In the following essay the poems “Johannesburg” by William Plomer and “City Johannesburg” by Mogane Wally Serote will be compared and their contrasts will be shown, because the city of Johannesburg symbolizes different experiences by each of the poets, such as the one poet being white and the other black. Both of the poems are representations of South Africa’s urban development and the mining industry. The titles of both poems convey that it is about a specific place and setting, namely Johannesburg.
In “Johannesburg” by William Plomer, the account of how Johannesburg came into being is seemingly “overnight” (line 2, stanza 1).As if it came into being out of nowhere, as mentioned in the African Literature Guide. The city developed under gender term and conditions, by “girls” (line 4, stanza 1) and “young men” (lines 5 and 8, stanza 2). The men seem superior, as if they have to be treated like kings. “In champagne baths men sluiced the skins” (line 5, stanza 2), “fortunes” (line 2, stanza 1), “mansions” (line 3, stanza 1) and “As lordly anarchs of the veld” (line 18, stanza 5) expresses this statement. “Grimy with auriferous dust” shows a big contrast, almost saying that they are dirty with minerals that contain gold. Stanza
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Stanza 1-3 illustrate the consequences of the explosive mine industry. Therefore, as these men aged, they changed from “Swashbucklers” (line 24, stanza 6) and “scamp” (line 24, stanza 6) to “prim” (line 24, stanza 6) and “sedate” (line 24, stanza 6) elderly people. This is conveyed by their “Greybeards” (line 18, stanza 4). In this poem there is imagery explain the lives of the miners, how they lived the “high life”, as previously mentioned.
In “City Johannesburg” by Mongane Wally Serote, we also get a glimpse of urban decay, but from a black man’s perspective.
The famous English poet Ralph Waldo Emerson once said, “Speech is power: speech is to persuade, to convert, to compel. It is to bring another out of his bad sense into your good sense”. Although voice is undoubtedly one of the most powerful and versatile assets humans possess, simply having a good voice does not ensure power. This idea is well illustrated in Alan Paton’s Cry the Beloved Country where Paton creates characters that have powerful voices but lack other essential qualities necessary to become powerful leaders. Set in a time where racial tensions between the blacks and the whites are at their highest, Africa is in desperate need of a gifted leader who can step up and guide the people to glory.
Poetry Analysis Once the poem “History Lesson” was written numerous poetry foundations celebrated it for many reasons. “History Lesson” not only makes an impact on literature today it has also impacted people also. This poem inspires people and moves them to the point to where they can find a personal connection to the poem itself and to the writer. Not only does it hold emotional value for those who were victimized and those whose family were victimized by the laws of segregation, but the poem is also celebrated for its complexity. The poem uses many techniques to appeal to the reader.
Some see the ugliness in the most beautiful things but others see the beauty in the most hideous of things. The poem William Street by Kenneth Slessor demonstrates this thesis statement as he talks about how he sees the beauty in the street that is renowned for its ugliness and the unsightly surroundings it is engulfed with. This poem's literary techniques and imagery gives the readers an insight into the environment and the surroundings that are seen vividly even though they are described through the use of foreshadowing. Each stanza gives the readers a different understanding on what is going on during the poem.
The poem, At Mornington was written by Australian poet, Gwen Harwood. It was published in 1975 under her own name. At Mornington is about a woman reminiscing about her past when she is with her friend. There are many themes explored in this poem including memory, death and time passing.
The final poem of significance is Jazzonia, in which Hughes experiments with literary form to transform the act of listening to jazz into an ahistorical and biblical act. Neglecting form, it is easy to interpret the poem shallowly as a simple depiction of a night-out in a cabaret with jazz whipping people into a jovial frenzy of singing and dancing. But, the poem possesses more depth, when you immerse yourself in the literary form. The first aspect of form to interrogate is the couplet Hughes thrice repeats: “Oh, silver tree!/Oh, shining rivers of the soul!” Here, we see the first transformation.
This becomes evident in a lack of information about the type of society, and the reader therefore lacks a complete understanding of how the women are oppressed. As a whole, this poem sets forth the idea that female gender is fluid, and asks its readers to questions what it means to be a woman in a male dominant
5,6) the issues that have been mentioned above are expressed. Since, especially black women, are considered to be living in the shadow this passage exposes the feelings and representation of black women in society. Their existence in the world which is not considered and respected. Considering especially the fact that the lyrical I is a black maiden, she seeks for recognition and acceptance among the other figures of the poem. Referring to contemporary issues, the lyrical I would be classified as a lower ranked person since she is black and being occupied as a maid, which clearly makes her powerless and voiceless in society.
The different key features also plays an important role for example the tone that is being formed by the lyrical voice that can be seen as a nephew or niece. This specific poem is also seen as an exposition of what Judith Butler will call a ‘gender trouble’ and it consist of an ABBA rhyming pattern that makes the reading of the poem better to understand. The poem emphasizes feminist, gender and queer theories that explains the life of the past and modern women and how they are made to see the world they are supposed to live in. The main theories that will be discussed in this poem will be described while analyzing the poem and this will make the poem and the theories clear to the reader. Different principals of the Feminist Theory.
Paton’s use of both biblical allusions and connotative diction serve to illustrate the change that has occurred and the change that will come about to the society and people of South Africa. More specifically the biblical allusions allow for the reader to better understand/relate and gain a humanistic view of the characters. While connotative diction enables the reader to infer what the future holds for Kumalo and South Africa after the book ends as the light and dawn will
Poems can be analyzed in various ways ranging from their complexity to the emotions they convey to readers. The poems, “The Weary Blues” by Langston Hughes and “The Harlem Dancer” by Claude McKay will be analyzed based on their similarities and differences to name a few. The poems may describe different events; however the overall connection between the two can be identified by readers with deeper reading. Comparisons between the poems may easier to analyze and identify compared to the contrasts based on the reader’s perception. Overall, the concept and much more will reveal how the poems are connected and special in their own way.
How would you feel if someone could control what you were thinking? In “The Feed” written by M.T Anderson, everyone living in the community had a feed in their brain that was controlled by one large organization. Violet, the main character, suffers through a malfunction in her feed that changes the way she sees her society. Most people’s opinions can be changed when they have experienced the benefits and the disadvantages of something. Since Violet is aware of how life is with and without the feed, she becomes hesitant to believing that her community is being run efficiently.
The poem A Step Away From Them by Frank O’Hara has five stanzas written in a free verse format with no distinguishable rhyme scheme or meter. The poem uses the following asymmetrical line structure “14-10-9-13-3” while using poetic devices such as enjambment, imagery, and allusion to create each stanza. A Step Away From Them occurs in one place, New York City. We know this because of the lines, “On/ to Times Square, / where the sign/blows smoke over my head” (13-14) and “the Manhattan Storage Warehouse.”
The first stanza of the poem personifies Africa as a woman of her beauty. The second stanza shows the history of Africa crippled of her powers. The third stanza shows Africa is rising from the suffering of her past. First, the poem personifies Africa as a woman to define the continent’s beauty. The poet uses the earthly method to compare Africa to a woman.
Society’s superficial viewing of women is also reflected in the poem’s wring, as it may seem that this poem is strictly concerned with a prostitute, but in fact it describes all females. The male representative in the poem, Georges, then asserts his superiority, despite their similar conditions of being poor. Although he is sexually attracted to her as he “stiffens for [her] warmth”, suggesting an erection, he is unwilling to accept her as a human being as he deems her question “Why do you do this?”
This essay will discuss the elements of fiction found in the novel “Welcome to our Hillbrow” by Pheswane Mpe. Through the author’s intelligent honesty in exploring thematic apprehensions relevant to post-apartheid South African society, one may suggest that the main theme of the novel is the reflection of old and new sets of problems facing South Africa. The essay will specifically discuss how characterisation and narration contribute to other small themes like crime, Aids, xenophobia and suicide that make up to the main theme of post-apartheid issues that the new and democratic South Africa is currently facing and it will also explain what is meant by the term microcosm. The essay is aimed at making a link between the elements of fiction found in the novel and the theme and also explaining the