Izabella Argueta
Professor Copeland
Essay 9
MUSH 101
11/17/14
Essay 9
Music in the 20th century was changed by African and African-American in many ways. Due to several jazz type artists as well as adding African type music into the mix. Several types of music that are influenced by African styles include ragtime, blues, and jazz. Without this influence, music would not be what it is today.
An artist that greatly influenced the music culture of the 20th century was Scott Joplin. Scott
Joplin’s love of music and ability to play several different types of interments inspired him play ragtime music. At the young age of fourteen, Scott Joplin, begin to play at local bars. (pg. 347) This is where he began to work his way up in the world of music. The
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Needless to say Scott Joplin’s musical talents inspired many who would come after him. He was truly an asset to the change that African and
African-American music had on more traditional music.
Of course, there were others who also had an influence on the music industry. Billie Holiday was a jazz singer who added much to the world of jazz music. The jazz singer did not have schooling or experience working with music or pitch. (pg. 349) Regardless of this, she had a powerful voice that added much to the new type of music. It is even said that she learned how to sing by listening to her favorite singers Bessie Smith and Louis Armstrong. (pg. 349) She was able to train herself to sing, and she was loved for her voice.
The new music was a big hit. Even today ragtime and jazz music are recognized. Without the artists and influences of the 20th century, the music would be completely different.
Nearly everyone on the University of Idaho campus has at least heard the name, Lionel
Hampton. Lionel Hampton was a jazz artist who was originally from Louisville, Kentucky. Lionel
Hampton had a love for jazz music, and he had several hits that included, “Sunny Side of the
When you hear Scott Joplin’s name the first thing that probably comes to mind is his delightfully entertaining music written in the ragtime genre and how he is a pianist. Scott Joplin’s influence on ragtime music goes beyond the genre’s conception as entertainment music. His music was played in bars and parlors all over in his time. But his music was more than just for entertainment. Throughout his life he struggled in gaining acknowledgement on a scholarly level in his time, due to his race and many other factors.
In fact, the contributions of Scott Joplin in promoting ragtime music are immense, that it is difficult to talk about ragtime without mentioning his name (Stephens 13). Thus, Scott Joplin is a famous ragtime musician who helped to popularize the music in the 1890s to the early 1900s. For instance, “Maple Leaf Rag” is a famous composition by Scott Joplin that
Music through out the years have changed with the times. European music during the 1800s was classical composer after the other. Then one day an African American involved himself into crafting a new style of music. Samuel Coleridge Taylor took the exoticnist of African American music and mixed it with contemportrary English music. Not only was Samuel making changed in music; but he also stood against dicrimination and injustice of African American.
In life, there are few things as organic as jazz music. With its raw sound and scrappy roots, one cannot help but feel life head-on whilst witnessing players produce such a sound right before their eyes. Its origins and arch are a product of the United States’ national culture and identity. Jazz exists not only as a deeply rooted form of art but as a cultural marker, particularly during its commercial peak in the first half of the 20th century. Its impact transcends borders, and it is one of the most beloved musical genres worldwide.
then he started playing and making records. Quincy Jones had an interesting jazz career, he won lots of awards, and had the best jazz music ever. Quincy Jones got interested in music at a young age with playing instruments and making music. He was a teenager and performed with R&B Ray Charles.
There were many influential musicians of the Harlem Renaissance, yet Billie Holiday stands out as a sincere artist with a style all her own. While many artists used the characteristic scat singing, Holiday rarely sang the gibberish words and focused on the meaning of the song through her intense yet quiet voice. Despite the common Tin Pan Alley technique of plugging out songs simply to promote the sheet music, Holiday explored improvisation and made each song her own. Through her jazz improvisation, sincerity, and manipulation of phrasing, Billie Holiday created a revolutionary style of singing that many musicians copied in years to come.
Billie Holiday is one of the most influential jazz singers of her time. Her attitude, determination and most of all her music inspired artists throughout time and inspired major social change. Throughout her lifetime she explored the world of jazz, her identity, and how far the limits of her talent would take her. She exchanged her poor life, full of drugs and scandal for a life of performing the arts and showcasing her talents and abilities. Her incredible determination led her to do what she loved regardless of what anyone thought , which led to her inciting major social exchange; moving black suffering into white consciousness.
Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big
Scott Joplin is important to the culture, history, and legacy of African Americans because…he was a successful composer in his day, and even after his death his music was renowned for the complexity. Because he Changed Ragtime style music he is now known as an american icon. Born in eastern Texas, some 35 miles (56 kilometers) south of present-day Texarkana, to an ex-slave father and a freeborn mother, ragtime composer Joplin rose from humble circumstances to be widely regarded as the "King of Ragtime Composers.
“It [the Harlem Renaissance] was a time of black individualism, a time marked by a vast array of characters whose uniqueness challenged the traditional inability of white Americans to differentiate between blacks.” (Clement Alexander Price). Price’s mentality describes the tradition of American society persecuting African Americans. This reference to tradition forces the audience to consider how this persecution began. African Americans were abducted and forced into slavery.
Some of them included Duke Ellington, Fletcher Henderson, and Jimmy Lunceford. Interestingly enough, because of the popularity of the music, African Americans were able to produce music and bring it into white society for them to listen to. These African American musicians also influenced many of the white musicians as well. White jazz musicians had taken inspiration from black jazz music for many years, but because of swing, they became even more deeply devoted to integrating this music to blacks and whites. Benny Goodman was one of these white musicians.
Twentieth-century music brought freedom with new musical styles that challenged the rules of the previous
Armstrong’s Hotter Than That had a variety of instruments playing in the piece, but the clear focus was on the interplay between Armstrong’s trumpet and scatting and Lonnie Johnson’s guitar. The trombone, clarinet, and piano were used throughout the piece to add a variation in sound to prevent the piece from sounding to monotonous. One section I appreciated was the end of Armstrong’s first trumpet solo transitioning into the clarinet solo, which was accentuated by the clarinet playing a single, syncopated high note. Throughout the clarinet solo, Johnny Dodds utilized many blue’s slides, which I think added an interesting dynamic to this otherwise concise piece. In regards to Armstrong’s solos, both trumpet and scatting, his improvisational
During the 1910s, there were many exciting and terrifying events. In 1910, a horrible inferno called the Great Fire of 1910 broke out and destroyed a couple million acres of forest. With the Great Fire, one of the heroic firefighters, Edward Pulaski, saved almost all of his crew except The 1910s also had music. Bluegrass, jazz, and scat with many other genres.
Literature Used in the paper Due to the reputation of Herbie Hancock, there are publications about him, ranging from books, journals, interviews to dissertations. Topics of these literatures cover almost everything about him from Herbie Hancock to his language of music. Johannes Wallmann’s The music of Herbie: Composition and Improvisation in the Blue Note Years (2010) deals with improvisation and composition style of Herbie Hancock’s Blue Note recordings in the 1960s.