In Anne Rice’s novel, Interview with the Vampire, Louis, Lestat, and Armand are all vampires who have lived for centuries, and experiences love in many ways. Love is a complex and multifaceted emotion that is dealt with in many ways in Anne Rice's novel. This novel is mainly about the relationship between these characters Louis and Lestat and Armand and their different views on what it means to love and to be a vampire. These characters represent opposing perspectives on love, going through the complexities of eternal life, power, and desire, highlighting how love manifests itself in its many forms of redemption and destruction. Louis is a character who longs for love and companionship, haunted by his own desires he searches for moral redemption. …show more content…
Louis loves Claudia very much, but their love is doomed by the fact that she will never age or grow. Louis reflects; “that was inevitable, and I should have seen the signs of it coming. For I was so attuned to her; I loved her so completely, she was so much the companion of my every waking hour, the only companion that I had, other than death” (Rice 103). In many ways, Louis represents the human need for connection and intimacy, and the fear of loss and loneliness. Louis is deeply committed to Claudia, and their relationship highlights the complexity of love and the pain and suffering that comes with it. Ultimately, Louis' love for Claudia becomes the cause of tragedy when she is destroyed by other …show more content…
He is a master of seduction, using his charm to seduce his victims and feed on their blood. However, as the novel progresses, it becomes clear that Lestat has deep feelings and emotions. In his own way, he loves his companion Louis but is unable to express it in the traditional sense. An example of Lestat's love is the creation of Claudia, a child vampire. Although the motive for creating her is somewhat selfish, he expresses true love and tenderness for Claudia because he wants a companion for himself and a replacement for Louis. He is like a father to her. He wants to teach her the world and protect her from harm. After having turned Claudia into a child vampire Lestat says, “Now, Louis was going to leave us. He was going to go away. But now he’s not. Because he wants to stay and take care of you and make you happy” (Rice 93). Lestat uses Claudia to manipulate Louis from leaving. His love for Louis is complicated as he struggles with his own lust and jealousy over the relationship between Louis and Claudia. His love is possessive and controlling which leads to his and Louis’s
Cyrano steals Roxane’s heart with his linguistic talent through Christian as a proxy, who also wins her heart with his handsome appearance. Their duel affair is stopped when Christian decides he cannot continue his relationship with Roxane after she says: “If you were ugly, twisted, all askew, / Dwarfish, deformed, I feel, I know I should be able to love you more,” (144). Christian claims to Cyrano, “She loves my soul. You are my soul,” meaning that in reality, she is in love with the poet, and not the allurement (145). Rostand’s utilization of inner beauty vs outer beauty in Cyrano de Bergerac showcases the nonexistence of a perfect human.
Roxane’s desire for beautiful language and exquisite confessions of love heavily affect the behavior of Christian and Cyrano. When Christian attempts to tell Roxane that he loves her, Roxane, angered, pouts, “You offer skimmed milk when I ask for cream. Tell me how you love me” (76). While, for many people, a simple declaration of love is more than sufficient, Roxane expects her love to come in the form of exquisite, extravagant, and embellished poetry. Her demands for flowery language place an immense, stressful burden on Christian, who struggles to please her.
Mildred’s dependence causes her to lose the value of her relationship with Montag and develop an addiction, while Clarisse’s independence leads her to develop a personality of her own. These characters put to
This shows that she was encouraged by the things she did, and if anybody ever tried to bring her down she would not waste any time with them. It shows that because once she realized that Louis was not a good match for her and he did not share the
Mildred’s dependence causes her to lose the value of her relationship with Montag, and develop an addiction, while Clarisse’s independence leads her to establish a personality of her own.
“Mrs Whatsit loves me; that’s what she told me, that she loves me,” suddenly she knew. She knew! Love. That was what she had that IT did not have.” (L’engle 100).
Meursault is used to sleeping around with her that he does not value love she provides for him. “A minute later she asked me if I love her… I didn’t think so”(35). He is honest, but is much direct about it, but he cannot love
Frenchie describes his love for Rose as a miraculous feeling. one that filled every moment he spent with her with inevitable hope and purpose. As a result, love restored Frenchie’s hope; it filled the empty void in his heart and gave him a reason to live a purposeful
Charles and his wife Ruth have been married before, but their earlier partners had passed away. Elvira was Charles’ first wife who has been dead for seven years but still bothering his relationship between his present wife, Ruth. this play is not about how Charles finds ideas for his new book anymore but some complex conflicts going on with Elvira and Ruth. Elvira is the one that is making troubles in the relationship between Charles and Ruth. Even though Madame Arcati was called to hold a séance, she was not really a help for Charles because she knew what she was doing but always ended up nothing.
He is defying The Party’s ideology of having no romance by having his first dream about an intimate romantic time with his love, Julia. He later goes on to explain the dream and faces “admiration for the gesture with which she had thrown her clothes aside”. This simple act of intimate gesture makes him realize that the “Big Brother and The Party and the Though Police could all be swept to nothingness by a single splendid movement of the arm” as he knows of Big Brothers ideologies which “prevent men and women from forming loyalties” and “remove all pleasure from the sexual act”. In this dream, where Julia shows strength and defies the ideology
Although maintaining a commendable appearance is important, and having beauty isn’t necessarily unacceptable, true love is heavier in internal attributes. In “Cyrano de Bergerac”, Edmond Rostand uses conflict, tone, and diction to express the theme that true love is beyond beauty and instead about what’s on the inside. Edmond Rostand illustrates that one’s appearance is not the only factor to consider when falling in love by creating conflict between outer and inner beauty. When Roxane is talking to Christian about
Cyrano De Bergerac is a story about a great swordsman and a poet pursuing his love for his cousin, Roxane. Although she loves someone else, Cyrano’s love never dies out. After reading Edmond Rostand’s Cyrano De Bergerac, it is seen that there are many recurring themes which serve an importance such as unrequited love, loyalty and fear. The theme of loyalty in this story symbolizes the fact that respect and honor is held above everything.
In the story of “The Lady with the Dog”, the character Gurov’ character changes because of the events that occur in the story. At the beginning of the story, Gurov seems heartless, he does not respect the people around him including his wife, “he has begun being unfaithful to her long ago -- had been unfaithful to her often, and, probably on that account, almost always spoke ill of women, and when they were talked about in his presence, used to call them "the lower race” (172). He also does not feel anything toward women and thinks “their beauty aroused hatred in him and the lace on their linen reminded him of scales” (175). Love could be a reflex action. People find themselves victim of it; frequently in the worst place, time and circumstances
He is such a remarkable character distinct to other people we met in our daily undertakings. He’s exceptional and one of a kind. It also dwells with the supernatural power of love, the love to give up one’s freedom for the sake of justice. It is also quite romantic especially on the part of the love affair of Marius and Cosette that tickles your bones.
Like anyone else, they make mistakes. But as long as they have breath inside their bodies, they keep on trying to love even through the hard times. However, before all of this, Catherine knew that Henry was playing on her. She told him that “You don`t have to pretend you love me.” “But I do love you”.