Importance Of Foreign Musicals In China
As the development of cultural undertakings in China, Chinese people have more diversified demands on the art and the voices for musicals are getting higher and higher. Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Musicals were born in the British and American countries in the twentieth Century, and enjoyed the highest popularity in American Broadway and the Western Zone in the United Kingdom. Musicals entered in China in the 1980s, and the first musical in China was “the young man of our present”, which was created by the Central Opera House, then, in the early 21st century, the western musical Cat was successfully introduced in China. …show more content…
Although foreign musicals are actively introduced, many people still have problems accepting them due to some audience, especially the middle-aged and the elderly, can’t understand the content of the play because of language barrier. As a result, one possible solution is to introduce foreign musicals and translate them into Chinese. Thus, Chinese audiences can accurately understand the content of the musical on the one hand and on the other hand, composers can better understand the composition of the works, and learn from the merits of foreign works to create better original
The Effect Of Jukebox Musicalss On Modern Day Musicals
84 Words | 1 PagesAbstract This research is an exploration into how ‘Jukebox musicals’ have influenced modern day musicals and how they are written. This style of musical could be seen as the most recent form of musical and its increasing success in the West End looks appears like it’s going to stay. In this essay I will be investigating into whether jukebox musicals have affected future original musicals, the audiences that watch them and the rising musical theatre writers that make new original west end productions possible.
Waiting To Exhale: Film Analysis
446 Words | 2 PagesThe songs used in this film not only connected to real world situations but it also told
Bob Fosse Analysis
786 Words | 4 PagesBOB FOSSE’ STYLE REVOLUTIONIZED THE WORLD OF JAZZ The subversive and prodigious choreographer Bob Fosse had a style that not only astonished the American dance scene of the time but sent shockwaves across the globe. He pioneered a progressive technique that changed the music theatre scene indefinitely, which led to the birth of Broadway burlesque. Fosse’s style incorporates sharp agile movements that display the body in a way that shows off rather than disguises. The dance community was immediately sceptical of his approach but began to grasp the fact that Fosse’s technique could one day be popular amongst the dance society.
How Did Richard Rogers Influence Musical Theatre
653 Words | 3 PagesBoth created a string of popular Broadway musicals in the 1940s and 1950s, initiating what to be considered the “golden age” of musical theatre. Rodgers was composing the music and Hammerstein was writing the lyrics, five of their Broadway shows, “ Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella. “ The King and I” opened on Broadway on March 29, 1951. The idea of the Broadway came from a film in 1956 with Brynner re-creating his role opposite Deborah Kerr. “ The Sound of Music” were Rodgers and Hammerstein las work together, the play told the story of the von Trapp family.
Chinese Illusion Act Analysis
772 Words | 4 PagesAnother theatre in the US with Asian American as a main focus is the New York, Ma-Yi Theatre Ensemble. The theater’s main interest of focus is on the flourishing Filipino population. In the beginning, the theatre performed Filipino plays translated into English. Initially, the executive director there won’t any Filipino American writers, but as it turns out there are a lot of Filipino American writers. The writer simply didn’t have the chance to be known.
Brewed Awaking Essay
715 Words | 3 PagesI do not believe so, also it did not intersperse sung lyrics with spoken dialogue well or use songs to cut away from a particular strand of the story well. Also, it is essential that the production would improve by creating compelling, unique characters because they are the storytellers; there is no third person narrator. I would have improved to define the main characters clearly so that we know their goals as we follow them through the piece. Although, this does not mean the characters would have to be instantly likable, but it is important that it should have been understandable of what their motivations are, as this is how the audience could access the wider story.
Savannah Live Musical Analysis
623 Words | 3 PagesSavannah Live was a musical preformance held in one of the oldest continuing theater halls in the nation. The theater, appropiately named the Historic Savannah Theater, origionally opened in 1818, yet do to years of wear and tear and several fires, the modern theater was retrofitted to look like its 1940s, art-deco self. Although the stage was in the traditional Proscienim style, the play was anything but traditional. The stage hall itself seemed like something right out of the hay day of Broadway, with lights surrounding the procienian arch, red velvet chairs and carpet, the hall was like a time caplse bringing me back into the 20th centry. Mimicing the transformations of the hall throughout the years, the musical took the audience on a journey through musical, and theatrical history.
Beijing And Italian Opera Comparison Essay
650 Words | 3 PagesA comparison of the Beijing Opera and the Italian Opera reveals a significant contrast in almost all fundamental areas of music between the two examples. Because of cultural influences, the two performances share little commonalities, as the timbre, medium, elements of pitch, rhythm, dynamics, form and phonic structure are definitely not similar. For instance, the musical and physical performance dynamics of the Beijing opera music are forceful, the timbre is loud, tinny and harsh, the rhythm is lively and vigorous, while the Italian Opera music has a gentle dynamic, steady and rolling rhythm and an emotionally deep timbre. One commonality that is noted for both examples, is the powerful delivery of the entertainment.
Oklahoma ! Musical Analysis
682 Words | 3 PagesIntegration dominates musicals, with Richard Rogers and Oscar Hammerstein II credited as the most consistent writers of integrated shows. One of the first musicals they wrote together was an example cited most regularly as highlighting integration and that was Oklahoma! It was to be considered in the early 1960’s that within this period it was mostly associated with integration. Within Oklahoma! music, song, instrumental underscore, orchestra and ballet accompaniment magnifies the dramatic narrative and also advances it in the musical; the texture of it clearly defines the characters and fleshes them out.
The Film Industry In Hollywood During The 1930's
692 Words | 3 PagesMusicals also depicted familiar sites audiences could identify with, such as homes filled with hardship and Depression-stricken cities. However, with this being said, these settings grasped audience’s emotions while manipulating them with a positive ending. This is best exemplified in the 1933 musical Gold Diggers. In this film, we are first presented with an extravagant and dazzling musical number.
Comparing The Wizard Of Oz And Wicked: Broadway Musical
1249 Words | 5 PagesThe Wizard of Oz and Wicked are both very successful and well-known broadway musicals. Both of these musicals are based off of the same story, but each give a slightly different meaning to it. While they are both based on a similar tale, these two broadway musicals have many characteristics that are similar and differ from each other. This paper will compare and contrast the characters, theme, and plot.
Essay On The Exorcist
906 Words | 4 PagesThrough contrast and comparison, critically analyse the soundtrack, and its role in audio-visual media, by exploring two genre specific films of your choice. “An important factor in the success of a film score is the exact choice of scenes o moments where music can really speak effectively, so that it does not become a mere dim background”. (2009, p. 62) This quote from James Bernard really encapsulates the ways in which films approach their scores, this is shown in the Gothic horror, Dracula (1958) and the 1973 supernatural horror, The Exorcist. In neither film are the soundtracks “mere dim background” noise instead are extremely carefully constructed to heighten the intense horrific nature of both films.
Gypsy. Carousel: The Sound Of Music
511 Words | 3 PagesIntegration in a show is the intentional combination of musical elements in a seamless way. In their shows, Rodgers and Hammerstein emphasized the integration of these different musical elements, which include the book, lyrics, music, dance, and more. Gypsy demonstrates this ideal as it is, overall, a very well-integrated show. This means that the musical numbers in the show, aside from those that are diagetic, transition very smoothly from the preceding dialogue and give the audience more information about either the feelings of a particular character or advancements in the plot. In other words, the musical numbers do not feel random or out of place, they are rather intentional and effective in the context of the book.
Cyrano De Bergerac Fidelity
2119 Words | 9 PagesEvery Film Adaptation is Not Necessarily Faithful Throughout history, philosophers wrote thoughtful poems and sophisticated plays; plays sought to challenge the intellectual minds of those who would read them. Inevitably, as time progressed, people found ways to stage the plays for entertainment. When staging the play, whether it would be literal actors reciting lines on a stage or a movie with the reenactment of the play, the director always faces the problem of fidelity of the adaptation and how true their adaptation has to be to the original source. Fidelity in the terms of film refers to the authenticity and familiar similarities an adaptation has to its original source.
A Chorus Line: Music Analysis
623 Words | 3 PagesTwo songs that I would argue stood out to me the most within the musical A Chorus Line were “I Can Do That” and “Dance Ten, Looks Three”. “I Can Do That” to me describes how anyone that is in the industry of theatre essentially got their start. Without trying to generalize, it often seems that there was a pivotal moment that showed to a person or a character
More about Importance Of Foreign Musicals In China
The Effect Of Jukebox Musicalss On Modern Day Musicals
84 Words | 1 PagesWaiting To Exhale: Film Analysis
446 Words | 2 PagesBob Fosse Analysis
786 Words | 4 PagesHow Did Richard Rogers Influence Musical Theatre
653 Words | 3 PagesChinese Illusion Act Analysis
772 Words | 4 PagesBrewed Awaking Essay
715 Words | 3 PagesSavannah Live Musical Analysis
623 Words | 3 PagesBeijing And Italian Opera Comparison Essay
650 Words | 3 PagesOklahoma ! Musical Analysis
682 Words | 3 PagesThe Film Industry In Hollywood During The 1930's
692 Words | 3 PagesComparing The Wizard Of Oz And Wicked: Broadway Musical
1249 Words | 5 PagesEssay On The Exorcist
906 Words | 4 PagesGypsy. Carousel: The Sound Of Music
511 Words | 3 PagesCyrano De Bergerac Fidelity
2119 Words | 9 PagesA Chorus Line: Music Analysis
623 Words | 3 Pages