Comparison between the novel Jane Eyre by Charlotte Brontë, and the homologous film from 1996
-Berendi Camelia, EN-CH-
The 1847 novel by Charlotte Brontë has seen numerous film adaptations, which only added to its vast popularity. The bildungsroman follows the plain-featured, poor, but honest, intelligent and dignified orphan’s development from an oppressed young girl to an independent woman who has found a balance between her often conflicting principles and sentiments. In her quest for a home and a family to belong to, Jane Eyre searches for both intellectual and emotional fulfillment, while strongly making a statement about women’s role in the Victorian society, gender and social iniquity and discrimination. The themes of the novel remain
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The entire St. John plotline is truncated, a choice which I consider not very inspired since it constitutes a major part in Jane’s development and growth to the woman she aspires to be. The action taking place at Marsh End is shifted to Gateshead, St. John only has one sister (Mary), and Jane has met them before when she came to visit her dying aunt, Mrs. Reed. The job Jane gets at Morton as a school teacher is not mentioned and neither is the fact that her newly found companions are her cousins. She donates part of her inheritance to Lowood School, instead of dividing it between herself, St. John, Mary and Diana. The fact that in the film St. John and Mary are not her relatives has a strong repercussion on how we interpret the sequences. Always in search of somewhere to belong to, she finally finds not just a spiritual family in the person of her friends, but also a real family, one she never knew she had. At Marsh End, she finds solace, a purpose, and, most importantly, she gains her long desired autonomy and independence (in the form of the wealth she inherits and also as her working as a teacher), no longing having to depend on anyone for sustenance. From Rochester’s intellectual equal, she becomes also his social
St. John gets to know her fairly quickly and realizes that she is amazing and beautiful woman. This is why he gets her the job as the governess for Mr. Rochester’s adopted daughter Adele. Jane teaches Adele how to speak English, while at the same time falls madly in love with her father. Who at first glance is not an attractive man by any means. This is a big way that Jane proves herself as a strong and beautiful woman because she never judges a book by its cover.
Nearing the end of Jane’s stay at Lowood, she decides she wants a change due to the fact that Miss Temple (a dear teacher who stood Jane in the stead of a ‘mother, governess, and latterly, companion) left the school. With her in the school, Jane felt somewhat at home and a sense of belonging. Upon her departure, she applies for the job of a governess to fulfil the longing of belonging once again.
Finally, the details about society show that Jane recognizes the standards of her victorian society and needs to abide by them. After Jane had thought awhile, she no longer “felt justified in judging” Mr. Rochester and Blanche for “acting in conformity to ideas and principles instilled into them.” Though Jane wishes to be loved by Mr. Rochester, she comes to the realization that rich men do not marry lower-class women in her
A great way of telling if a movie is any good, is by evaluating the acting. Sometimes, even if the plot is terrible, the type of acting can make the film worthwhile. However, that was not the case in this film adaptation of Fahrenheit 451. The plot and message of the film were lost to me because of the attention I had to pay to the mediocre acting. At one point in the film- the scene where Montag was imagining Clarisse burning in fire rather than the old lady- I couldn’t believe that Clarisse seemed to be smiling while burning.
The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged
Jane Eyre is the central character in Charles Bronte’s novel titled Jane Eyre. Jane Eyre is shown to be a strong independent woman who progresses through a life of hardship with unrivaled adroitness. She was humbled by the power that many had exercised over her; moreover, that power strengthened her resolve to maintain her independence. The people who exercised their power over Jane and will be discussed in this paper include: Mr. Rochester, Mr. Brocklehurst, Mrs. Reed, and finally John Reed.
In the beginning, she is deprived of education, love and appreciation of her presence which ultimately is her prime reasoning of taking off to be successful. Her experience at Gateshead was nothing more than miserable, she fought for what she needed and grew out of her comfort zone to stick up for herself. The strict rules and limits to freedom was not something Jane could handle for much longer, starting with the false accusations said by Brocklehurst of Jane. Brocklehurst is one of the many obstacles Jane fights to become happy and successful. She did not let him control how she envisioned her future life, rather she became even more passionate to prove how much of a cruel master he was.
Stars played a crucial role in the Hitchcock’s American films. When we analyse Hitchcock’s works in the 1940s and 1950s, it is deeply embedded in the star system. James Stewart served as Hitchcock’s icon of American manhood since his collaboration in Rope (1948). Amy Lawrence in her article “American Shame Rope, James Stewart, and the Postwar Crisis in American Masculinity” notes that “Stewart’s first film with Hitchcock highlights one of the recurrent themes of Stewart’s star image: the exploration of an American masculine subjectivity threatened at all times by a frequently undefined but inescapable sense of shame. While key elements of Stewart’s persona (a propensity for physical and spiritual suffering, lingering fears of inadequacy)
Bronte 's Jane Eyre transcends the genres of literature to depict the emotional and character development of its protagonist. Although no overall genre dominates the novel exclusively, the vivid use of setting contributes towards the portrayal of Bronte’s bildungsroman (Realisms, 92) and defines the protagonist’s struggles as she grapples with her inner-self, and the social expectations of her gender. The novel incorporates Jane’s frequent conflicts, oppression, isolation and self-examination as she defends her identity and independence. Set amongst five separate locations, Bronte’s skilful use of literal and metaphorical landscapes, nature, and imagery, skilfully intertwines with the plot and denotes each phrase of her maturity.
Jane Eyre: A Quest for True Happiness Charlotte Bronte’s classic heartfelt novel entitled “Jane Eyre” depicts how an unloved orphan constantly wishes for affection and acceptance throughout her life. Even at an early age in life, she never truly understood what it meant to be “loved” and what it means to “love” others. With this, maturing into a young lady definitely opened her eyes to the realities of life. Moreover, the novel also depicts a patriarchal society where women aren’t respected with dignity and equality. In this coming of age novel, discover how a young woman courageously faced her fears and triumphed with love in the end.
While the similarities in both plot and structure are obvious, the criticism that du Maurier moved “progressive social agenda of the original novel backwards rather than forward with the substitution of the fiery, passionate Jane for the meek and mild unnamed heroine” (Williams 51) is problematic when considering the differences du Maurier made even when she chose certain aspects and settings of Brontë’s work to incorporate in her own. The narrative of a young, unnamed female heroine, who in
She is enthralled by his outwardly behavior because he emulates the person she wants to be to those who question her in society. It is this point where her outward conformity and inward questioning start to clash, with being conflicted by her opinions of Rochester and the mysterious happenings at Thornfield. In the beginning of their relationship, they are confrontational, especially in their conversations about social issues of the time. "I don’t think, sir, you have a right to command me, merely because you are older than I, or because you have seen more of the world than I have—your claim to superiority depends on the use you have made of your time and experience." (Bronte 157)
Jane states that she doesn 't love her aunt or even acknowledge their familial bond when she doesn 't address her aunt by the title of "aunt." Even as a child, Jane has a strong moral standard. After Jane gratefully leaves her aunt for Lowood, Jane conflicts with Mr. Brocklehurst. Mr Brocklehurst publicly accuses Jane of being a liar. Jane later approaches a teacher of Lowood, calling in evidence from a doctor from her aunt 's
Pride and Prejudice Film Analysis Pride and Prejudice by Jane Austin an outstanding novel and a dramatic romantic film. This film was directed by Joe Wright and was released in 2005. The overview of Pride and Prejudice was very well with nominations of Academy Awards for Best Production and more. The novel/ film is a romantic novel, Elizabeth Bennet (Keira Knightly, main character)is one out of the five Bennet sisters. All seeking for marriage.
In the early chapters, we see Jane as a young, immature girl who “acts out” often. It seems Jane has no moral compass to guide her. She gets hurt and wounded and reacts with no sense of remorse or of what is right and what is wrong. Jane seems to have the urge to hurt back, to seek revenge. Her faith seems very non-existent in the beginning.