Islamic Art

The Islamic period dates back in the year AD 622 when Prophet Muhammad (P.B.U.H) emigrated from Mecca to Medina. After his death in 632, Islam had spread to overcome areas extending out from Spain in the west to Afghanistan and North India in the east. Community foundations of various religions, cultural, historic and artistic establishments were then joined under the single seal of Islam. Sometime later, sizeable Muslim social community had been set up in a much more broad scope of the Old World, running from Africa over the Indian Ocean to Southeast Asia and starting there northwards through China.

Therefore, one can state that Islamic art is an art produced in the grounds under Muslims initiatives. One cannot simply say that this art was

It began with the connection of Arab and Caravan leaders with Byzantine and Persian developments. Islamic art is not an art of single period or movement; it covers 1,300 years of history. With the progression of Islam, Muslim leaders kept on overcoming numerous new terrains. These grounds had their own customs and traditions bringing about a powerful effect on Islamic art. Islamic art is created from many sources: Roman, Early Christian art, and Byzantine styles were assumed control in early Islamic art; the impact of the Sassanian subject of pre-Islamic Persia was of huge importance and Chinese impacts formatively affected Islamic painting, stoneware, and materials. However, when the Abbasids came to power Islamic art had been developed fully to an independent art form.

Islamic art has its own attributes and significance. It concentrates on over all surface design. The primary features of Islamic art are calligraphy, arabesque, geometry and floral patterns and page illumination. It is characterized as secular art not religious so figurative portrayal was likewise presented some way or

Islamabad being the capital city of Pakistan extraordinarily needs such a facility. Other Islamic nations attempted their endeavors to preserve the considerable works of pioneer artists yet Pakistan is left behind in this race. Because of modernity, Pakistan is by one means or another been detracted from its historic art. The archetype of buildings has been advancing towards more modern approach eliminating conventional qualities and components. As a result of this reason the new generation is deficient in the information of their heritage art. Numerous new youthful artists are emerging bringing ahead their ability and love for Islamic art yet because of no appropriate information and learning program their ability is going futile. Museum and learning Center of Islamic art would help in reviving the art of forgotten and bringing forth the emerging new talents.

DESIGN OBJECTIVES:

• The design would provide a desirable, happy and welcoming environment for all the users through traditional and modern approach-blending traditional art with modernity.

• The image of the building would reflect harmonization between Islamic art and Modernism. This would be done through the use of materials, Islamic and modern elements of