In Greek tragedy, inevitability plays an important role, portraying the protagonists as pawns of the fates, whose roles in the tragedy are distributed arbitrarily and without justice. The outcomes of these roles are decided before the play even begins, for example in Sophocles' Antigone, and thus any actions of the characters during the play are futile, as they cannot affect the outcome. In the worst tragedy of all, the characters must return again and again to play out the same roles, as the wheel turns.
Of course, Shakespeare and the other Jacobean playwrights were not subject to the conventions of Greek tragedy, but nevertheless would have been aware of it and been influenced by it. Inevitability is important in Shakespeare's tragedies
In this growing world, people have learned to challenge rules and test boundaries to get what they want and to stand up for what they believe in. The play Antigone by Sophocles is an example of a story that tells an important moral of always doing what someone believes is right, despite the consequences. In the story, Antigone confidently gives her brother, Polyneices, a proper burial, despite her uncle Creon's wishes not to do so. Creon finds out and takes actions against Antigone and sentences her to death, resulting in turmoil for his family and city.
1. Haimon attitudes when he convey his father at the beginning of the scene seem to be imploring or flattering. At the end of the scene, he starts to show that he had a mind of his own and could think, and he was just respecting his father. 2. Creon's advice to Haimon about women is that Haimon should not lose his head in women, although Creon, he himself didn't have any experience about women when he misjudges Antigone.
When considering moral law and divine law, which is the better one to follow? Along with being the least destructive law to follow. Moral law being your own discretion while divine law being the law given to you by the higher authorities. When facing difficult situations people often have to chose between these two laws. The key is to have a balance of both the laws in order to create harmony as well as equality.
According to A.C. Bradley, Shakespearean tragedy have the following elements “although a tragedy may have many characters, it is pre-eminently the story of one person or at most two. The story leads up to and included the death of the hero. The story depicts also the troubled part of the hero’s life which precede’s and leads up to his death. The hero is a conspicuous person, a person of high degree. The suffering and calamity are exceptional, of a striking kind.
In Sophocles’ play, Antigone, virtually every character is forced to make a hard decision. A single choice has the ability to start a chain reaction until tragedy strikes, and that is what is seen in this play. Antigone’s first choice to bury her brother, even though it was forbidden by the king, leads to the other character choices in reaction to hers. Just as Isaac Newton’s third law of physics states; with every action, there is an equal and opposite reaction. And the same goes for life.
To those in authority. (Sophocles Prologue 46-51) Everyone thinks of Ismene as a supporter of Creon because she does not show that she secretly rebels against him. Ismene’s secretive actions allow her to rebel against Creon while still escaping punishment. Ismene is able to get away with her actions because she creates an “onstage” and an “offstage” behavior.
The Tragedy of Creon “Yes. Zeus did not announce those laws to me. And justice living with the gods below sent no such laws from man. ”(509-510) This quote is from Antigone and she is saying she hasn’t broken any law because the gods didn’t create this law.
Aristotle founded the idea that all the best arguments have three key parts: ethos, pathos and logos. Translated from latin, this means ethical, emotional and logical. In the play Antigone by Sophocles, the characters frequently make use of these tools when attempting to persuade another character to conform to their beliefs and thoughts. Antigone tries to get her sister, Ismene, to help her in a crime that she believes is just. Haimon attempts to lessen Antigone’s sentence by lecturing his father about what it means to be a good leader, and the Chorus is just trying to help out anyone they can with wise words from a third party opinion.
Antigone Essay In the play Antigone, written by sophocles in 441 BC, two main characters, Antigone and Creon, must decide who is right and who is not. There are many arguments as to why Antigone is right and why Creon is right but there are a bit more logical reasons to why Antigone is right. Out of most the arguments there are three very important and persuasive ones. These are only some of the reasons why Antigone is right and Creon is a fool.
Me: Hello Dr. Butler, I would like to interview you on your views towards Antigione for my research into classical representations of queer individuals. Butler: Of course. If you should require any additional information about my views on this matter you can likely find my opinion in my book Antigone’s Claim.
What do people do when their personal beliefs conflict with the laws of their society? Within the ancient Greek play Antigone by Sophocles as well as modern controversial issues in the world today, both have a related underlying argument. When people feel their personal beliefs are in conflict with the laws of their society, most of the time they will defy authority, protest and/or simply follow the law. Throughout time in society, the personal beliefs of people have been in contention with the laws of their particular society; therefore, sometimes they will defy authority.
In the story “Antigone” Sophocles uses the 12 different archetypes throughout his story to make the story more intense due to the different characters in the story. Sophocles represents the warrior and the destroyer a lot because they are different but yet match well together. Creon is represented as the destroyer because he makes everyone commit suicide which makes him be the only one such as explained in the motto of the destroyer. “My wife! my wife!
The tragedy, Antigone by Sophocles is a well developed take on the fight between who is applicable to be the protagonist of a story. In most stories, plays, poems, written works in general from the first literary works discovered surrounded the Hero’s Journey. The tragedy of Antigone is the one play that seems to accept Joseph Campbell’s theory but master the ideals of a protagonist but still battle for the position at the same time. It’s more or less a toss up to put it simply, but there are strong events and decisions within the tragedy that unfolds somewhat who the antagonist and protagonist is. Similar to the characters in Finding Nemo, Nemo and his father, Marlin, are a debatable pair in deciding who is the lead in the film.
A tragedy is a dramatic work in which the principle character engages in a significant struggle ending in ruin and destruction. In creating his tragedy, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy. In Antigone, Sophocles does a great job at bringing out
In Sophocles “Antigone”, translated by Richard Emil Braun, Haimon, the son of the Kreon, portrays elements of utilitarianism by trying to represent the best outcome for the community to his father. A sound argument towards Haimon showing utilitarianism is that Haimon only thinks about himself. Haimon states “You direct a course for me with good intentions, and I follow it” (Braun 46). This could show that Haimon is thinking for his own good intentions. However, Haimon follows his father’s commands but politely argues with Kreon about the greater good for the community instead of himself.