The Four Arab Women: A Literary Analysis
Beside the previously mentioned theories, the four Arab women novelists employ various literary techniques that this study will depict to fulfill their objective of portraying Arab women in war trauma. For example, fragmentation of time is a technique that conveys the idea of vicious time circle. The time shift from the present to the past and vice versa emphasizes the sense of no progress at the time of war trauma. All the events are an extension of the traumatic event. Fragmentation of time results in fragmentation of place as a representation of instability and estrangement.
Another fragmentation is the multiple narrative voices technique which is called Focalization technique by Gerard Genette. The events are narrated by the first person
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It is a valuable contribution from the point of view of feminist and Middle East studies, as it focuses on voices of women who live through and survive these conflicts, negotiating the challenges inherent in their daily lives. Women’s activities and perspectives are rarely included in analyses of military conflict; the chapters in this collection demonstrate that women are not only victims in wars; they are active agents in conflicts such as the ones in Iraq and Palestine. Their non-violent resistance and their activities refute the stereotype of femininity as strictly caring, non-confrontational and passive. The chapters are organised into three sections: ‘'Gendering the Neoliberal Imperial Project'’ which focuses on the different ways in which the US neoliberal expansion shapes gender relations in the Middle East; ‘'Revisiting Transnational Women’s Activism in the Context of Conflict, Post-conflict Reconstruction and Peace-building'’ which investigates Middle Eastern women’s agency and agendas in the context of military conflict; and ‘'Gender, Citizenship, and Post-conflict Reconstruction'’ which explores different directions in which gender relations can evolve …show more content…
Are Arab women in the selected novels after a "misery search" or a "dignity search"?
What do Arab women writers want to add in their war narratives that has not been told by their male peers?
Can a naïve perspective of the character, that matures over the course of the narrative, turn the hegemonic ideologies and beliefs upside down? Can it reveal the hidden issues by the powerful on its way to maturity and discovery?
Is fiction merely an abstract entity that has no bearing on how trauma issues are perceived in the societies contextualizing the
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