Rochester 's Redemption: The Taming of the Byronic Hero
"Reader, I married him." (Brontë, p. 444). Jane 's triumphant declaration at the end of Jane Eyre by Charlotte Brontë is a hard-earned resolution to Jane 's year-long decision to leave Mr. Rochester to uphold her moral convictions rather than remain as his submissive mistress in bigamy. Yet, not much attention is paid to Mr. Rochester 's evolution in this time, and we only see him as a dramatically reformed man at the end of the novel. Although Mr. Rochester 's role in the novel is perhaps subsidiary to Jane 's insofar as signposting her development throughout her time at Thornfield and beyond, it is arguable that he had to undergo a process of redemption of his own so that Jane could
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Rochester 's submissive mistress also necessitates and catalyses Mr. Rochester 's process of self-redemption and reformation. Although the intentions of his actions during this year-long gap in his narrative are not explicitly stated, it seems fair to infer that they must have begun to deviate from his initial unrestrained Byronic temper if he had managed to completely change his disposition by the end of the novel. A prime example for demonstrating the gradual shift in his attitudes towards women would be when Bertha sets Thornfield ablaze. Mr. Rochester makes the ultimate sacrifice in risking his life to save all his servants and Bertha before himself - Jane learns that he "helped them down himself" (Brontë, p. 423) and even attempts to save Bertha. His intentions for such a heroic act are never directly stated, but it seems plausible that he acts out of guilt for his previous cavalier treatment of women which drove Jane to leave him. Furthermore, the permanent injuries he sustains from his heroism in the fire appear to be both his punishment and redemption as well. The innkeeper contemplates that his disabilities could have been a "just judgment on him" from God for "keeping his first marriage secret" (Brontë, p. 423) from Jane. The loss of his sight could also be interpreted as a symbolic punishment of the damage wrought by his Byronic qualities. Now that he is vulnerable by virtue of …show more content…
Rochester completes his redemption upon his reunion with Jane, and the markedly different man we observe is a result of the tempering of his Byronic qualities. He is now willing to express his vulnerabilities and allows Jane to be in a superior position to him at times. He now respects Jane 's free will and decides to "abide by [her] decision" (Brontë, p. 439) as to whether or not she would wish to marry a crippled man and be his caretaker, which is a stark contrast to when he pretended to want to marry Blanche Ingram in order to induce Jane 's jealousy and coerce a confession from her in his first proposal (Brontë, p. 261). This is significant because it highlights a genuine reformation of his Byronic arrogance that would have prevented him from deferring to Jane in any way. It is also clear that he no longer objectifies Jane - he realises that his love is more important than "fine clothes and jewels" which are "not worth a fillip" (Brontë, p. 440). His flippant tone in proclaiming this is also remarkable because it reveals that he now values Jane for the love he feels for her rather than the performance of his idealised lover that he previously paraded. Indeed, Jane observes this change as well and notes that she loves him more than she did "in [his] state of proud independence" (Brontë, p. 440) now that he has learnt to overcome his need for dominance. Mr. Rochester also declares that he has turned to religion to redeem himself of his sins. He states that his heart
Rochester's first interaction was when Mr. Rochester fell off his horse and Jane helped him in the woods. This might foretell that Jane is going to help Mr. Rochester again when he has troubles and need help getting through them. Then we they meet at the house, he kind of ignored Jane and he was “left alone” and “did not take his eyes off from the group of the dog and child (Bronte 175), however after he asked Jane to sit down, he immediately started acting rude and impolite. Jane felt that this was completely normal, and if he did otherwise, she would be shocked. Then Mr. Rochester deems interested in Jane because of the way she answers all his questions.
Finally, the details about society show that Jane recognizes the standards of her victorian society and needs to abide by them. After Jane had thought awhile, she no longer “felt justified in judging” Mr. Rochester and Blanche for “acting in conformity to ideas and principles instilled into them.” Though Jane wishes to be loved by Mr. Rochester, she comes to the realization that rich men do not marry lower-class women in her
Jane requests to return to the Reed house, after learning about her cousin’s suicide and her aunt, Mrs. Reed’s, illness; however Rochester questions, “And what good can you do her… you say she cast you off,” Jane replies, “Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now” (Brontë 227). Jane looks beyond that Mrs. Reed “cast[ed] her off,” implying that she has grown to let go of grudges and developed a mature mentality. The irony of Jane’s inability to “neglect her wishes,” infers how the injustice treatment of Mrs. Reed unaffectedly brings Jane to look past the situation by visiting the Reeds in a time of sorrow. In addition, Rochester attempts to convince his wedded Jane to stay with him, after learning about his mad wife; Rochester claims that his father had “sent [him] out to Jamaica, to espouse a bride already courted for” him but only so his brother and father to get “thirty thousand pounds,” Rochester further admits to Jane that “you know now that I had but a hideous demon. I was wrong to attempt to deceive you…
Both characters, venturing out of their gender roles, find ways to compliment and figure out who the other person really is, and, in the end, a burgeoning love fully blooms. When examining the gender roles of Mr. Rochester and Jane, both are a blend of each and life seems better when conventional gender roles are forgotten. In Rochester and Jane’s first meeting, the two begin to show their blended gender roles immediately. Rochester is first described as having a “dark face” with “stern features”, with a complexion that seems, “ireful and thwarted” (146).
Arguably, Helen’s short presence in Jane’s life influences Jane’s many of Jane’s decisions throughout the test. First, Jane forgives Mrs. Reed for her cruel treatment during Jane’s childhood. Jane also forgives Mr. Rochester for his deception and decides to return to him, all before knowing about the fire and Bertha Mason’s death. Just as Jesus preached to his disciples to forgive and live a pure life. In Maria Lamonaca’s literary criticism, "Jane's Crown of Thorns: feminism and Christianity in Jane Eyre" she states, “[Helen’s] example and beliefs serve Jane in good stead later in the novel.
John was sacrificing passion for principal, while Rochester abandoned principle for consuming passion. This is one of the biggest differences in between the two characters, which is why Jane chose Rochester over John. At one point, Jane is describing both of their eyes, stating that Rochesters was, “under such steadfast brows, ever revealed such flaming and flashing eyes” (Ch.26). His eyes were full of fire, burning bright, full of passion, while St. Johns were rock, ice, and snow. Because of that warmth that radiated from Rochester's eyes, because of the emotion that flowed from them, Jane chose him.
The tactics he employs to get his way also provide insight into a major theme of the novel. The major motive for all of Mr. Rochester’s deception was to win Jane’s heart so he could marry her. He is shown to be very intuitive
Rochester was a major influence on Jane as this was a critical time she was maturing, yet she did not let him get in the way of her work. The work that was expected of her what always her top priority, Rochester was her second. “I believe he is of mine;—I am sure he is,—I feel akin to him,—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him” (Bronte 266). The relationship between Rochester and Jane was undeniable.
What is redemption? Redemption is the act of being saved or freed from sin. This is an important part of Nathaniel Hawthorne’s “The Scarlet Letter.” Redemption was what the characters in the book were seeking, and was the reason for many of their actions. Because of the time period and the fact the people were Puritans, sins were not tolerated nor common, so when they happened they were a huge deal.
The protagonist from “The Turn of the Screw”, is perceived to be despearate as she tries to achieve her dream but her personal pride leads her to an unstable condition. The author depicts the Governess believing that to attain her goal of gaining attentionby her employer, she must be a hero. Therefore, she invents lies about seeing her predessors haunting her pupils. Nonetheless, the more times James makes the Governess mention the ghosts the more she believes they are real and they, “want to get them (the children)” (82). The Governess is blinded by making it appear she sees the ghosts that she looses herself in her own lies leading her to an unstable condition of not knowing what is real or not.
Unraveling the acclaimed novel definitely showcased how in the end “Love conquers all”. Truly, Jane Eyre will forever remain as a masterpiece of art due to its dynamic characters, insightful themes and exquisitely crafted sense of style and writing. Vibrant characters such as Jane Eyre, Mr. Rochester and Mr. Brocklehurst definitely contributed to the relatability of the novel to its readers. Furthermore, it’s as if these characters were able to come to life due to the fact that they continue to embody certain individuals in our society today. With this, it further established excitement and appeal to its audience.
As an adult, Jane asserts her independence by rejecting unequal marriage. When Jane finds out that the man she was to marry, Mr. Rochester, was already wed, she ran away. Mr. Rochester pleaded passionately for her to stay, revealing his unfortunate history and even threatening to use physical force to restrain Jane. Both tactics failed since, as Jane puts it, her conscience personified strangles her passion for Rochester. Being a mistress to Rochester in addition to being financially and socially inferior to him prompts her to leave him.
Jane Eyre, published in 1847, by focusing on its protagonist’s, Jane’s personality, dependency and self governance. The aim of this study is to look into Jane’s development and analyze her identity with the help of a theoretical framework drawn from psychoanalysis and developmental psychology, and within the context of the Victorian era. The novel focuses on Jane’s experiences and psychological growth from youth to adulthood. Psychoanalytic criticism adopts the methods of "reading" employed by Freud and later theorists to interpret texts or writings.
Rebecca West once said, “I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat”; feminism and other social issues are fundamental to literature, with them commonly being a driving force behind both modern and classic works of fiction. Feminism is everywhere, with women still fighting for gender equality in modern day Britain as demonstrated through Emma Watson’s United Nations speech which was broadcasted in September of 2014 where she differentiates feminism from ‘man-hating’. Feminism has developed considerably over time as general attitudes have been swayed through literature, political movements and women’s portrayal of themselves. In 1847, Charlotte Bronte released her novel ‘Jane Eyre’ which was viewed as very radical for its time as Bronte uses Jane to exhibit her resentment towards society. Jane is presented as a morally strong, determined character who, when she falls in love, embraces the notion instead of the label and profits which are associated with it; she states that she “cares for [her]self” and that “more unsustained [she is], the more [she] will respect [her]self” as she is not tempted away from her self-respect.
- Edward is an economically independent man with a favorable status and influential connections still looking for a profitable match. Jane will be the one in charge to unmask him to the audience: “I saw he was going to marry her [Blanche Ingram] for family, perhaps political reasons, because her rank and connections suited him” (Brontë 205) This manner of conduct converts Mr. Rochester from a hero into a villain, a perpetrator and “his project of