William Shakespeare was well known for creating complex, in-crisis characters for all of his works. He understood that, due to human nature, a person’s character is made up of a combination of virtues and vices, and people’s actions are more heavily influenced by their vices than their virtues. Therefore, his characters reflect this element of human nature, which is apparent in their interactions with one another. Each character is working toward their own specific goal based upon their key virtues and vices. Ultimately, vices tend to have a bigger impact on Shakespeare’s characters’ actions because he wants their individual humanity to teach lessons about humanity and what it means to “live well” to his audiences. Aristotle once said, “… …show more content…
This allows Viola, Maria, and Feste to, in a sense, become figures of virtues and do what they can to pull the others away from their excess. Viola calls Olivia out on her self-pity by interrupting her state of mourning by calling her selfish for not sharing her beautiful features with the world and keeping herself locked away in darkness. She tells Olivia, “Lady, you are the cruel’st she alive / if you will lead these graces to the grave / and leave the world no copy,” (1.5. 236-238). She also, in a sense, helps Orsino come out of his self-righteous nature because he falls in love with her for her. He stops his shallow pining for …show more content…
He tells Olivia that she is foolish for fake-mourning in the manner that she is; yet he is able to lighten up Olivia’s mood when she is angry with him. He tells Toby it is alright to have some fun but his drinking and merrymaking quickly becomes too much and is not appreciated by many of those around him. As far as Malvolio is concerned, Feste, along with most of the other characters, thinks he is too serious and needs an attitude change and does not hesitate to let him know it. Shakespeare’s characters are as flawed as they are virtuous. It is a reflection of reality that drives the plots of his works. In “Twelfth Night,” all of the characters are affected by each other’s vices, their excesses. However, some of the characters are not as bound to a vice so they are able to (attempt in some cases) to show what it means to live apart from one’s excess. These virtuous people help improve the quality of life for many. Vices, the opposite of virtues, often keep people from living the best life they can. This belief is reflected in Shakespeare’s
The play is full of metaphors and symbols. There is a lot of play with puns. It has been suggested that Shakespeare here was much influenced by Arthur Brooke’s poem The Tragicall History of Romeus and Juliet (1562). The lyrical qualities are strong.
Ultimately, these characters’ disobedience to established authority results in their grief and suffering. Perhaps the two most rebellious characters in the play are Romeo
When Olivia is first entertained by the Fool, she recognizes that “[Malvolio] [is] sick of self-love,” revealing Malvolio’s arrogance (Twelfth Night 1.5, 89-92). This arrogance is linked to his Christian self-righteousness when Maria describes him as “a puritan...an affectioned ass…[that] persuaded of himself,...that it is his grounds of faith that all that look on him love him, (TN 2.3, 145-150). Thus, Maria identifies that Malvolio’s self-love is tied up in his piousness, and that he uses his moral superiority as justification for his high opinion of himself. Malvolio takes this pride and sense of superiority further by desiring to be “Count Malvolio,” and imagining Sir Toby “curts[ying]” to him, indicating not only his desire for prestige and power, but his belief that Sir Toby is physically lower than himself because of his “drunkenness,”(TN 2.5, 34, 60-73). Malvolio thus uses his Puritanism as fuel for his actions and desires, imagining himself to be morally superior to Sir Toby and therefore more entitled to a higher social position.
Their similar personalities foreshadowed that the ending of this story will not conclude with a positive denouement. These characters all acquire the trait of impatience. The foolish actions made were influenced by impatience. Romeo asked for “...a dram of poison, such soon-speeding gear, as will disperse itself through all the veins... ”
Malvolio is blind to the fact that Olivia didn’t write the letter; the letter tells him how to dress to impress her. Under misjudgment, Malvolio follows these guidelines. When Olivia realizes what is happening she breaks Malvolio’s heart. Going to show that love and following your heart can lead to immense pain and suffering because of neglecting your mind. Monique Honaman, eHarmony.com love analyst, shares a life story with her readers, telling us about how she met her husband; one section of her article caught my eye, she goes on to tell the readers about how “The logical, sensible side of me told me to take things slowly.”
From Odysseus and hospitality to Antonio and hypocrisy, a hero’s purpose is to teach his audience, yet the message and literary techniques differ between eras. Adored and praised from all corners of the earth, the world craves and creates many different heroes. Nevertheless, a hero’s purpose is mainly the same. Authors create heroes to provide examples of “goodness” to their readers. Whether it’s Aeneas symbolizing perfect piety or Horatio of true friendship, all heroes and characters send a message to their readers of what kind of person they should aim to be.
“O Romeo, Romeo! Wherefore art thou Romeo?” (Act II. Scene ii. Line 33).
The overriding internal conflict of choosing between personal desire and what is morally correct becomes the central aspect of many human trials. William Shakespeare, the writer of many well known
William Shakespeare’s Romeo and Juliet is an iconic tragedy composed of various characters. In this heartbreaking tale, the dashing Romeo Montague and beautiful Juliet Capulet form a perilous, yet alluring relationship with one another. Their strong love is tested throughout the course of the story, as lives are lost and characters are in vain. Shakespeare does a wonderful job portraying the feelings and impulses of two young adults in love, and the lengths they will go to in order to preserve it. In Romeo and Juliet, three characters who possess prominent traits are Lord Capulet, Tybalt, and Friar Lawrence.
His plays have faced examination and evaluation by critic after critic attempting to explain their appeal, which does not appear to root from any set of profound or clearly formulated set of ideas. Shakespeare has been criticized for not consistently holding to any particular philosophy, religion, or ideology (“William Shakespeare” 4). Shakespeare's works stands out due to his unique characters that are seen neither as wholly good nor wholly evil, but are always flawed; the characters inconsistent nature makes them memorable and distinct. For example of one of shakespeares most individualistic characters, Hamlet fascinates audiences with his ambivalence about revenge and the uncertainty over how much of his madness is feigned and how much genuine (“William Shakespeare” 4). Shakespeare’s ability to play out political leaders as tragic heroes, the study of politics and social history as well as the psychology of individuals shakespeare's plays became symbolic and makes his works very rememberable, and making Shakespeare's work quoted more than the works of any other single author (“William Shakespeare”
Hamlet is William Shakespeare 's renowned tale of mystery, intrigue, and murder, centered on a young misguided prince who can only trust himself. Some may say that the actions of Prince Hamlet throughout the play are weak and fearful, displaying a tendency to procrastinate and showing an apathetic nature towards his family and peers. Others spin a tale of a noble young scholar, driven mad by the cold-blooded murder of his father by his uncle. In truth, I believe Hamlet is neither of these things. Hamlet is a sort of amalgamation of the two, a bundle of contradictions thrown together into one conflicting but very human mess of a character.
In literature, characters are incorporated into the work that both help the characters and hinder the characters. This is the case with William Shakespeare’s tragic play Romeo and Juliet. The play is about two lovers who are from feuding families, and eventually take their lives. The character in this case is Friar Lawrence, a religious monk who people of Verona look to for guidance. In the play, Shakespeare uses the character of Friar Laurence to create a figure that is both helpful and detrimental, by being a fatherly figure to Romeo and making mistakes, respectively, to the characters of the play.
The religious preferences and philosophy of the English Renaissance affected Shakespeare’s writing. The battle for a man’s soul comes from the Christian idea of God in heaven conflicting with Satan in the world. Shakespeare views evil as more than only bad deeds; it breaks the holy order that God instituted to hold the universe together (Miller). Expanding
Shakespeare was one of the few authors who believed in the force of
Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario. This love triangle is very complicated as none of them realize that Cesario is a woman, making this an internal conflict for Viola, as she cannot ‘truly’ love whom she wants.