Indo-Anglican Literature
History reveals that institutions or artifacts produced by human beings can lead to the exploitation or the loss of freedom of other human beings. Thus the celebration of the good life of an Athenian citizen in Plato’s time can hide the wretchedness of vast numbers of slaves whose labor made it possible for the few free citizens to enjoy that good life. Our criteria then must apply to all, or at least the vast majority of the vast of the human group concerned, if they are to lay claim to universality.
Amiya Kumar Bagchi, Perilous Passage1
Introduction:-
The story of Indo-Anglican literature is the story of yesterday, of a little more than a century, and today. One of the natural results of the British rule in India is the rise and development of literature. The term “Indo-Anglican” was first used in 1883 when a book published in Calcutta that bore the title Indo-Anglian Literature.
After the publication of two books by Dr.K.R.Srinivasa Iyengar, the term “Indo-Anglian” has not only acquired considerable currency, but also which has come to stay as a familiar and accepted term applied to Indian contribution to literature in English. This has come to be known as
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The first Indian play in English Is This Is Called Civilization was written by Michael Madhusudan Dutt in 1871. There after no creative effort was made for about two decades. Later there were worthy contributions from Rabindranath Tagore, Sri Aurabindo, T.P.Kailasam, A.S.P.Ayyar, Harindranath Chattopadhaya and Bharati Sarabhai. Tagore’s well known Bengali plays were translated into English – The Post Office was by Devebrata Mukerjea and Mukta-Dhara, Natir Puja and Chandalika were translated by Marjorie Sykes. While translating his plays from Bengali into English, Tagore did not indulge in word for word rendering from Bengali into
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Moses In The Odyssey
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Explain The Unjust Treatment Of Indentured Servants In The 17th Century
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'Abina, The Word Free'
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The Role Of Justice In Tragic Orestes
978 Words | 4 PagesGreek literature has forced a theme of tyrannical nemesis upon its contents. It is shown that fate and its agents have controlled the Greek sense of justice in a strictly one-sided method. This “dictatorship” of punishment has lead to countless deaths of innocent, and the release of guilty based on the decree of an individual. Sophocles introduces an opposition to the former ideal by presenting a seemingly unresolvable scenario. Neither the revenge of the Furies nor the compassion of Apollo can grant justice single-handedly upon the crimes of tragic Orestes.
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Rm Hare What Is Wrong With Slavery Analysis
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Analysis Of Thomas Babington Macaulay's Minute On Indian Education
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