Lloyd Dendinger states in his analysis, “John Crowe Ransom,” the two largest points in Ransom’s poetry are, “irony,” and the, “texture of his verse.” In other words, the majority of Ransom’s poetry focuses on irony, diction, and how they are related. According to Dendinger, these devices occur in all of Ransom’s major works.
Dendinger supports this idea of recurring devices like irony, with many examples throughout the analysis. Dendinger believes the poem, “Bells for John Whiteside’s Daughter,” uses ironic masking when describing the death of a young girl who loved to play. The choice of diction, such as, “tireless,” when describing the active nature of the girl really stabs at the fact that she died, showing Dendinger’s point of irony. In Ransom’s poem, “Janet Waking,” a young girl who loses her dear pet chicken is forced to deal with the unpleasantness of death. Dendinger explains that the use of the word, “waking,” carries the essential irony. It is used to describe Janet waking up literally in the morning and also to show her waking and understanding the concept of morality. Dendinger describes the poem, “Piazza Piece,” as one that uses dramatic irony when comparing the reader and the character. In the poem an old man talks to a young woman describing the decline of humans and the mortality we all face. Dramatic irony exists here
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The evidence provided by Dendinger gave many examples of both of these with poems like, “Bells for John Whiteside’s Daughter,” “Janet Waking,” “Piazza Piece.” and, “The Equilibrists.” All of these poems are connected together through Ransom’s own unique style as described by Dendinger. Each of them use irony and diction in their own unique way and greatly set them apart from other poems of their time. Due to this, Dendinger’s analysis is proven
A final example of situational irony is when “Red Chief’s” father responds to the ransom note. The reader expects that the father will be frantic or worried about getting his child home safely, and be willing to pay a ransom for getting his son back into his own care. Again, the father does not react as expected, instead he knows that his son is not tolerable for a long period of time as which means he is not worried about his child very much due to they will be willing to
In Edgar Allen Poe’s, “Cask of Amontillado”, Poe skillfully uses verbal irony in order to demonstrate the villainous intentions of Montresor. The first example of verbal irony is when Fortunato, the victim, toasts “to the buried that repose” and Montresor, the murderer, “And I to your long life”(page 119). By now the reader is beginning to understand. Montresor's murderous intentions by Poe’s verbally ironic statements about life and death. Another, example of verbal irony is the play of the word “masons”.
Kate Chopin and Roald Dahl both use irony as well as similar themes of betrayal and heartbreak to motion their two very different storylines forward. Though the works take place in antithetical eras, each holds a similar calamity that results in the breaking up of the protagonists and soon to be antagonists. These moments of heartache hold relevance due to their unfortunate relatableness in today 's society. Upon further inspection of the themes and irony in Lamb to the Slaughter, and Desiree’s Baby, the reader can better understand the possible cruelties a relationship can hold as well as it 's sometimes unavoidable hardships. Both narratives bear a conspicuous similarity using irony.
Lombard saying: “‘So that is the reason for your womanly solitude! You wanted to pick my pocket’” (264) it is noticeable that something will happen that will not be promising for Lombard. We can realize a change in mood into a scene of despair. Where we begin to realize all hope is lost and the poem will succeed in the end.
“When I compare Donne’s poetry and W;t, I find that the differences between them are more significant than the similarities.” How well does this view of the texts reflect your own considered view? To compare is to examine two or more things in order to note the similarities and dissimilarities present between them. As you begin to compare the poetry of John Donne and Margaret Edson’s play W;t, the disparities between the two do much more in understanding the messages they are trying to convey than the similarities.
A final example of situational irony is when “Red Chief’s” father responds to the ransom note. The reader expects that the father will be willing to pay anything to get his son back. We would think that he is worried, anxious, and upset for his child.
Renowned author, Raymond Carver, skillfully weaves dramatic and situational irony throughout his short stories, Cathedral, Neighbors, and They’re Not Your Husband. Situational irony is when the opposite of what is expected to happen, occurs. In Cathedral, and They 're Not Your Husband situational irony is amply evident. Dramatic irony is when the audience knows something that the characters do not. In Neighbors and They’re Not Your Husband, dramatic and situational irony are both utilized.
Irony is broken up into three specific types. The first is situational, in which what is expected to happen isn’t going to happen and simply the opposite of it actually occurs. The second is related to verbal irony which is in regard to the words that are being used to mean something different from what is meant to be said. Lastly, is dramatic irony in which the reader knew something that the main character did not. One of the situations of situational irony is when the pardon is being sold for sins such as greed and dishonesty even though the pardoner himself is actually practicing these types of societal ills.
Raymond Carver’s “Cathedral” is a short story that unfolds through the perspective of Bub. The story begins with the depiction of Bub’s narrow-mindedness and as the story progresses, it becomes clear that his perspective shifts after an encounter with his wife’s blind friend Robert. It’s through his encounter that he has an epiphany. His jealousy towards Robert and intoxication that debunk his preconceived notations and highlight the connection between him and Robert. Only, after his epiphany that he’s drawn out of his obliviousness and he gains insight.
She utilises a diptych structure which portrays the contrast of a child’s naive image of death to the more mature understanding they obtain as they transition into adulthood. This highlighted in ‘I Barn Owl’ where the use of emotive language, “I watched, afraid/ …, a lonely child who believed death clean/ and final, not this obscene”, emphasises the confronting nature of death for a child which is further accentuated through the use of enjambment which conveys the narrator’s distress. In contrast, ‘II Nightfall’, the symbolism of life as a “marvellous journey” that comes to an end when “night and day are one” reflects the narrator’s more refined and mature understanding of mortality. Furthermore the reference to the “child once quick/to mischief, grown to learn/what sorrows,… /no words, no tears can mend” reaffirms the change in the narrator’s perspective on death through the contrast of a quality associated with innocence, “mischief”, with more negative emotions associated with adulthood, “sorrows”.
1. Irony: Irony is used throughout the novel to demonstrate to readers the narrator’s blindness. The whole novel is the narrator telling the story of his journey as he looks back on his past. So, the story is being told by the older and wiser version of the narrator. Ellison uses irony to create a division between him as the narrator and him as a character.
Orgon is blind not in vision, but he is blind to the two faced ways of Tartuffe. He is blinded by the religious and zeal appearance Tartuffe displays in front of him. Moliere shows his hypocritical ways through the use of Irony. The rest of the family can see through his acting, but Orgon fails to see it. The use of irony throughout the play is shown drastically towards the end when Orgon praises Tartuffe, but simply cannot see that he is an imposter when he shows his real colors.
William Faulkner’s novel As I Lay Dying follows the Bundren family on a journey while it explores the subject of heroism and discusses its subjectivity. The family travels on an expedition to bury Addie, the deceased mother of the protagonist, Darl Bundren, and his siblings. As days continue to pass, however, the journey seemed interminable. During the adventure, the family takes a stop at Gillespie’s barn for the evening. While they rest Darl sets the barn, in which the coffin sits, ablaze.
Further, situational irony is present through the reaction that Louise Mallard has after learning about her husband’s death. Upon first learning of her husband’s death she is very devastated and distraught. As soon as she is alone in the bathroom however, it is clear to the readers she is not as upset. In fact she is slightly relieved in that “she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome” (235).
Henry uses situational irony to convey his theme in the story “The Ransom of Red Chief”. Two thieves change from wanting to hold a kidnapped boy for ransom to instead giving the boy back to his father, along with $250.00. They quickly realize that the boy, nicknamed “Red Chief”, is not who they expect him to be, and their whole kidnapping scheme consequently does not go as planned. Eventually, Bill Driscoll, one of the thieves, begs to let the boy go back home even though they have to pay the boy’s father $250.00. Bill says, “You ain’t going to let this chance go, are you?”