecture as a Profession To understand the significance of role of client and critical impact of architect- client relationship in the design process, one needs to first understand the nature of architecture as a professional activity. Architecture has been described as a combination of art as well as craftsmanship, social science as well as engineering.