Jack The Ripper Rhetorical Analysis Essay

Othello’s flaw demonstrates his lack of trust in Desdemona and his mistrust in Iago. In time, the jealousy Othello feels and the skepticism he creates causes his emotions to overpower him. Othello kills Desdemona and “It is too late” to control

There are minor trips of guilt in this play. For instance, when Emilia picks up Desdemona’s handkerchief. She only does this because her husband tells her to so it didn’t cause her pain or guilt. However, Iago planted this item on Cassio, which caused Othello to become infuriated with Desdemona once he found out that it was not in her possession. Iago’s plans on making Othello jealous were working.

(3.1.43-49) Polonius orders Ophelia to distract Hamlet even though he knows the emotional distress it will cause her. He is the reason Ophelia breaks ties with Hamlet, yet he is willing to throw her at him for his own gain. Polonius cannot rationalize that spying on Hamlet is less important than his daughter’s mental stability. His utter selfishness makes him incapable of making rational decisions that are beneficial to both himself, and his children. Polonius gives good advice that he does not take himself, showing his bad decision making.

From that point forward, it was wrong for Macbeth to be so

Othello is presented as a respectful and honorable prince loved by all, but unexpectedly he grows an enemy, Iago. Iago vows to get vengeance on Othello because Othello made Cassio his lieutenant instead of Iago. Iago then takes control of fate in the play as he diabolically invents a plan to manipulate Othello into believing that Desdeomona was having an affair with Cassio. Furthermore, Othello’s tragic flaw was that he was gullible, therefore eventhough Othello was infatuated with Desdemona he chose to believe in Iago’s lies about Desdemona’s “affair”. For example, throughout the entire play, Othello committed irrational actions voluntarily because he was overtaken by jealousy that Iago developed with lies.

Consequently, if the marriage fails, husbands should stop blaming their wives for being the cause, since the stability of their relationship depends on both, especially their virtues as spouses. The real scoundrel is the husband who holds his wife responsible for their failed marriage when he may be the most deceiving person in the marriage if he keeps mistresses on the side. Men, not women, are the greatest deceivers, if they lie to women before and after marrying

However, he is not completely innocent as the vice, committing suicide, did manifest because he tried to outrun his problems on Earth. Therefore, in hell he cannot run away from his problems anymore. This vice proves that it is the unjust action that causes the punishment and that the manifestation of the vice also manifests in the punishment. Despite committing a sin, one can be sympathetic of Piero because he is portrayed as a good person who is aware that "it is not just" to take "from oneself" (13. 105).

In the article “The Passion of Gatsby: Evocation of Jesus in Fitzgerald’s The Great Gatsby”, by Thomas Dilworth, Gatsby’s love for Daisy and fear that Tom would hurt her, “motivates him to keep Daisy’s secret about her accidentally killing Myrtle Wilson” (Dilworth 119). Gatsby is so in love, he becomes blind to the truth, that Daisy doesn’t love him because if she truly loves him, she would have put up a fight on who takes the blame. Also caring for his safety and not her

It seems as if the speaker is fearful of not getting this chance at love which is why he emphasizes their limited time. In “To His Coy Mistress”, the speaker puts an emphasis on time because he is fearful of missing out on this love and his actions are driven by this fear. An example of this is when he addresses that if she doesn’t love him then the love will go to waste and, “worms shall try that long preserved virginity, and quaint honour turn to dust, and into ashes all my lust” (Marvell 27-30). This illustrates how the speaker is looking for something temporary to fulfill his emptiness because he is essentially trying to pressure the mistress into having intercourse with him. Furthermore the speaker expresses more of his immediate sexual desires by saying, “now let us sport us while we may/ and now, like amorous birds of prey/ rather at once our time devour” (Marvell 37-39).

Othello believes his friend Lago over Desdemona his own wife. Instead of treating her fairly and the way she deserved he argues with her and ridicules her. Desdemona is a perfect example of a wife and Othello will not believe her because she is just a woman. Othello is easily convinced his wife is cheating and feels humiliated and therefore feels it is justified for him to smother her. When Othello states, “She turned to folly, and she was a whore” (5.2.134)

The predisposition that evil is the nature of mankind is a categorical truth. Arguers with this statement would state that there is kindness and light in everybody. These romantic critics are too naive to believe what is right in front of them in day to day life. Although these ignorant statements are true, it is very hard for a person to overcome their evil impulses. Not only it is hard but when they do, someone else inflicts evil upon them.

On Pages 339-340, Capote uses selection of detail and diction to argue against the use of the death penalty. (Dick) “...hung for all to see a full twenty minutes before the prison doctor at last said, ‘I pronounce this man dead.’” (Capote 339). (The guard says), “They don’t feel nothing. Drop, snap, and that’s it.

Despite a similar internal struggle, Paul and the speaker cope with their emotions in different ways. Although both characters do in fact suppress the guilt of killing an enemy, Paul still struggles with some regret. In “The Man He Killed”, the speaker acknowledges the fact that he is at war. The idea of killing another man becomes normal to him as he realizes that he enlisted for this purpose. The speaker states that “I shot at him as he at me”, if he had failed to shoot, he could have been the one dead, thus he had to fire back in order to survive.