I chose to attend the ISU Jazz Combos concert on Thursday, February 18th in the Martha-Ellen Tye Recital Hall. I chose to attend this particular concert because from fifth to tenth grade I played the alto saxophone, and was a part of a jazz band in middle school. Jazz band was my favorite thing about playing the saxophone, and I loved the occasional improvisation solo I would get to perform. Although I like jazz music, I never have attended a jazz concert other than my high school jazz band concerts. Attending a concert at Iowa State was new to me, but I was excited to get back into the “jazz” of things, and was overly pleased with the two different jazz bands that performed. The first jazz band consisted of four individuals and four instruments: …show more content…
When I first saw the nord as an instrument on the program, I was confused about what this was and was surprised to see it was just a type of keyboard. One of my favorite things about this band was that it included both a tenor and an alto saxophone. Although I never played the tenor, it was neat to hear these instruments played together and to identify which sound was coming from which saxophone. Again, with this performance I enjoyed the different solos from each of the five individuals. Halfway through this performance, I started to notice the repetition of both jazz bands, and how all of the songs sounded very similar to me. I’m sure if I had more experience with music and more particularly jazz music, I would be able to identify differences much easier. This band played “It Don’t Mean A Thing,” “Cherokee,” “In A Mellow Tone,” and “Recordame.” Like the first band, this band also introduced their next songs and also included when they modified the original versions. My favorite performance of the night was the last song “Recordame.” The band noted that they modified this song, and right away I had a good idea of one of the biggest modifications when the drummer got up and grabbed an electric drum pad and set it next to his drum set. The electric drum produced an original sound that I had not heard yet that night. I am glad they chose
Edward ‘Duke’ Ellington, a name synonymous with jazz, is considered still to one of the most influential Big Band Swing composers and arrangers. Ellington identified himself as a composer and arranger primarily and then a musician, although he played in bands before becoming an arranger. Ellington’s work and arrangements were instrumental in shaping Big Band Swing and helped to create the longevity of this sound. Ellington learned to lead a band and arrange pieces when he formed his first band, the Washingtonians. Under Ellington’s guidance the band slowly increased in size and popularity and once he began touring he did not stop for almost fifty consecutive years.
1. What a Wonderful World by Louis Armstrong and Fleurette Africaine (Little Flower) by Duke Ellington. 2. Louis Armstrong and Duke Ellington are two of the greatest geniuses contributing to the development of jazz music. Both pieces symbolize the civil rights struggle that was part of the changing America, which Armstrong and Ellington lived in.
This past week I visited the Charles H. Templeton Music Museum during Mississippi State University’s Ragtime and Jazz Festival. The first time I visited this museum was my junior year of high school on a field trip while studying The Great Gatsby, but every time I visit the museum it is a brand new experience. Templeton's extensive collection of instruments, recordings, and sheet music allows for visitors to have an inside look on the progression of music throughout the late 1800’s and early 1900’s by emerging them into each particular musical time period. Charles H. Templeton himself stated, "This is one of the few collections, if not the only one, which carries through all of those changes. You started out with blues and then ragtime evolved from that, and then the Dixieland sound emerged and the big band, and from that came the forerunner of modern jazz.”
Ken Schaphorst, a composer, trumpeter, and educator with more than a decade of experience leading big bands, counts on a great lineup of musicians and friends, including a few former students from the New England Conservatory in Boston. Schaphorst’s modern big bands are typically packed with trendy and inventive jazz instrumentalists, and for this new album, entitled How To Say Goodbye, he maintains this feature. Donny McCaslin, Ralph Alessi, Chris Cheek, Uri Caine, Jay Anderson, and Matt Wilson are incredible performers that don’t need any introduction. Shifty and animated, the title track immediately lets us know about the leader’s art of orchestration. The tune was written for the trumpeter John Carlson who envinces absolute confidence and takes the lead through thoughtful moves.
These new tunes were just a standard set of chords with complex lines created over them. Bebop bands normally consisted of one to three horn players and a traditional rhythm section of a bass, piano and drums. Another main change in this style would be that it has a faster tempo than earlier jazz. Pianist used a new “comping style” instead of the modern stride
The stage was set up with five saxophones, two altos, two tenors, and one baritone, stage front left with four trombones directly behind them, and three trumpets at the back, the electric guitar was in center stage with drums and bass located behind, the piano was stage right with Professor Scott Wilson, the guest artist, in front of the piano. The songs the Big Band played were fantastically preformed balanced with no parts sounding to loud or soft, the trumpets were the major surprise there, but the highlight was Professor Scott Wilson E.V.I., or Electronic Valve Instrument. The E.V.I. sounded like a trumpet and an electric piano in one instrument, the notes were controlled by three buttons imitating valves on brass instrument and a knob at the bottom to control the pitch of the note, a unique instrument for Jazz. Over all, the Evening of Jazz was good example of Blues and Jazz music genre, from the clothes to the style of songs chosen, without the clothes the Blues would not have felt Blues.
The first piece, Swimming with the Sharks, was a lively piece. Listening to the piece made me feel as if i was in a superhero movie. This jazz performance the instrumentalist seemed to have fun with the pieces however the one before seemed more uptight. Also compared to the previous performance I attended there was a greater use of the guitar. The ending was heavy
Introduction New Orleans Jazz is a genre of music during the 20th century that was in relation to the African American population. Two distinguished musicians, Louis Armstrong and Dizzy Gillespie, rose to fame with their musical talents in the jazz community. (Thesis) These two musicians from below the Mason Dixon line would acquire their popularity by performing nationwide, but their childhood, musical careers, and legacies would be totally different.
Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big
The performers that night were the Aaron Germain Quartet which featured Aaron Germain on the Bass, Jeff Massanari on Guitar, Matt Clark on piano and Deszon Claiborne and drums. The show was supposed to start at 8:30 but it was postponed until approximately 8:54 pm. In order to take a full advantage of the jazz-cafe experience I order a chocolate torte, grilled cheese sandwich and tomato soup in order to maximize the experience. The first song performed was a rendition of Herbie Hancock’s Tell Me a Bedtime Story. In this particular song, Matt Clark played a upright piano and Aaron Germain played a guitar.
The Chamber Ensemble Concert took place in Corley Auditorium in Webster on Monday May Second at 5:30 PM. This was definitely my favorite concert, the music was so relaxing and smooth. I felt like I could just record it and play it at home, it was just so beautiful. I’m one of those people that loves music so, I like to experience new sounds, melodies, and tones. I enjoy all the sounds that one instrument can make and how people find inspiration to make something so beautiful.
Jazz had been evolving for almost a decade before it was recorded. A white New Orleans band called the Original Dixieland Jazz Band beat all the superior Southland black bands to it
Styles of Jazz Cool Jazz and Bebop Jazz Cool jazz is often identified by lighter tones and relaxed tempos. It came into style soon after the end of WWII. It is the style of Jazz used in the performance, Take Five. It is usually played a lot slower than Bebop and it sounds very arranged.
I had been in band from fifth grade through high school so even just hearing an ensemble sound again was amazing as I miss band very much. I also really enjoyed The Swan Lake Suite as it has been one of my favorite pieces since I was little, so it was also really nice to hear something that I already knew a little of how it would go. The orchestra sounded amazing and I am also good friends with one of the bassoon players so it was neat that one of our concerts to choose from had someone I knew in it. It was so interesting to hear all of the elements we have been discussing in class, actually in person and it was helpful that I was in band throughout school
1. Disclaimer Although the Montreux jazz festival is a world renowned event it is still located in Switzerland, in the French speaking part. Thus some of the information of this report are just translated version of different sources 2. Introduction “Jazz does not belong to one race or culture, but it’s a gift that America has given to the world- Ahmad Alaadeen”