Innocence In James Joyce's Araby And Eveline

“Temptation is the feeling we get when encountered by an opportunity to do what we innately know we shouldn't” (Steve Marboli). The men in Margaret Atwood’s poem, “Siren Song,” experience this temptation and betrayal of their natural instinct. The narrator, a mythological being called a Siren, lures sailors from the sea and turns them into their prey. Throughout the poem, the Siren tells about their infamous and irresistible song that eventually leads to the men’s demise. The Siren’s beauty and voice cause the sailors to abandon their ship even when there are obvious indications telling them that they should not. In “Siren Song,” Atwood utilizes diction and irony to portray man’s greatest weakness: the temptation of women.

When a love story is told in a first-person perspective, it makes sense for the readers to expect an overly dramatic and emotional narrative. James Joyce’s “Araby” and T. S. Eliot’s “The Love Song of J. Alfred Prufrock” are both love experiences written in first-person perspectives. However, in “Araby”, the boy occasionally assumes a somewhat detached attitude in his narration and in “The Love Song of J. Alfred Prufrock”, Prufrock sings his love song in a dry, passive manner. When the boy in “Araby” explains about the name of the girl he fell in love with, he says “her name was like a summons to all my foolish blood” (2169). Although this statement might sound passionate, identifying his love-evoked reaction as foolishness and not providing the readers with the girl’s name expresses the boy’s current state of

Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.

Addie’s ideas are very raw, so that the reader understands that what Addie says is an accurate representation of how she feels. In this particular interior monologue, Addie explains the stress that other characters put on her, which contributes to the reason why she chooses to stay away from others. The interior monologue shows that Anse affected Addie’s self-image dramatically, because of Addie’s inability to remember life before him, “The shape of my body where I used to be a virgin is in the shape of a ” (173). The blank represents Addie “drawing a blank” or forgetting what life used to be like when she was still a

“There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while

Love can cause the happiness of the people who receive it, it strengthens and brings out sides of us that we were too scared to embrace, and it causes people to make sacrifices for the benefit of others. Love in this novel was the very core of optimism for many characters. A character who gained the most out of the love of others

When an individual thinks about the concept of love, positive thoughts come to mind such as affection, romance, and passion. Love is usually not associated with the negative possible outcomes. Love is often an important part of a story; it builds up excitement and gets the plot going. In William Shakespeare 's Hamlet and Kate Chopin’s The Awakening, the emotion of love is portrayed to drive a character insane.

When one is seeking a new voyage to self-discovery such as love, death, war, or even an exciting moment in your life, it’s a struggle to find yourself when all of these occupancies’ are happening. In James Joyce “Eveline” and Tim O’Brien “The Things They Carried”, the characters overwhelming circumstances of events have a topic similar to each other’s story, love. With comparing any two stories, there is differences in a few topics as well. James Joyce story “Eveline” is regarding about a young girl name Eveline.

The utmost display of personification of the house in the poem is “The house came to miss the shouting voices”, insinuating that the house has feelings (9). In Roethke’s “Root Cellar”, the poem gives the plants a primitive human quality for personification, through the use of words like “hunting”. In line 1, the poem begins “Nothing would sleep in that cellar”, and because it’s known that plants do not sleep, this is an example of personifying the plant life (1). The personifying of both the house and the plant life is very different, as the house’s personification is to illuminate upon the house’s physical and mental state to show how much what happens within affects the house as a whole. With the plant life, personification is used to show that no matter how crass or disgusting one is, one is always striving towards life, as death is the least tasteful and one would (normally) always choose life over death.

“Love’s Deceit,” by Big Rube, is a famous poem that is commonly connected with the American film “ATL.” In this poem, Big Rube discusses the deceitful ways of love. Rube also expresses his personal opinion of what love is and its irresistible lures. Big Rube uses several examples of figurative language to describe his feelings and thoughts love has brought upon him. He uses examples of similes, metaphors, and personification to explain the addiction of love in his life.

Additionally , the house that the narrator mentions is illustrated as “ mansion of gloom “ which might be a sign that the aura of the house has something dreadful in it. However , the Narrator reveals something important about his first impression for the house by saying “ I looked upon the scene before me , upon the mere house, upon the bleak walls , upon the vacant eye-like windows ( 3 ).To illustrate , the words such as “ air of heaven , silent tarn , mystic vapor “ used as a reinforcement for making the ambience of the house as gloomy. In fact , in the light of these facts , it could be said that the house has an darkness appearance which might be an indication of its mysterious atmosphere.

In order to appreciate Joyce’s expertly crafted tale, one must examine the way in which

The home mourns and wishes for its family because without them, it will be what it was before, a house. Just like the empty vase, one of the few objects that remain inside, it has lost all meaning without life pumping through its core. Larkin shows this loss through a depressing personification, separated and detached tone, and the slow crumbling structure. The home is not yet a house because it is still filled with memories of the past, which it is desperately grasping onto. Those memories - the pictures, the cutlery, the music in the piano, and that vase, are the only things that remain.

Love can exist as affection, infatuation, obsession, pleasure and in many other ways, as love is abstract. Hence, there is no one single interpretation of love. Love is a theme that has been embedded into language and literature over the centuries, yet due to the ever changing perception of love people continue to search for a universal definition of love. Poems are able to showcase the inner feelings and desires of a poet as well as their own unique views on love. Nevertheless, through poems “La Belle Dame sans Merci” by John Keats, “My Last Duchess” by Robert Browning, “Mother in a Refugee Camp” by Chinua Achebe, “The day is gone, and all its sweets are gone!”

The poem 's content points not to just a single memory, but an entire sexual affair from the speaker’s youth—chronicling the erotic encounters that would eventually lead to his lover’s “footfall light” and both of them “silent as a stone”. Thus the memory is also clouded by the nature of erotic