Romeo thinks that his blurred sense of reality due to romanticism has let Mercutio die to Tybalt. Romeo furiously states, “[His] very friend, hath got this mortal hurt / In [his] behalf. [His] reputation stained / With Tybalt’s slander…” (III.1.115-117).
His feigned madness is maintained because it allows him to continue with his plans. This madness is not, however, sustained when guard is unnecessary. Maybe Hamlet thought too much, but he thought as a sane man would. He commits no actions without reason, and he is far too astute and organized to be proclaimed mentally unstable. Hamlet’s portrayal of a madman is also very complex because it allows not only his points to be made, but in a believably insane way, which contrasts greatly with the expected ramblings of a truly insane
The function of jealousy and how it consumes other characters develops the majority of the plot within the play. It primarily serves as a way to incite the character 's psyche and lead them to being reckless and negligent. Specifically, the way jealousy affects the minds of Othello and Roderigo through the manipulation tactics of Iago. Specifically, during many of Othello and Iago’s conversations. Iago slowly makes Othello believe in false proof of Desdemona 's affair, thus Othello begins to psychologically change by gradually turning to murder through justification of Iago’s statements on Desdemona: “One is too poor, too weak for my revenge.
Many crimes of passion are the result of jealousy. “Othello” shows readers how the jealousy of one or two people can result in violent actions and even death. In “Othello,” Roderigo was in love with Desdemona, who was already married to Othello. He teamed up with Iago, who possessed envy because Cassio had been promoted to the position Iago desired. Together, Iago and Roderigo plotted to destroy Cassio’s image and reputation as well as Desdemona’s marriage.
An embodiment of evil, with no moral compunction, and therefore while he does initially provide reasons for his wicked intentions, his motives are unsubstantial and merely excuses to cover up his inner evil and Machiavellian ways. Iago is an incredibly intelligent, cunning villain, who throughout the play uses his ability to think quickly and to play multiple roles to clutch on to every opportunity that will further his cause. At first, his motives are revealed to be based upon his lack of promotion, later he changes this to sexual jealousy and finally on the belief that his own made up affair between Cassio and Desdemona is true. Iago seems to be ever altering and modifying his motives, indecisive as to what his real motive is making it seem as though he is indeed nothing but a motiveless disturbing
Sit you down/And let me wring your heart. For so I shall/If it be made of penetrable stuff,/If damnèd custom have not brassed it so/ That it is proof and bulwark against sense.(3.4.30-40) This show the hidden meaning of Hamlets violence with being love hurt, in his head he feels as no one loves him and is all alone to suffer with his grief. Letting Hamlet be so hurt by love lets the reader and audience see how the love really can affect a person view into driving the play in madness and despair.
Lastly, Iago’s biggest take down is Othello. He acknowledges that Othello's weakness is Desdemona and uses it to his advantage. Jealousy is what drives Othello to do crazy things towards Cassio and Desdemona. Although Othello is a great leader, he lets Iago alter his perception through words and suffers. Iago convinces Othello of Desdemona’s infidelity when he“visually” explains how he has caught Cassio and Desdemona together.
Jealousy shapes the play, ruins lives, and destroys love. Jealous mistrust in Othello is terribly destructive and results in several main characters meeting their bitter end, including Othello and his beloved wife. Jealousy is a monster throughout Othello, it destroys lives and leads to nothing except rage and violence. Desdemona claimed DESDEMONA. His unkindness may defeat my life but never taint my love (4. 2.
The devil is not a person, but the embodiment of evil and sin. In some cultures, the devil is even depicted as being black, which may be a cause for this comparison. Iago clearly doesn’t think of Othello as a moral human, and wants Brabantio to think the same, which he does by using harsh metaphors to describe
You can almost call Iago half a “motiveless malignity” because in the story he does do things to people that seems to just happen because of his true evil nature. At the same time he isn’t completely due to his plan for why he is doing this in the first place. The fact he also doesn’t reveal why he has went forth with his plan at the end is also a major point for this argument as well. People say Shakespeare wrote that because he wanted the audience to know that even Iago wouldn’t say why he did it because he doesn’t know why. He had no motive and just wanted to see Othello and everyone else around sink in complete and utter chaos.
Throughout the course of a person's life, he or she may experience bouts of jealousy. Jealousy can cause one to act irrationally, displaying negative behaviors. Examples of these behaviors are found throughout Shakespeare’s, Othello. Jealousy was first exemplified by Iago. He believed he was deserving of the lieutenant position but was overlooked by Othello who gave the position to Cassio.