Natalie Chu Prof. Harty Eng 2150 October 24th, 2015 “The Art of Invisible Strength” “Wise guy, he not go against wind. In Chinese we say, Come from South, blow with wind--poom!--North will follow. Strongest wind cannot be seen.” (Tan 497). In Rules of the Game by Amy Tan, Waverly Jong’s mother expresses this to her in hopes that she would learn the “art of invisible strength,” which was a strategy for winning arguments and respect from others (Tan 497). Tan successfully illustrates the way of Chinese parenting and the frustration a Chinese child often experiences. As the interaction between mother and daughter becomes tense, Tan seems to convey the mother’s message-- “the art of invisible strength” a very understandable Chinese way of …show more content…
Tan provides a vivid description of the neighborhood, “At the end of our two-block alley was a small sandlot playground with swings...bordered by wood-slat benches...old-country people sat cracking roasted watermelon seeds...The best playground, however, was the dark alley itself.” (Tan 498). This imagery immediately paints the picture of a hustling town where the Chinese live out their daily routines. Even nowadays in Chinatown, it’s not hard to imagine it exactly like what Tan describes, this allows the readers to fully engage themselves into the reading, making a special connection specifically with readers of Chinese background. Furthermore, in the beginning of the story, Waverly’s mother scolded her with “Bite back your tongue.” (Tan 497) In fact, this phrase seems to appear throughout the story. For instance, when Waverly wanted the salted plums (Tan 497); and when she wanted to play in a local chess tournament despite knowing her mother’s disapproval (Tan 504). To “bite back your tongue,” seems to represent the “invisible strength,” Mrs. Jong gives the hint that if Waverly learns to not actually voice out her desires, then eventually Waverly will get what she wants. Essentially, it’s a form of self-discipline. As her mother, Mrs. Jong seems to know her daughter’s thoughts very well despite telling her to “bite back her tongue.” She fulfills her daughter’s wishes by eventually buying
William Rabe… demanded that the Common Council immediately investigate the Chinese settlement in the city” when there were only 2,000 Chinese individuals living in this area, yet this was enough to catch the attention of doctors and council officials (Shah, 171). Shah proves the American fear of the Chinese people by explaining “the city council’s unusual requirement that they build outside city limits… and in the end refused any plans for a Chinese hospital” due to the descriptions of the filthy living conditions alongside the plethora of rumors within the city (Shah, 174). The author explains that Bates, a health officer in a high position of power, created “comparisons to farm animals, feeding a perception not only of Chinese immigrant’s inferiority but also of their inhumanity” and uses visual descriptors to create an overarching image of the Chinese rather than purely uses fact-based evidence (Shah, 175). In addition, the writer disproves Thomas Logan’s investigation by his incorrect view of “behavior and body as both the cultural and biological heritage of the Chinese ‘race’” and how his “vivid and visceral narration of the midnight journey through Chinatown became one of the stand forms of knowledge used in both medical and popular accounts to establish the truth of Chinatown as the preeminent site of vice, immorality, degradation, crime, and disease (Shah, 177). It is explained that Logan’s eyewitness and use of overexaggerated descriptors were widely accepted without any real statistical evidence or proof.
Meet Jason, a child with severe special needs. Jason is a young boy who spends his whole life sitting in a wheelchair and hitting words. If that sounds like a depressing life, it is. Jason wants so badly to just live like a normal boy. Being paralyzed in a wheelchair and the inability to talk makes Jason 's life all that much harder.
(Steinbeck 91) What this quote shows is that you do not know what to do in moments of stress or worry. Curley’s wife began to panic after Lennie would not let go of her, which worried Lennie, fearing that George would get angry at him. When Curley tried to hit Lennie and in return crushed his hand, it shows a lack of control in stressful situations, “Curley’s fist was swinging when Lennie reached for it. The next minute Curley was flopping like a fish on a line, and his closed fist was lost in Lennie’s big hand.
̈. ̈(Steinbeck 64).In this quote, power has been shown by Curley over Lennie. Lennie laughed at Curley like everyone did, but Curley was trying to show everyone that he is strong and decided to start fighting with Lennie because he has a disability even that Curley knows that Lennie is stronger than him and could beat him.but Lennie didnt want to hurt him or to get in trouble because he knows that curly in
Waverly’s selfish caused conflict between her family and herself. One conflict that she is having is how she fights with her brothers. One example from the story is, “Why does she get to play and we do all the work. ” complained Vincent.
Similarly, David Hwang’s 10-minute play “Trying to Find Chinatown” centers on an encounter between Ronnie, a Chinese-American street musician, and Benjamin, a Caucasian tourist from Wisconsin who identifies himself as Asian-American, in the busy street of New York. In the play, “each character defines who he believes he is: Benjamin is convinced he is a Chinese American, and Ronnie sees
In Chinese we say, Come from South, blow with wind-poom!-North will follow. Strongest wind cannot be seen.” Waverly’s mother, Lindo, is saying that if she shows emotions then she won’t get what she wants in life. She has to show that she is strong at all times. Amy Tan goes on to write, “The next week I bit back my tongue [...]
Amy Tan’s Joy Luck Club is an amazing representation of what Chinese immigrants and their families face. The broad spectrum of the mothers’ and daughters’ stories all connect back to a couple of constantly recurring patterns. These patterns are used to show that how the mothers and daughters were so differently raised affected their relationships with each other, for better and for worse. To begin with, the ever-present pattern of disconnect between the two groups of women is used to show how drastically differently they were raised.
Play it onto the discard pile. (b)Analyze: At the beginning of this story, the narrator, Waverly Jong, explains how her mother taught her the art of invisible strength when she was six years old, saying that it is a strategy for winning arguments, respect, and chess game. (a)Recall: When Waverly fears that she will lose a chess match and shame the family, Mrs. Jong says, "Is shame you fall down nobody push you. " Under the humor of her syntax, however, her words are powerful and biting - that is, Waverly has no one to blame for her failure but herself.
The speaker’s grandmother is originally presented in a way that causes the ending to be a surprise, saying, “Her apron flapping in a breeze, her hair mussed, and said, ‘Let me help you’” (21-22). The imagery of the apron blowing in the wind characterizes her as calm, and when she offers to help her grandson, she seems to be caring and helpful. Once she punches the speaker, this description of her changes entirely from one of serenity and care to a sarcastic description with much more meaning than before. The fact that the grandmother handles her grandson’s behavior in this witty, decisive way raises the possibility that this behavior is very common and she has grown accustomed to handling it in a way that she deems to be effective; however, it is clearly an ineffective method, evidenced by the continued behavior that causes her to punish the speaker in this manner in the first place.
Tan expresses the life experiences of Chinese immigrants to the United States and attempts to depict the relationship of a mother and daughter through her significant piece of writing ‘The Joy Club’. Therefore, all these authors somehow portrayed their early struggles and their view point towards life from their literary
Steinbeck shows, through multiple people’s personalities that most of them desire dominance and power over others. Steinbeck demonstrates threw Curley the desire of dominance over other people. When Curley walks in after seeing George and Lennie and trying to get Lennie to talk he says “By christ, he’s gotta talk when he’s spoke to [...] well, nex time you answer when you're spoke to”(Steinbeck 25-26). Curley demands an answer from Lennie and denies any responses from George like he is in a higher state of power than they are. Curley says that Lennie needs to talk
She credits her success to her mother’s lesson of the power of invisible strength. She recounts how “my mother taught me the art of invisible strength. It was a strategy for winning arguments, respect from others, and eventually, though neither of us knew it at the time, chess games.” (p. 89) Waverly goes on to have a lucrative career as an attorney, while her mother 's power over her gradually wanes reminiscent of the Taitai’s power over Lindo.
The characterization of Waverly Jong in Amy Tan’s “Rules of the Game” delineates the importance of foresight and the ability to anticipate the outcome of situations, especially in the case of her mother. In analyzing Waverly’s acknowledgement, “I learned why it is essential in the endgame to have foresight...all weaknesses and advantages become evident to a strong adversary and are obscured to a tiring opponent..for the whole game one must gather invisible strengths and see the endgame before the game begins.” (3), the reader is able to decipher how Waverly’s thoughts work to elicit a greater meaning
Mother knows best. And yet so many daughters in Amy Tan’s The Joy Luck Club feel slighted by what the matriarchal figures in their lives have in mind for them, or rather, what they believe their mothers have in mind for them. A perfect storm of expectation, true and false, about love, about success, about being Chinese. The souring of mother-daughter relationships in The Joy Luck Club stem from unrealistic or ill conceived expectations that both parties hold for the other.