Everything that teenagers do in life, is done so that they fit in with their peers. This has lead to the decrease of individualism in teenagers. The director of Edward Scissorhands, Tim Burton has conveyed themes such as, conformity, peer pressure, stereotypes, and lack of individualism during the film to make the viewer feel pity for the teenager’s situation. These themes were portrayed excellently, which created a balance throughout the film and showed Edward’s personality to perfection.
During life, everyone aspires to be like someone. This aspiration is normally on the basis of gender roles and stereotypes. Stereotypes are an important factor in aspiration as many teens look up to these people and want to act like them. Tim Burton used
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Edward’s actions in the movie were strongly influenced by Kim and Edward did everything he possibly could to be accepted by her. An example of this in Tim Burton’s film was when Edward got forced to break into Jim’s house. Edward knew that he was committing a crime and that nothing good would come from it but the pressure to be accepted by Kim changed his ideas and moral values. In the scene, Tim Burton used close-up camera angles to highlight Edward’s emotions towards Kim and his struggle because he was different. Edward’s actions positioned the audience to worry about him because of how easy Edward was manipulated by others to be accepted in a community.
The balance of themes that was created throughout Edward Scissorhands by Tim Burton was used to make the film more relatable to teenagers. This then exemplified how teenagers react to certain situations during this period of life. Edward experienced many of these different circumstances. He is shown to be conformed through peer pressure, and the gender stereotypes of his elder peers. This led to Edward sacrificing his individuality and uniqueness. In the end, Edward gets through this and becomes the person that he really should’ve been from the
At the beginning of Edward’s life, in Ashland, he was a Big Fish in a small pond. According to William, “They say he [Edward] knew more than anybody, even Mr. Pinkwater, the Librarian. He was a big fish, even then”(12). But this, being a big fish in a small pond, was not all that Edward wanted.
The first way Burton shows his thoughts in Edward Scissorhands is when he uses the tilt camera movement in order to add suspense and intrigue the person who is watching or the audience. For example, when Peg, the person who found him, starts walking up the stairs, Burton uses this camera movement to show the creepy adic Edward was staying in before bringing him to her neighborhood. This helps show Burton's ideas where intended to introduce the difference between Edward as a creepy and misleading looking person, and Pegs shine and heartwarming feeling. As a result, it shows why people that live in the neighborhood see Edward as a creepy person.
Tim Burton's Edward Scissorhands tells the story of an unusual outsider who is shunned by society due to his physical appearance and unique abilities. Through his character and story, Burton reveals the positives and negatives of being an outsider, highlighting the beauty of individuality while also shedding light on the isolation and discrimination that can come with it. On one hand, Edward's "outsiderness" is what makes him so special and endearing to those who get to know him. His ability to create beautiful, intricate sculptures with his scissorhands is a testament to his creative genius and artistic talent.
Accepted at first for his difference and ironically exiled because of it. Various camera angles are used to express Edward’s isolation within his community and conveying his emotions. This can be seen when a high angle was used in the scene in which Edward trespasses Jim’s father’s property, emphasising Edward’s loneliness, belittling him in the eyes of the audience. The recurrence of hands within the film constantly remind the viewers that Edward longs for hands, exemplifying his longing desire to be accepted into society. Scissors are also used as a motif, illustrating his difference in society, displaying his abnormality that prevents him from conforming to society.
Tim burton, renowned for his incorporation of gothic styling into many of his films, throughs characters and themes to establish his noticeable signature in his films. In, Frankenweenie and Edward Scissorhands, the use of socially incompatible characters, unique identity traits, and contrasting a life of one that has conformed gives the both film a gothic identity with a sense of german expressionism tim burton autuer. Burton does this in order to communicate his thoughts on conformity and to
Something that I found fascinating was that Edward lacked love for Abilene, Although Edward is a doll and you might think, “Edward must find lots of love for Abilene and be grateful for his loving family.” Well Edward was more grateful to his luxurious fashion instead of the love of Abilene. When Edward got thrown off of the cruise ship. He only found hope of getting home and getting back to his rich life, while not even thinking about Abilene. When he ended up encountering many people, while he lost someone, he learned more about what love is and how love can make you feel when put into deep emotions.
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
Fortunately, Tim Burton touched basis on that intricate part of the underlying story. Although Edward Scissorhands is not a science fiction narrative in the way Frankenstein traditionally regarded it still shares the same theme and narrative elements. A scientist assembles an animated human being – the kind Edward. The scientist dies before he can finish assembling his creation leaving Edward instead he uses long sharp scissor blades instead of proper hands.
The most hated plot in America is the underdog’s demise- the empathetic pain of scrutiny, and the failure we all miss to escape. The scrawny, glasses-wearing outsider is often the underdog, the hero we all cheer for. The one who makes all the refinements in a society that is stagnant to change. And his most successful storytelling, or retelling, is that in the setting of high school. He walks awkwardly down the hall with his shoulders slightly hunched inward and mouth slightly ajar.
He stays true to himself by saving the girl in the river from a snake. The author notes that Edward “risked his own life to do it” pg. 26 when speaking of Edward’s rescue of the girl. This exemplification shows an extreme act of courage. Edward also displays bravery when he steals the eye from the college students to return to the old lady. Even though the men said that they would “take one of his eyes as recompense” pg 83 if he failed to return the eye, Edward boldly carries out this task.
Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.
What Edward realized does not matter. What matters is the fact that realizing who you are and what you want to do makes the pain of puberty go away. You suddenly feel like you fit in a section and humans always are looking for where they belong. Tim Burton has many ideas and only some can be captured through his
The film “Edward Scissorhands” directed by Tim Burton, released in 1991, is based on a creature’s everyday life in society and how he is treated differently to others. The way we see ourselves influences the way we interact with those around us. These experiences we have in the world shape our identity.
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
Tim Burton is a man praised for his cinematic style and contributions into the world of film. Tim Burton is influenced by his fascination with children’s stories and fairy tales. An article states, “Burton stories encourage escapism into worlds of fantasy and supernatural.” Some of his children’s movies are rather dark but delightful. Tim Burton was influenced by Roald Dahl along with other well-known authors such as Dr. Suess.