I attended a Nashville Irish Stepdancers performance at the Texas Troubadour Theater. The theater was in the middle of a strip mall in Orpy Mills. The inside was setup with pews and had a very medieval essence. The performance was to be a celebration of the Irish culture and include the vibrant spirit of the heritage. In the program, the choreographer and founder of the Nashville Irish Step Dancers, Mary Moran, said that the show not only highlights traditional pieces, such as the jig and treble reel, but also explores more progressive styles of Irish dance and music.
Mary was trying to convey a fresh twist on Irish dancing by including modern hits such as I Gotta Feelin’ and the 2010 Fifa World Cup anthem, Waka Waka. The other music played was very Irish influenced and were Irish step dancing classics. The costumes alternated between pieces, sometimes they were
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I have never been very fond nor familiar with Irish Step Dancing, so this was a totally different ball park for me but I found it very entertaining at time. That being said, I would say that the performance could have been a lot better. Many of the dances were very repetitive. For example, in the first half, there were 3 hip hop inspired pieces and they all had very similar moves. In the second half, there were many traditional pieces that just showcased the same movements over and over. The performance was overall very long and drawn out. It could have done without a couple of the hip hop numbers and more traditional pieces. There was also a band that played a song between each dance number which made the show even more extensive. Going to this performance though, did open my eyes to a different type of dance and made me understand Irish Step Dancing a little better. I know appreciate the culture and their artistry a lot more and am interested in exploring it and maybe experiencing it again in
The concert included a wide array of songs. My favorite song from the set was “Sweet Little Angel”. I love the sounds that the guitarist was able to make with the guitar. I could not keep myself from bobbing my head and really getting engrossed into the song. The instruments were poignant and well played
Unlike Eli, Lionel continues to struggle within the liminal space between the ‘white’ and ‘Native American’ worlds. His desire to return to university and educate himself to get a better job suggest his attempt of finding himself. However, before he takes that step, he remains in a conflicted position of being a Blackfoot and not a Blackfoot at the same time. He may look like one, but he does not feel like a Blackfoot. Lionel points out to the reader how he “[feels] completely out of place” due to his appearance while at the Sun Dance (365).
so I was pretty amazed at seeing him and his partner do dance moves, they did an amazing job telling a story without any real use of dialogue. Gonzalo Nieto was definitely was one of my favorites, he was in another mini play called, It’s Not a Joke and he played the other half of a character that had a split personality, he did a very spontaneous job and I really enjoyed seeing his radiant personality on stage. The entire cast was
It is not surprising for one to think that one might get bored at a two-hour long orchestra, but during the whole performance I was at the edge of my seat just wanting to get up and dance. The band was very audience focused and kept everyone engaged throughout with their jokes, songs, and act. The lyrics of the songs they sang were fun and impressive. They sang compositions from different countries and across different genres; two of my favorites
In my opinion, this dance is very fun and easy to learn. It provides an outlet to meet new people and be active. It allows people to overcome challenges and make mistakes in a supportive environment. Although it is unlike an intense workout session, it still has its own health benefits that help people of any age remain healthy – whether physically, mentally, or
Hi Johal, Your oral presentation about your dance journey was an inspiring story, which opens up many opportunities in your life. It is amazing to know that how it shakes your personality and helped you to overcome criticism. Throughout out the presentation, you did really well in presenting your ideas in a very comfortable manner and maintained good eye contact with the audience. As well as, you answered to the audience questions in detailed at the end of your presentation. You presented with confident.
The dance itself was not about showing off, but more for a desired sense of smoothness and rhythmic grace between partners. Many variations were made on the dance floor between partners, depending on the music, which was usually a sweet jazz -a moderate to slow tempo with a smooth, mellow sound. One of the variations created, formed a whole other style of dance, the Toddle. It’s called the Toddle because of how “young people took to throwing their arms and legs in the air with reckless....hopping or ‘toddling’ every step in the Foxtrot”
Cole and Atkins cross their feet multiple times, moving their arms in the same motion, and then they spin. The music gives off a free vibe, like Josephine Baker, for their dance looks choreographed and improvised. I think during this time music started to slow dance, and it was not as fast of a beat. Another difference, audiences became more integrate. Motown’s co-produce
Within this dance report I will discuss and evaluate the changes of jazz Dance from when it first originated to how and what the style has changed to in current day. I will then discuss three different practitioners and include reference to the musical accompaniment which they then used for their work/choreography; how their approaches to jazz dance varied, and why it has now influenced jazz dance today. The three practitioners I will discuss will be: Bob Fosse, Mia Michaels and Jack Cole. These three practitioners all have different approaches and ideas as to what jazz dance means/meant to them. Jazz dance first originated in the late 1800s to the mid-1900s, it was influenced by African American vernacular dance and has adapted and changed
The wake of September 11, according to Amira Jarmakani, came to form an ‘imperialism-through-freedom discourse’, which represented the events of this day as a symbol of shock rather than a tragic, continuation of hostilities in the political relationship between the Middle East and the United States. In this discourse, the Arab and Muslim world is home to a set of oppressive, fundamentalists, who hate American freedom and their ways of life. Moreover, Jarmakani also described the cover of the movie American Bellydancer, which displays an image of the destroyed Twin Towers of the World Trade Center in New York City with a belly dancer standing in front of it in the frame of the Statue of Liberty. As she explained it, this image represented the alignment of belly dancing with freedom, allowing the viewers to feel that belly dancing is not affiliated with the negativity surrounding the Middle East. This soon allowed people to associate belly dancing as a symbol of
but it was the performance I identified with the least because I didn’t know any of the songs they sang. However, I loved the instruments that accompanied them. The cello, violins, and bongo were new and exciting and it really got me excited and
It starts off at a slower tempo and gains speed later on. In this piece there is not much dancing, but the amount of dancing correlated well with the storyline at the time and the song. It is a freeing song, while Elphaba sings this song her arms are wide open and there are major level changes from her being on the ground to being in the air on a broomstick, she is finally becoming free. On the sage in the beginning of the song, are the two main characters: Glinda and Elphaba. Later in the song more dancers join them on the stage to capture Glinda while Elphaba is in the air.
The first song they start off with is called Michelangelo by Astor Pizzolla, with that piece it was such a strong introduction you could hear the silence in the crowd it was astonishing. The second piece they played was a new song they are starting to perform, this was the second time ever playing it, called A fuego lento by Horacio Salgan. The dynamic in the pieces were amazing as well, but really interested me in this piece was the flute and clarinet. The notes they were playing were so high speed and challenging it was so cool to see because I know that takes some hard work to pull that off and still be in tempo. Tango is also a form of dancing, so while
The time aspect of dancing was shown through their
Two scenes that appear in Northup’s memoir that do not appear in the film are: Northrup being chased by the dogs after beating Master Tibeats and Epps coming home drunk and playing a twisted game of catch and release by whipping slaves all through the night, I would recreate the scene with Epps beating the slaves while drunk. I would replace one of the dancing scenes with this, as Northup states both the forced dancings and beatings occur when Epps is drunk. Each slave would be involved in the scene, not directly focussing on one central character. The scene would begin the middle of the night, the sky dark. The camera would start from the ground, preferably muddy, and slowly pan up until the viewer has seen the full picture of Epps, holding