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Le Rouge Et Noir Analysis

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Political inclusivity creates equal opportunity to succeed in the society. In an inclusive society, the intentions and needs of all members of the society would be apparent to their stakeholders. Looking at the eighteenth-century society from Le Rouge et Noir, passions and politics crossed paths more than once as people sought to achieve various goals. Levin (1966) noted that Stendhal had no reservations in illustrating the inevitability of relations across the political divide. Julien and Mathilde' relationship takes off with the humiliating compromise on Mathilde's part and dominating sadism from Julien (Levin, 1966, p. 126). The psychological insight in Le Rouge et Noir reveals the different expectations of each party across the divide. …show more content…

Mathilde's revealed how caustic she was about this in her quest for love, despite the depravity of her sensual desires stemming from the beheading of her ancestor, Boniface de la Mole. Financially imposed alienation has restricted her from experiencing life as it is from the perspective of the impoverished majority. Her family and others of its kind only form relations with people of their economic status. In essence, one might estimate such practices with forced marriages as they were the dealings of parents who wanted to create worthwhile social connections. Women were subject to marriages without regard for their personal preference. Mathilde revealed her detest to such norms as she stated, "What kind of love makes you yawn? You might as well be pious and devout" (Stendhal, 1830). These thoughts show how Stendhal's novel blend of romanticism and realism (external and internal problems) marries to mirror the ruminations of individuals and group mentality. Moreover, an oppressed and alienated group has been societally discriminated: women. Therefore, when Mathilde developed a liking to Julien (marking the integration of different social classes), she encounters her idea love for the first time and detests any ideations of marrying her off to the archetypal autocratic men such as Croisenois and Caylus (Stendhal,

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