1. Fiction creates characters The main character is Jane Eyre. Physically, Jane is plain and pale, she is petite, she is very thin, and she has hazel hair and green eyes. She is very honest and strong-willed, she is passionate and smart, she has very strong beliefs, and she is mature. Jane got the way she is by being excluded and oppressed as a child.
One of the biggest character foils in Jane Eyre is between Mr. Edward Rochester and St. John Rivers. From the first time we meet these characters, it is easy to tell the two apart. While one is ruled by a religious forces the other is controlled by emotions. Jane has to make a choice, and decide how she is going to live the rest of her life. At the end of the novel, she makes a choice between what is expected of her, and what she wants.
Brontë exploits this issue in “Jane Eyre” by showing this darker side of society through the enigmatic Edward Rochester and his lustful family. - Edward is an economically independent man with a favorable status and influential connections still looking for a profitable match. Jane will be the one in charge to unmask him to the audience: “I saw he was going to marry her [Blanche Ingram] for family, perhaps political reasons, because her rank and connections suited him” (Brontë 205) This manner of conduct converts Mr. Rochester from a hero into a villain, a perpetrator and “his project of
When he falls in love with Jane, he tries to be careful, all he wants to do is to test Jane’s loyalty to him in order to give her the opportunity to gain his trust which explains his interest in Blanche Ingram and his disguise as a fortune-teller. But Jane Eyre teaches him a lesson by leaving him when she learns about his marriage which makes Mr Rochester realise his mistake. Later on, when her cousin St. John wants to marry her, Jane rejects him. She is brave enough to refuse him rather than marry someone without love. Jane obviously shows her independence by deciding on her own without outside influence.
Jane Eyre was conceived a vagrant who needed to look for safe house in her close relative's home where she was never acknowledged and even limited from numerous points of view. Since she was not a tame youngster, she chose to go out of her relatives for a bizarre spot such as Lowood School. In any event in Lowood school, she could be companions with some wonderful individuals such as Helen and Miss Temple; at any rate in here, she could be instructed properly. Be that as it may, following eight years, Jane felt exhausted with the monotonous calendar and her unremarkable life, she chose to leave school and turned into a tutor in Thorn Field, in which
He challenges and flouts the social norms with behaviours that don’t befit a 19th-century gentleman—he tries to marry a governess who is far beneath his status (217), he dares to commit bigamy by marrying Jane while his wife Bertha is still alive (247), and he is willing to discuss his affair with a French opera singer with his subordinate (123). Jane Eyre, who marries another outsider, remains the social Other after her marriage. Even so, it doesn’t really matter because she lives a happy life—she embraces her Otherness, abandons her alias (which is used during her effort to assimilate into the larger social group as a schoolmistress at Morton), and is happily married to another outsider Mr. Rochester. Marriage could not be said to have such a positive effect on Santosh, the protagonist of V. S. Naipaul’s “One out of
In Charlotte Brontë 's, Jane Eyre, we see a reversal of gender roles for both Mr. Rochester and Jane. In multiple scenes of the book the two switch back and forth from their “natural” roles, which ends up benefiting the two. In the story, Mr. Rochester, the big burly owner of Thornfield, occasionally drops his natural patriarchal role to become a feminine character. Jane also does this as she takes on a more masculine role from time to time, and drops her feminine complacency. While usually both characters dropping their gender-specific roles could turn out bad, in this story, dropping the stereotypical gender roles by blurring them leads to happiness by the end of the story.
She states a more modern view upon the subject about the female role in society where she states a desire that women should be able to do the same things as men, without a judgemental view from society. This view of gender roles was controversial in the Victorian era, but Jane Eyre represents a new and fresh feature in the early feminist movement with a more equal view upon the subject. Though, upon the marriage with Mr. Rochester, Jane shows another side of her feministic character. The independent Jane, starts to question her role in the marriage. Jane hated that Mr. Rochester bought pretty jewelleries and dresses for her;” the more he bought me, the more my cheek burned with a sense of annoyance and degradation” (Brontë, 321).
Feminism has been a prominent and controversial topic in writings for the past two centuries. In Charlotte Bronte’s Jane Eyre the main character, Jane Eyre, explores the depth at which women may act in society and finds her own boundaries in Victorian England. As well, along with the notions of feminism often follow the subjects of class distinctions and boundaries.There is an ample amount of evidence to suggest that the tone of Jane Eyre is, in fact, a very feminist one and may well be thought as relevant to the women of today who feel they have been discriminated against because of their gender. At the beginning of the 19th Century, little opportunity existed for women, and thus many of them felt uncomfortable when attempting to enter many parts of society. The absence of advanced educational opportunities for women and their alienation from almost all fields of work gave them little option in life: either become a house wife or a governess.
MAIN THEMES IN THE NOVEL FAMILY The primary journey in Jane Eyre is Jane 's scan for family, for a feeling of having a place and love. Be that as it may, this hunt is continually tempered by Jane 's requirement for independance. She starts the novel as a disliked vagrant who is relatively fixated on discovering love as an approach to set up her own personality and accomplish bliss. In spite of the fact that she doesn 't get any parental love from Mrs. Reed, Jane discovers surrogate maternal figures all through whatever remains of the novel. Bessie, Miss Temple, and even Mrs. Fairfax watch over Jane and give her the affection and direction that she needs, and she furnishes a proportional payback via looking after Adèle and the understudies at her school.