Jealousy In Othello

During the summer, I was tasked with the job of reading three books and acknowledging the external and internal conflicts of the main characters and how they affect their decisions throughout the novel. The three books were A Painted House, by John Grisham, Farewell to Manzanar, by James D. Houston and Jeanne Wakatsuki Houston, and Othello (drama), by William Shakespeare.

The devil is known as the most deceptive creature of all. He is able to bring evil and tempt others into doing wrong just to see the lack of order and reason. Iago, throughout the whole play, tricks Roderigo, Othello, and Cassio into believing his tales and acting on them, but does not leave any question to the audience whether or not he is aware what he is doing is wrong. Whenever Iago creates a new scheme he says aloud his entire plan only after people have left the stage. Not only is this for the audience to understand that his words are kept to himself, but for him to be alone on stage parallels the devil’s solidarity in Hell. The ease which comes with performing his plots is purely second nature and part of his identity because he is one with the devil. Part of Iago’s transfer of evil to cause disorder is when he fully intends to spark Othello’s jealousy in love. The telling of Iago to Othello that Desdemona laid “naked with her friend in bed” plants a devil inside Othello’s brain (4.1.5). The devil continues to haunt Othello and causes him to act without reason, like an animal with no conscience. Pointed out by Gonzales, by Iago doing the thinking for Othello, the “final result is a devil’s head guiding the body of a raging animal” (Gonzales 45). Because the devil is the most cunning animal or creature, the transformation of Othello’s own identity from one of faith in his wife to complete

As the play begins Othello is looking for a new Lieutenant. Iago has always been dependable to Othello, but he ends up overpassing the position to Cassio, who doesn 't know anything about war duties. Although Iago wants to exterminate Othello over of his jealousy of his popularity, he also wants to sabotage him because of the promotion that he thinks was mistaken, he uses Desdemona as a sin.

Often it is the dark side of human nature that brings a story to life, and there is no sounder proof of this than William Shakespeare’s masterpiece Othello. The tragedy of the Moor of Venice is inflicted by the cruelty of Iago, perhaps one of the most intriguing antagonists in literary history. Iago’s cruelty is a defining element of the play, in that it pushes the plot forward as the trigger for all of the major actions throughout the story, serves as the cause of the cruelty of others around him, and reveals the character of each person in the play through their responses to his cruelty.

Untruths and misdirection’s are normal in the public eye, and numerous people veil their actual goals with a lacquer. In Shakespeare 's play Othello, the character Iago is the same as those tricky people. Behind his façade as a dependable ensign and companion, Iago is a multilayered, tricky and manipulative scalawag, coming up with disarray and bringing about setbacks toother characters for requital. Iago utilizes his deft and shrewd key demonstrations of control to undermine each character’s shortcomings. He misuses Roderigo’s love for Desdemona, Cassio under the appearance of companionship, and toys with Othello’s mind by playing on his self-question. Clearly, Iago controls the general population around him by utilizing their shortcomings:

Manipulation is shown in many ways such as politics, the media, misleading information and false advertising. To convey one’s thoughts to your own advantage is seen as crude and unnecessary. However, many people have their reasons in manipulating someone whether they are good or bad. In Shakespeare’s Othello, the concept of taking advantage of someone through manipulation leads to unnecessary, horrible events.

Shakespeare’s play, Othello, deeply explores the effects of jealousy on a person. Shakespeare also portrays the different types of jealousy and alludes to the causes of them. Othello is a tragic play written by William Shakespeare around 1603, about a man, Iago, who plots to take revenge on a Moorish soldier, Othello, for he has “done my (Iago’s) office”. The deaths of several people, including Othello’s wife Desdemona, Iago’s wife Emilia, Othello and Iago’s companion Roderigo, were all directly linked to Iago’s actions. Othello illustrates that jealousy often leads to revenge, jealousy can prevent a successful relationship, and jealousy leading to one’s downfall.

Adlai E. Stevenson stated “...the truth is often unpopular”. The truth often hurts an individual. Many pieces of literature exemplifies this such Hamlet and Othello By: William Shakespeare. The protagonist Hamlet encountered many devastating truth. Hamlet reaction to finding the truth brought overpowering emotions towards himself. To tame his emotions Hamlet seeked revenge. Othello was a person was a gullible person who instantly believed people. The antagonist Iago used this to his advantage and told him countless lies for his own interest. Upon Othello finding the truth was simply; overwhelming.

In Othello, it is jealousy that ultimately leads to the downfall of three characters, Roderigo, Othello and Iago. "O, beware, my lord, of jealousy; It is the green eyed monster" (III.iii.163). Although, Othello is not the only play where William Shakespeare has made jealousy a central motivator. He did it in Macbeth also. Jealousy has many faces between these two plays and in both they lead to the downfall of characters.

The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending.

Jealousy does not merely destroy the bonds of love, but also alters the lives of the people involved. In The Tragedy of Othello by William Shakespeare, Othello’s entire life is ripped apart by the detrimental lies fed to him by Iago involving his wife Desdemona.

A lack of empathy makes for a true villain. In Shakespeare’s tragic play Othello, the nature of Iago’s character is revealed through the use of animal, plant, and devil imagery. Iago is revealed to view others as less than him, manipulating them with a lack of conscience, and having a desire for the destruction of others. The imagery enforces his role as the villain of the play, one who manipulates others for his own self interest.

Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.

Iago is a unique and complicated character. He is intelligent in that he is able to manipulate people and events in his favour, which he thrives on throughout the play, classifying him as the antagonist of the play. Driven by jealousy and hatred, Iago plots against Othello to destroy his character and reputation. Knowing that if he foolishly attacked such a respected man directly, he would be sentenced to death. As a result, he devises to use other people to obtain what he desires by influencing the characters in the play to suit his plan.

Dr. Lecter, The Joker, Norman Bates—these are some of the greatest villains on the movie screen. Nonetheless, few of them can compare to the top villains created by Shakespeare. Among them, Iago in the tragedy Othello and Richard III in Richard III are the finest and most polished. Although Othello is named after the “Moor of Venice”, Bloom comments that “it is Iago’s play” because he predominates the stage and remains in one’s mind long after one has finished reading or watching the play (433). His ascendance prompts thoughts of Richard III who is definitely the captivating protagonist in the history play. Both Iago and Richard III are Shakespeare’s most thrilling and sinister figures. Despite the fact that the two are similar in their powerful language and