It cannot be denied that our indigenous population has suffered severely since the colonisation of Australia. While the movement towards reconciliation is undoubtedly gaining widespread support, unfortunately many misconceptions are still prevalent and the future of many indigenous Australians is still uncertain. Disadvantage is still experienced by an unacceptable number of the population. Statistically, indigenous people have poorer health, opportunities for education, life expectancy, employment options and the majority live in the remote areas of Australia. As well as this, many still have to deal with negative social attitudes including racism. Indigenous Australian people have had to persevere and overcome challenges, many achieving …show more content…
From the provoking and controversial to the emotional and pleasantly stimulating. The films contain a wide variety genres and themes, all in which are bound to make your eyes and ears pop. However, In the Bin is specifically showcasing the short films from ‘A bit of Black Business’ which specialises in Indigenous short films. A delightful addition to this year’s showcasing is the valiant and courageous Jackie Jackie. This short film is a bright and colourful film, in which the director Adrian Wills not only exposes the racist traces still occurring in the modern day Australia, but through his stylish outlook on film, assertively explores the discrimination faced by a number of smaller groups every day. In the early components of the film we meet Mr Chuck, which we very quickly recognise as Jinaali’s impertinent and intolerant authoritative figure, who characterises the racist attitudes evident in the modern society. His callous, ignorant and often highly offensive remarks to Jinaali and his reluctance to even learn her name highlights how uninformed people can be when it comes to their own racial prejudices and how they influence the way they treat others, His blatantly prejudiced actions are quite confronting and I found myself quietly cheering for Jinaali and the rest of the Sunny Fresh customers when he is determinately put in his place at the end of the
Finally, As Ring and Elston (1999: 231) argued, “the current situation [in funding for Indigenous health], where the Commonwealth is spending perhaps a fifth of what it should be spending on a needs basis, is a major impediment to effective reconciliation”. Altman and Hunter (2003) also questioned the effectiveness of the Howard Government’s emphasis on ‘practical’ reconciliation. They concluded that, “while practical reconciliation forms the rhetorical basis for Indigenous policy development since 1996, there is no evidence that the Howard governments have delivered better outcomes for Indigenous Australians than their predecessors” (Altman and Hunter 2003: v; see also Hunter and Schwab 2003: 94-96; Ross 2001: 155; Wyatt 2001: 181-182; Gunstone 2007). Therefore as the above evidence suggests, eleven years after the announcement of this “practical reconciliation” policy, Indigenous socio economic disadvantage
However, this magnanimous success that was given to the film overshadowed the properties that made racism so vibrant in the U.S. Because of this, the film holds an influential moment in the Broadcast TV halls, for its establishment of network flow in ABC, but holds itself to a much higher standard than it should, for is assimilationist standpoint on racism at the time. The consensual space it allowed was quite powerful at the time, but for all the wrong reasons, and for this, it is important to take primetime's exaltation to the forefront of Broadcast TV with a grain of
Furthermore, director Jessy Terrero takes the audience on different aspects of black culture, mainly through a heavily stereotypical viewpoint. The most commonly used shots are overhead and medium close ups, in order to exaggerate characters and scenes, and he commonly uses hip hop music in order to describe settings and characters. Though this film is mainly stereotypical for comedic purposes, this paper discusses how the director utilizes film techniques in order to illustrate and represent the nature of African American men and women and Black
The physical and mental abuse inflicted on the Indigenous Australian’s, by the Europeans, is now recognised as, very un-Australian. The Australian government done the right thing when it came to apologising to the Indigenous Australians. As the first Europeans never apologised for the pain and heartache felt by the Indigenous Australians, it was up to our government to apologise and help mend the gap between Indigenous and non-Indigenous Australians. Paul Keating and Kevin Rudd are amongst the few politicians that have formally apologised to the Stolen Generations and other that were impacted by the settlement.
The Stolen Generations and the National Sorry Day speech hold immense historical significance for the First Nations peoples of Australia. These events shed light on the profound injustices committed against Indigenous Australians. However, the acknowledgement of these injustices has not achieved significant civil and land rights advancements for indigenous people. Firstly during the late 1800s until the 1970s, Australian government policies resulted in the forced removal of Indigenous children from their families.
Even to this day it can be seen that Aboriginal people have blood relations to each other even though being on different sides of the country. The frontier wars ultimately equivalated to thousands of aboriginal peoples being ruthless murdered as they were heavily not only out manned but out powered through the use of modern weaponry. (Indigenoushpf, 2023) states that merely 63% of indigenous Australians a few years out of school completed grade 12 compared to 90% of Non-Indigenous that completed grade 12. Another troubling statistics is that (Creative spirits, 2023) Aboriginal people are attributed to a massive gap in life expectancy compared to Non-indigenous Australians, 7.8 years. Possibly the most worrying statistic of all, whether it can be attributed to poor culture, under education or low economic regions;
Stories have been told, and passed through from one generation to the other making it the main way of communicating our understanding of particular values, attitudes and beliefs. Films are the contemporary version of stories. We can now observe the values, attitudes and beliefs in much more detail than ever before with clearer pictures, more detailed and vibrant colours. The Power of One is intendedto confront the audience of the horrific times when racism was so brutal and unfair to those who are from different cultures.
This sudden change still has an enormous effect on today’s Indigenous population. How is it fair that the oldest population of people die a decade younger than non-Indigenous Australians? The perpetuation of racism which is manifested in our society has left many Indigenous Australians in a disadvantaged position. Including through, limited access to education with adult literacy rates of just 30 percent and literacy rates of children under 15 more than 48 percent lower than non-Indigenous Australians, consequently means lower educational achievement rates and higher unemployment rates of 17.2 percent compared to 5.5 percent for non-Indigenous Australians (Australian Bureau of Statistics , 2013 ). These facts must be recognised to ensure real equality and a fair-go for Indigenous people.
Ray Lawrence’s socially provocative Australian film, Jindabyne(2006), presents a thought-provoking and contemporary outlook on racial prejudice, the dramatised moral dilemma of responsibility, and a confronting depiction of reconciliation. The film dramatises the struggle over Australia 's history, representing the past as deeply alienating, as it explores the complexity of the relationships between racially diverse characters in post-colonial Australia. Lawrence establishes the reconciliation of characters through sound, further examining the relationship between cultures and genders in conflict. Through symbols, Lawrence explores deceit, and the roles, perceptions and experiences of men and women within various relationships, demonstrating the unforgiving consequences of division and distrust. The film presents
Disadvantage and marginalisation of indigenous Australian 's began with the dispossession of land, displacement of their people, and separation of families. Indigenous Australian 's have difficulty in gaining access, to the same degree, to what white Australian 's have ready access such as housing, employment and general services. Indigenous Australian 's are one of the most disadvantaged groups in this country in social and economic areas such as employment, housing, income, and health. The burden of poor health among aborigines is of particular concern. The health disadvantage of indigenous people begins in infancy and continues throughout their life.
Aboriginal and Torres Strait Islanders experience many disadvantages compared to most of the Australian population. The Indigenous people of Australia experiences vast inequality compared to non indigenous Australians including a significantly shorter life expectancy, higher rate of infant mortality, lower levels of health and poorer levels of education and employment. Since the colonisation of Australia by the British in 1778, Indigenous Australians have experienced significant disadvantage, discrimination and injustice. There have been a variety of legal and non legal responses to combat this issue, legal responses including The Intervention, Declaration on the Rights of INdigenous People and the Land Rights Legislation and non legal responses
Indigenous Australians have always been victims of cultural conflict and were always inferior to the white Australian community. Indigenous Australians were a racial minority in society, in 1901 the constitution excluded Aboriginal people by not regarding them as Australian citizens. In addition, not all
The chaos and confusion within the movie mirrored the repercussions of a country that was in turmoil – 1980’s Britain. A highly explosive time that was coming out of the economic depression of the previous decade, but where traditional working class industries were feeling the wrath of Thatcherism. The IRA were over ten years deep into their bombing campaign and cities such as Liverpool and London were baring witness to race riots (John, 2006). The semiotics of disaffection, poverty, isolation, and racial tensions litter ‘MADE IN
In 2008, the Australian Government committed to confronting the issue of Indigenous “social disadvantage” (Dobia & O’Rourke, 2011, p.5) in Australia, suggesting that the “gap” (Australian Human Rights Commission, 2016, para.1) between Indigenous Australians’ educational outcomes, and non-Indigenous Australians’ educational outcomes, could be closed. However, statistics suggest that “Indigenous Australian students are continuing to perform well below the educational standards of other students on measures of literacy, numeracy, school enrolment, school attendance and Year 12 completion” (AIHW, 2014, p.2). Research from The Telethon Kids Institute (2006) indicates that “measures of school academic performance have consistently indicated that Aboriginal students have lower levels of achievement than the non-Aboriginal student population” (p.51), with a “decline of more than one-quarter over the last 15 years in the gap in apparent retention rates between Indigenous and non-Indigenous students, and the gap is still 41.5% compared with 72.1% for males, and 49.5% compared with 82.7% for females” (Helme & Lamb, 2011, p.3). This statistical representation indicates Indigenous Australian students are continuing to struggle in the classroom, compared to non-Indigenous Australian
Steve Cutts’ Happiness delivers the idea of our consumerism-driven society being led to a constant and futile search for happiness through the suppressed depth of its fast-paced storyline, prioritising meaning over matter. Tadmor and Nattiv’s Strangers, through built-up tension between cultural groups, focuses on the detail in confrontational interactions following the overcoming of an embedded racial divide. Therefore both texts capture the versatile scope with which the short film medium, in its comparative brevity and succinct meaning, can deliver to society a greatly valuable perspective on pertinent