TRADITIONAL EMBROIDERY OF LUCKNOW (UP) Chikan is a traditional embroidery style from Lucknow (UP). Literally translated, the word means embroidery. Believed to have been introduced by Noor Jahan, the wife of Mughal emperor Jahangir, it is one of Lucknow 's best known textile decoration styles. The market for local chikan is mainly in Chowk, Lucknow. There are references to Indian chikan work as early as 3rd century BC by Megasthenes, who mentioned the use of flowered muslins by Indians. There is also a tale that mentions how a traveler taught chikan to a peasant in return of water to drink. However, the Noor Jahan story is the most popular of the lot. Chikan began as a type of white-on-white (or white work) embroidery. The technique of creation of a chikan work is known as chikankari. Chikan is delicate and artfully done hand embroidery on a variety of textile fabric like muslin, silk, chiffon, organza, net, etc. White thread is embroidered on cool, pastel shades of light muslin and cotton garments. Nowadays chikan embroidery is also done with coloured and silk threads in colours to meet the fashion trends and keep chikankari up-to-date. Lucknow is the heart of the chikankari industry today and the variety is known as Lucknawi chikan. Chikan work in the recent times has adapted additional embellishments like Mukaish, Kamdani, Badla, sequin, bead and mirror work, which gives it a rich look. Chikan embroidery is mostly done on fabrics like cotton, semi-Georgette, pure
The Zuni individuals, as other Pueblo Indians, are accepted to be the Ancient's descendants Pueblos who lived in the desert Southwest of New Mexico, Arizona, Southern Colorado and Utah for a thousand years. The Zuni are one of the 19 Pueblo tribes of what is currently known as New Mexico. The Zuni tribe lives along the Zuni River in the northwestern corner of the state on a reservation of around 450,000 sections of land. Archaeologists trust Zuni history started certainly before 2500 B.C. at the point when the tribe moved into the Southwest as big game seekers. Between 2500 B.C. what's more, 700 A.D. the Zuni Indians made their first endeavors at horticulture and chased littler amusement.
The novel Indian Horse, by Richard Wagamese, depicts the societal injustices done to the Native Americans in the 1960s. The protagonist, Saul, endures an arduous journey that extends throughout his life. At the beginning of his life, he lived with his native family, only to get ripped away from them by an atrocious residential school. The horrid residential school, St. Jeromes, inflicted detrimental damage upon Saul, physically and emotionally. Saul was able to escape the confines of the school through hockey.
The Pomo Indians are well known for their basket weaving abilities. I am not sure if this was wide spread throughout indigenous tribes or if the Pomos were just significantly better at it then most of the local tribes in my area. The Pomos were able to weave baskets that were both beautiful and functional. They often had elaborate designs on them and were extremely strong.
Clothes were made by hand using different techniques. For example, as stated by the text titled “Tailoring” in Source #2, “Polynesians spent hours beating plant fibers and tree bark into tapa clothes.” Using their methods, a tailor had to make the fabrics manually. According to Source #2, “[Tailors] made ... clothing by hand from fabric they made or purchased locally.”
In the book, "Tattoos on the Heart, The Power of Boundless Compassion" by Gregory Boyle, has so many fascinating stories of Mr. Boyle's personal life helping gang members through the word of God or by Homeboy Industries. Father Boyle, himself is a really interesting person because within this book he talks about many people who go have these stories of neglect, loss, pain, and he helps them by doing what he knows, which was helping those in need through his faith. Also, the people's stories he elaborates on, connects to many characteristics like: gladness, success, kinship, and resilience. Due to that, whether we can relate to the problem or not, we have some sort of empathy towards the person because when someone is feeling lost, we can understand
These were supplied by merchants and artisans, or skilled workers who practice a
An example would be the Two Lotuses, from the Bharhut Stupa which was also made in the 1st century B.C. It was similarly carved with a type of sandstone and tells a story, and both sculptures show a similar technique in creating relief and adding detail. The Two Lotuses, from the Bharhut Stupa chronicle the major life events of the Buddha and deities found around the area.
The basket weavers used natural plant dyes such as roots, barks, leaves, nuts, flowers,
Many people in the Hoh tribe like to make wooden carving out of the trees around them. The decorative carvings appeared mostly on canoes, but can also be seen on various wooden
Food -Deer had many uses, their meat is eaten fresh and smoke dried. -The easiest way to hunt seals was to sneak up on the seal that was basking in the sun. -In the summer, they would eat elk, bear, salmon or even mountain goats. -For the Haida, they would consume shellfish and sea mammals which were the staples for them.
Hopi Cultural Ecology The Hopi tradition of Hopivotskwani is the core of their existence in the past and in the present. This is the “Hopi Path of Life”, and guides all aspects of daily life, not just religious thoughts or ceremonies. It acts to connect the people to nature. Corn is also a vital crop and symbol for the Hopi People.
Arranged marriage is a controversial practice in many cultures around the world. However, studies have found that roughly 85 percent of Indians prefer to engage in this tradition, and have a higher rate of marrital success than a marriage based on personal choice. (Dholakia, 4) Yet, even considering these statistics, it remains a concept that is met with dissapproval, thought to be archaic and demeaning to those involved. Chittra Banerjee Divakaruni’s short story Clothes depicts a young woman transition, from being obliged to follow this cultural norm, and the shifts in her mentality throughout this process. It is not unreasonable for the reader to view the protagonist, Sumita, to be a victim of this presumably inhumane practice.
It is more modern from the old fashion to the new look fashion. As we know,nowadays there are a lot of coloured cloth that were sold in the shop. The design is more to the blocking and striking colours compare to the past that just have sold the plain and bored colours. So,from this we can see that the technology can made our clothes more variation and also will made the people who is wearing the cloth more beautiful and elegant. With the technology also, we can make the variation type of cloth.
Located atop a hillock, the city’s core consists of the red sandstone palace complex and the Jami Masjid within which lies the marble tomb of Sufi saint Salim Chisti, whom Akbar revered. The approach from the Agra Gate had houses of nobles on either side, a bazaar, a mint house, the royal kitchen and the house of the noble of kitchens, reflecting great planning. From here the palace complex begins with from the Diwan-i-Aam an open raised courtyard with trabeate corridors, just behind which is a structure named the Diwan-i-Khass. This red sandstone building has an interesting interior with a circular carved pillar with serpentine brackets at its centre supporting four walkways to each corner of the square room. Asher and Brown maintain that Akbar sat atop this pillar and heard disputes with the arrangement symbolizing ‘dominion over the four quarters’, yet S.A.A Rizvi holds this was actually a royal jewel house owing to the chambers within the pillar.
In Africa, pottery began in 6000 B.C. Throughout history, African ceramics has been not only used for utilitarian purposes but also for spiritual and esthetic purposes. Different regions of Africa were influenced by the ceramics of other cultures. For example, in 75 AD african pottery was influenced by the importation of roman pottery and they actually ended up taking over the pottery business and most pots in Rome were made in Africa. Another example of the influence of another culture's ceramics was in the 600s AD when Africans began to use glass and metal glazes after importing ceramics from China. The potters in Africa were mostly women, however there were a few men.