Elvis Presley’s personalized creation and performance of rock transformed the style as a white genre. Elvis credited the musical influences of blues and jazz for the creation of his unique approach to rock and roll. Not only did the early 20th century music inspire Elvis Presley, but well-known, successful groups such as the Rolling Stones and Beatles credit the blues for their inspiration. ("20th Century Music," n.d.). Following the evolution of blues, jazz and rock ‘n’ roll, came the introduction to many more genres established by African Americans, such as, Hip hop, R&B and Rap.
Swing was first introduced by black musicians. Some of them included Duke Ellington, Fletcher Henderson, and Jimmy Lunceford. Interestingly enough, because of the popularity of the music, African Americans were able to produce music and bring it into white society for them to listen to. These African American musicians also influenced many of the white musicians as well. White jazz musicians had taken inspiration from black jazz music for many years, but because of swing, they became even more deeply devoted to integrating this music to blacks and whites.
Section "D" provides a piano solo. Section "E" features "neighing" trombone sound effects accented by drums. The composition ends with a funeral-march theme from Chopin. An interesting development in Duke Ellington and his orchestra, was the use of special jazz mutes spontaneously constructed by the black musicians, the plunger mutes. As some of these musicians were not from well to do families, one could not afford a proper mute and used anything they could get their hands on.
These bountiful performances allowed him to become invited by his mentor “King” Oliver to be a part of his Creole Jazz Band. In accepting this position Louis was able to make a living off of his music and could eliminate working other day jobs. This new band Armstrong was involved in was among some of the most influential jazz bands out there at that time. This already influential band gave Armstrong the ability to continue his reign of influence on this music style and this time period. A while later Armstrong left Oliver’s band and began to play for a couple of different organizations.
Name Instructor Course Date Duke Ellington Career and adult life Duke Ellington was a real innovator; he used his band to influence the growth of jazz and the American music sector. Like Hajdu noted, I believe Duke Ellington’s music made the real sound of America (72). He was an American bandleader, jazz composer, and pianist, who served for long as leader of big-band jazz. Born to a negro Butler, Ellington took up his the piano at the age of seven searching for dignity, attention, and generational fame. He joined the Elmer Snowden, the Washingtonians in New York (Collier, 46).
While playing with his band, Armstrong also performed nightly at clubs and silent films. Later in Armstrong's career he joined the Hot 5 and later Hot 7. While playing with the Hot 7 Armstrong made some hit songs including “Potato Head Blues” and “Alligator Crawl”. Louis Armstrong is a impressive representation of the 1920’s because he represents the music from this time. Some of his recording with the Hot 7 are generally known as a great example of 20’s music.
Jazz categories include Dixieland, swing, bop, cool jazz, hard bop, free jazz, third stream, jazz-rock, and fusion. Bebop was the first major leap in creating the cultural phenomenon that was jazz. It gained a massive amount of popularity over a short span. Bebop gained popularity in the 1940’s and the reason bebop stayed primarily in African-American culture was that it was too complicated for white musicians to copy. This brought their culture back into the public’s eye.
Jazz flouted many musical conventions with its syncopated rhythms and improvised instrumental solos. Improvisation meant that no two performances would ever be the same (Green). Thousands of city dwellers flocked night after night to see the same performers. Harlem's Cotton Clubs boasted the talents of Duke Ellington. Singers such as Bessie Smith and Billie Holiday popularized blues and jazz vocals.
On August 21st, 1935 Benny and his band played at the Palomar Ballroom in LA. That gig was the beginning of Benny’s ascendancy to King and the swing era. Benny was very popular for being racially colorblind, which was hard to find while in the mid 30’s when racial segregation was a big problem. Teddy Wilson who was an African American pianist, was first seen in the Benny Goodman Trio at the Congress Hotel in 1935. The next year Benny added Lionel Hampton to create the Benny Goodman Quartet.
Describe some of the influence of Latin music in the US in the early part of the twentieth century. Latin music influenced the U.S. in the early twentieth century when Mario Bauza first performed in Harlem New York with a blues and Afro-Cuban mixture. However, he was insulted when he played the pieces but defended his country’s music by claiming how popular it soon would be. He described the music as “lemon meringue pie: jazz at the top and Afro-Cuban rhythm at the bottom.” Soon other groups, like the Havana Orchestra played “Peanut Vendor” in a similar style, and Latin dances became ballroom favorite with rumba rhythms. What was the significance of "Machito and His Afro-Cubans"?
Mostly people in black neighborhoods are listening to jazz because it was originated by African music and combined with band instruments and rhythm & blues. Instruments like piano, clarinets, trumpets, and saxophones were involved in jazz music. Many popular jazz singers and musicians at the moment are Dizzy Gillespie, Charlie Parker, and Miles Davis. Most of the musicians in our decade are male but a lot of singers tend to be female just like Nina Simone, Bessie Smith, and Ella
Jelly Roll Morton is considered to be the inventor of Jazz in 1902. The Jazz musicians was born and raised in New Orleans. New Orleans is considered the Jazz center and it came to an end in 1917. It was during World War I. Jazz went on to later earn the title of America 's Classical Music.
Brubeck was a major influence on the public being one of the most famous jazz musicians of his style. He used his publicity to give the public a view of what could be if the African American community was allowed to integrate with the rest of the American society. Brubeck uses the term color blind to describe jazz meaning that jazz has no racial prejudice. He expresses that jazz musicians working in harmony could wash away the tasted of Little Rock, referring to the Little Rock nine. Brubeck noticed that the incident in Little Rock had received global attention and was trying to remove the image of a racist America from the international eye.