Indian Women Moving Camp Analysis

The group behind Noah was painted leaning towards the woman in white. The women are in a clam and peaceful state, as if they were pleased with the sacrifice. The men are drawn with fear and agony, as they are bowing and kneeling. This was again toward the woman in

They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles.

Theda Perdue`s Cherokee Women: Gender and Culture Change, 1700-1835, is a book that greatly depicts what life had been like for many Native Americans as they were under European Conquering. This book was published in 1998, Perdue was influenced by a Cherokee Stomp Dance in northeastern Oklahoma. She had admired the Cherokee society construction of gender which she used as the subject of this book. Though the title Cherokee Women infers that the book focuses on the lives of only Cherokee women, Perdue actually shines light upon the way women 's roles affected the Native cultures and Cherokee-American relations. In the book, there is a focus on the way that gender roles affected the way different tribes were run in the 1700 and 1800`s. Native

All three artists uses the lines in weird directions such as crisscrossing and diagonal placements in both artworks. In the Blue (Crest), used different tints of blue and Vertigo, used different tints of orange giving two different views of the artwork. The blue used in In the Blue (Crest) helped with portraying the feel of water and the orange just seems as a color placed in the painting of Vertigo, even though with the lines it helps represents the chaos in the picture. They both were similar besides the dimensions, In the Blue (Crest) did give a different feel since it was three dimensional than the two dimensional

I believe that the lack of the bright, attractive colors in this painting was a really wise decision because those colors would naturally yell out fun and playful but with the toned down soft colors gives it a more serious and sullen feel to it. If Lawrence did decide to go with the beautiful, eye-catching colors, then it would not have conveyed the same message that it currently

The line quality in the man’s shirt behind his left arm shows that he is bending his elbow holding something. Another example of line quality would include the woman’s right arm showing that she is bending her elbow as well. Carl Bloch uses value in the painting considering he darkens the outside of the picture and the individuals behind them to show some emphasis on the three individuals sitting at the table. The shapes included in this picture would consist of the “normal” shape of a human and the shape of the cat behind the woman at the table; although, it does

In fact, in a picture of rain, there are ripples surrounding the raindrop’s hitting the water. The ripples in the water and the distance naturally created is portrayed in the pictures. Accordingly, the illustrator uses techniques to create distance between objects. For instance, when two girls and a dog are enjoying the rain the reader is able to see the scenery from a distance. These elements help to enhance the experience that a reader feels towards the book’s message; to enjoy the weather and

In some areas, the paint used in the dots is the same color as the block of paint adjacent to the one the dots are inside. For example, in one of the purple quadrilaterals adjacent to the green expanse of color, the dots are a dark green that is similar in shade to the green used for the overall tree line. The vertical and horizontal lines on the cliff face create a series of quadrilaterals that give the painting rhythm and repetition. This repetition is almost soothing, offsetting the assertion of the vertical lines and complimenting the placidity of the horizontal ones.

Kahlo used very thin lines to define both the Fridas and aortic valve. This paing had a strong use of implied lines, Frida used implied lines to define the movement and blood flow between the two hearts. She also used them to put influence on the clothing to give them a realistic feel. I didn't see as many shapes as I did line composition. The few shapes I came across throughout the image was an oval and rectangle.

The lining in the skin makes the painting look more realistic and the lighting brings out the dimensions very well. The lining is overlapping which shows the movement in the painting. The triangle shape begins at the top of Mary’s head and down the back of Jesus contacting to the bottom of her hands and coming around her shoulder. Spacing is very important

The shade of blue he uses is very dominant as it ties her apron and sleeves to the table cloth and to the cupids on the baseboards. The redness of the pitcher matches her skirt, the floor, her facial skin tones, and the footwarmer, and blends in with the yellows used to paint the bread. The colors in bread also causes the viewer to flow to the yellow and gold color in her shirt and to the gold decoration on the wall behind her and to the left. This image has rustic colors consuming the background. The walls are light gray, dark and gloomy with a few spots of what appears to be brown

The colors show his depression and agony and reveal how truly broken down the subject

With the emotion in mind that he wanted to convey, he used his imagination to come up with a style that would serve his purpose. His style was different from others before him because he chose a differing color palette and it was quite bold. His choice of colors differed with his

These elements help us to understand and relate to the emotions of all the characters. The cinematography chosen also depicts the narrative of the desperation Bertie had for help. In In A Beautiful Mind the colours are bright and vibrant. These colours express John Nash’s emotions of hope. The lighting of the bright colours help the viewer.

He uses the dark tone of painting, so that characters from the shadow highlighted, breaking through the traditional paintings reveal the characteristics of the clear, indicating the arrival of the