The concept of Independence and Self- Expression During the nineteenth century, writers like Henry James and Kate Chopin write about women who are depressed and suppressed. Daisy Miller and The Awakening are representations of beautiful and well-dressed women who are in a state over a discontent. These two works picture the life of the Anglo-Saxon bourgeoisie. Daisy and Edna are forced to respect the traditional cultural structures. They are shaped to perform their domestic role. In American literature, Daisy and Edna can be seen as transitional fictional women from object to subject position. Feminist critics emphasize that the reason of Edna and Daisy’s suicide is the social controls. American womanhood is defined by freedom, independence, and …show more content…
The society treats Daisy as a person in a group, and she should be like other women. Her community does not recognize her personality as an individual. It recognizes her according to the social norms of femininity. Winterbourne describes how Daisy is a beautiful girl. He says, “American girls are the best girls" "How pretty they are." Winterbourne identifies Daisy as a group rather than an individual. Winterbourne mentions the word" the best" which shows his opinion about all girls. According to Winterbourne and the social prescriptions, all girls should perform femininity successfully and behave in a good manner. Further, men do not appreciate Daisy’s behavior, and the Aristocratic women do. For example, Mrs. Walker tries to prevent Daisy from walking with Mr. Giovanelli. Mrs. Walker says, "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about. " According to Mrs. Walker, Daisy is not a good woman because she does not perform the role of women. Mrs. Walker suggests Daisy to walk with her
Daisy knows that in the world she lives in women are seen for their looks and ability to have a good time, rather than their success
The era’s “perfect woman”, Daisy Buchanan, is a bubbly, conflicted woman whose choice is between two men: her husband, Tom Buchanan, and her former lover Jay Gatsby. Since Daisy’s character was written in the 1920s, women’s characters were based on the traditional women of the time period, and many women then were still seen as objects and as less desirable than men. When Daisy is invited to Gatsby’s mansion, her first sight of him in many years upon seeing his expensive clothing, she is so overcome with emotion that she begins to weep “with a strained sound” and begins to “cry stormily” showing her true reaction to something as petty as material objects (92). She continues, claiming that
When Daisy appears for the first time in the book, the author associates her character with light, purity and innocence. With her dress, “they were both in white, and their dresses were rippling and fluttering”(8), she
Myrtle is accustomed to living an underprivileged life where feminine power engulfs her, but Tom is too egotistical to allow Myrtle to speak with such authority to him. Similarly, Gatsby’s need for assurance from Daisy pressures her into revealing to Tom that she never loved him (Fitzgerald 132). Deep down, Daisy knows that she truly did love Tom once, but Gatsby’s assertiveness and persistence drives her over the edge to telling Tom that what the two of them shared meant nothing to her. Daisy’s attribute of being a pushover is revealed immensely because she refuses to stand up for herself. Daisy is used to enabling Tom to constantly control all aspects of her life, and that leaves her powerless in society.
In this novel, Daisy is the most abused by male characters. She is objectified, cheated on by her husband, and probably physically abused by him, based on what he did to Myrtle. When Daisy gets back together with Gatsby, he says, “It excited him too that many men had already loved Daisy-- it increased her value in his eyes.” (page 156). This quote shows how men objectify Daisy just because
Women during Edna’s time were supposed to be dedicated to their husbands and children, however, Edna yearned for her own independence, and as a result of wanting her own independence Edna knew that she was seen as a terrible person. For instance Edna wanted to “…try to determine what character of a woman I am; for, candidly, I don't know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it" (27.4).
She’s seen, and often treated as an object, portrayed in an increasingly objectified and shallow manner. Daisy being described as a flower shows that she is wanted by Gatsby more for what she is, what looks like, and the challenge that she represents, than herself as a person. Women in general throughout the book are admired, and praised fro their beauty, they become parts of the scenery to be viewed, yet are not respected. This imagery, used by the men in the novel, implements a condescending and patronizing tone towards the female, showing the women as inferior to
Later into the novel, however, Daisy’s attitudes towards actions start to unfold. As specified by Fitzgerald, Daisy’s “face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget” (Fitzgerald 9). Certainly, the readers can deem favorable characteristics from Daisy; she has the impression of being a lovable and
In Fitzgerald’s The Great Gatsby, Daisy is portrayed as a modern woman; she is sophisticated, careless and beautifully shallow. Daisy knows who she is, and what it takes for her to be able to keep the lifestyle she grew up in, and this adds to her carelessness and her feigned interest in life. In all, Daisy is a woman who will not sacrifice material desires or comfort for love or for others, and her character is politely cruel in this way. Daisy’s main strength, which buoyed her throughout her youth and when she was in Louisville, is her ability to know what was expected of her and feign cluelessness.
In the 19th century, a group of people launched the suffrage movement, and they cared about women’s political rights, their property and their body liberty. Born in that age, Kate Chopin was aware of the importance of setting an example for those who were taken in by the reality and poor women to be an inspiration. So we call her a forerunner of the feminist author for every effort she put in advocating women’s sexuality, their self-identity and women’s own strength. When people were ashamed of talking about sexuality, Kate Chopin stood out and call for women’s sexual autonomy.
Jordan’s physical appearance shows her as a “blonde and very athletic, physical, tan, and angular” (Best Character Analysis). In contrast, Daisy is described as a more fragile figure with dark hair and she is married, unlike Jordan. In the book, Daisy is perceived as one of the most socially acceptable woman of the time. During the 1920’s, women were expected to marry, especially wealthy women. Staying home with the children was the main job of women during this time.
Daisy shows her struggles with the social status of women through her daughter and relationship with Tom. Jordan proves that being a “new” women of the 1920s comes with a price of judgment and accusations of dishonesty. Myrtle seeks to become a member of the
He refers to her as “this woman” when he describes how she “rushed out at [them];” his attitude towards this person he just ran over was less than of her being a human being and more like she was some stray animal destined to be roadkill. Between these three characters, they are all part of a web that was the vision of women in the 1920s. In a particularly powerful interaction between Daisy, the typical, submissive, beautiful woman; and Jordan, the accomplished, defiant and trouble seeking woman; we see these two personas mingle on an extremely hot summer day. Daisy is whining and crying about how she sees no future in the unbelievable heat, showing her strong tendency for overreaction and her inability to see beyond now. Jordan, however, replies to her, saying to Daisy to not be “morbid” and that “life starts all over again when it gets crisp in the fall”, showing her progressive
The chase for the American Dream and ideal man to be with destroyed Daisy’s
I finally realized Daisy had a huge impact in this book because of the article written by Leland Person Jr. called “Herstory” and Daisy Buchanan. In the first paragraph of the essay, Person explained what other people thought of Daisy Buchanan, “To Robert Ornstein she is criminally amoral, and Alfred Kazin judges her vulgar and inhuman” (250). Person responds to these claims by stating what he believes Daisy really is, “Daisy, in fact, is more victim than victimizer” (250). Person emphasizes that even though many people believe Daisy was evil, she actually should not be faulted because she was the one that was the victim. These findings have important consequences for the broader domain of world perspective.