The first major aspect that leads to the Creature’s fall from grace is appearance. Victor works tirelessly in academia because he believes to have found the solution to generate life. Once Victor succeeds, the Creature’s demonic appearance mortifies him. Victor describes his work with disdaining imagery, stating, “I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motivation, it became a thing such as even Dante could have conceived" (Shelley 36). Although Victor successfully creates what would be his greatest academic achievement, he abandons his creation, showing that the Creature's ugliness is a prevailing factor for his isolation from civilization.
Nick meets Gatsby he has a very high expectation for him. Though as soon as he meets him, he recognizes his flaws. The flaws let down Nick, because he thought Gatsby was going to be perfect. Nick’s unbiased description reveals the true colors of Gatsby's personality. The Great Gatsby is a fictional story with fictional characters.
Webster’s dictionary defines a hero as “a person who is admired for great or brave acts or fine qualities; a person who is greatly admired; the chief male character in a story, play, movie, etc.” Looking at the list, Winston only fits one of these criteria. Winston is not a hero, even though he is the protagonist in this story. His actions and behavior throughout the book is unbecoming of a hero, and in the upcoming paragraphs, I will discuss what discredits him as a hero. Winston breaks, plain and simple. When it mattered most, his final stand against O’Brien and the oppressive powers of big brother, he is unable to withstand the onslaught.
One instance of Emerson’s parallelism is the first sentence of his second paragraph: “There is a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better, for worse, as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till” (Emerson 2). The various clauses in the sentence have the same rhythm, thus creating parallelism. Using the parallelism to give his writing rhythm and flow, Emerson creates a scholarly, academic feel in this piece. Similarly, Emerson uses many compound and complex sentence structures throughout the piece, such as “Not for nothing one face, one character, one fact makes much impression on him, and another none” (Emerson 2). He uses this advanced syntax in order to give his sentences an air of sophistication, making him sound educated and intelligent.
He finally grasps the chance into talking to the old man, De Lacey and he acknowledges that if he fails in being accepted by them he will be "an outcast in the world for ever". The creatures first encounter with a human being only proves how humane it is, despite his horrid appearance as the old man is delighted with him "I am blind, and cannot judge of your countenance but there is something in your words which persuades me that you are sincere". However, the younger citizens of the cottage enter and the creature is back to square one as they immediately react defensively against it- conveying how the creature will never be accepted with such distorted appearance since it is immediately identified as inhumane and
The unwillingness to be vulnerable depicted in his poems can often be found in film with the anti-hero archetype. From Gosling’s Driver, to Gibson’s (and Hardy’s) Mad Max, DeNiro’s Travis Bickle and now Roland Møller’s “Danny,” the calloused exterior of broken protagonists continue to prevail as one of the most alluring character molds of any story—literature or film.
During their first conversation, Basil and Lord Henry begin talking about Dorian’s profound innocence at great length. The painter eagerly explains to Henry how much of an influence the young man has on his career exclaiming, “‘His personality has suggested to me an entirely new manner in art, an entirely new mode of style’’’ (Wilde 8). Basil believes his work only has meaning thanks to his fateful encounter with Dorian and being able to witness his heart. Henry later criticises his idolization for Dorian by accurately foreshadowing, “‘Some day you will look at your friend, and he will seem to you to be a little out of drawing, or you won’t like his tone of colour, or something”’ (Wilde 9). To which Basil retorts with, “‘As long as I live, the personality of Dorian Gray will dominate me”’ (Wilde 9).
“I myself am made entirely of flaws stitched together with good intentions” by Augusten Burroughs. Death of a salesman is written by Arthur Miller, The play is about this man named Willy who has a really big tragic flaw and tries to make his sons the same way that he is which is him being insecure. Willy’s tragic flaw makes himself insecure and wants his sons’ to listen to him meanwhile he’s going crazy. Willy’s intensity is demonstrated in his prideful behavior. Claims that he is “vital” in the New England when in reality he is not a good salesman (4).