John Quincannon is the lead protagonist of the John Quincannon series of detective thrillers by Bill Pronzini. The first novel of the series was Quincannon that introduced former United States Secret Service agent John Frederick Quincannon and his partner Sabina Carpenter that team up to start an investigations business. Pronzini the author was born in California in 1943 and showed early predilection to reading. Some of his favorite novels were the mystery digests and science fiction books that belonged to his grandfather and the pulp magazines to be found in second hand bookstore when he was twelve. Like Nameless his most popular character, Pronzini has a huge collection of digest and pulp magazines that contains nearly 3000 titles. He would …show more content…
John Frederick Quincannon a former intelligence officer with the US Secret Service comes together with one of the pioneer Pinkerton operatives Sabina Carpenter to form one of the best investigations firms in San Francisco. As one of the top agencies on the West Coast, their cases often has them traversing most of the Western seaboard throughout the late 19th century. Quincannon typically employs a Sherlock Holmes like wit to solve a series of locked room type murders, burglaries, and robberies. The second novel of the series opens to John getting a brief to track down some valuable artifacts that had been stolen during the 1846 Bear Flag Rebellion of California. The only clue in the case was an antique chest that had been found on sale in a pawn shop. John Quincannon is called in to investigate and trail the thieves of the valuable artifacts. The only thing he has to go on is an old report found hidden in one of the secret compartment s inside the Mexican wedding chest. In the search for these valuable artifacts John finds that he is dealing with a ruthless gang that would not hesitate to maim or even kill to keep their ill-gotten
As the quiet cycle of life in the forested realm of the Skarure is shattered by the outbreak of war between the British and Colonial forces, the old alliances of the Haudenosaunee Confederation are pulled in divergent directions, pitting brother against brother, even within the clans. Thrust into the middle of this maelstrom, young Joseph Killeen will rely upon the guidance of an unexpected community to decide not only what is right and wrong, but ultimately, who he even
There was no DNA testing, many agencies were full of corruption, and the FBI’s uniform crime reporting service (UCR) did not even contain kidnapping. For two hours, John’s wife Revé searched the department store and pleaded the sales clerks to help her find her son. Later, the police were notified and
The late eighteenth century saw the removal of the Acadians from their homesteads after the inhabitants’ refusal to swear an Oath to the British Crown; an oath that would have possibly meant marching against their fellow comrades and family members. Out of all the documents presented, the document written by the suffering displaced Acadian, John Baptiste Galrem is my choice of most credible, while the letter by Charles Lawrence is the least. The Acadians faced many hardships including being accused of something they may not have any part in, the loss of their weaponry and basic rights, and many lost family members during the relocation of the settlers. The man responsible, Governor Charles Lawrence, acted upon his own accord without an order
Numerous screenwriters and directors have often dealt in their films with the theme of borders, whether literal and officially recognised, like military ranks or state frontiers, or abstract and metaphorical, like those of morality, justice, race, and gender, along with several others. As a consequence, as John Gibbs points out, one could assemble these movies, especially those taking place on the confines between Mexico and United States, under the label of ‘border films’ (2002: 27); thus contextualising them in a very specific tradition, which includes pictures such as Touch of Evil (Orson Welles 1958) or The Three Burials of Melquiades Estrada (Tommy Lee Jones 2005). Accordingly, another notable movie belonging to the ‘border film tradition’ is Lone Star: an acclaimed 1996 hybrid of western and mystery film conventions, directed and written by independent filmmaker John Sayles. The picture recounts the story of a murder investigation, which leads the main character, Sheriff Sam
Latour is contemplative, straightforward, and dignified man who is able to find peace in himself and undergo a self journey along with change. He is able to embrace change by learning how to serve the Native American and the Mexican people of New Mexico. As Latour grows thorough his personal observations and struggles, he shows how strong his faith is by doing more that just build a Cathedral, but by teaching others to grow for their survival. When he arrives to his ‘new home’ Latour is welcomed with more than open arms as his arrival is seen as a prayer by the people around. After learning that there are children to be baptized and marriages to be performed, Latour takes it as a sign that he has made the right choice going to New Mexico.
Considered the “Father of Western Philosophy”, the great Aristotle is quoted as saying “Knowing yourself is the beginning of all wisdom.” This is something that, a young intelligent man in the early 1990’s took to heart, as he set out on a great journey to know himself. Chris McCandless, this young man, however took a different path than most in terms of discovering himself by attempting to abandon society and live off the land in rural Alaska. Chris’s journey throughout his brief adulthood, should be celebrated due to his pursuit of self discovery, and finding the source of true happiness. However we must acknowledge his decision to go into the unforgiving wilderness ill-prepared and the way he rejected true companionship in his travels pre-Alaskan adventure should not be ignored.
They discover the phone number of Mr. James Reardon. They dial the number and find out he works for the FBI.
The whole concept of Nick Sousanis 's comic "Unflattening" pertains to how one can see different things and read the social world. While the social world of mankind is shaped based on the choices our ancestors made, do social patterns and behaviors really have to be a certain way? Perhaps, there is a flatness not yet scene that allows for this blinded vision and machine like operation which does not question repetition. A main focal point being stressed. Essentially, a main point Sousanis wants us to note is this: (1) change our perception in things, (2) changed perception creates a change in action, thus (3) a change to the world.
According to Wall Street journal.com, “When John Condom was asked to describe Cemetery John, he looked exactly like John Knoll. ”This demonstrates the resemblance between one of the prime suspects. Cemetery John also was known to have a German accent. John Knoll was born in Germany and lived in a German neighborhood. According to the Los Angeles Times, “His handwriting matched the random notes more than Bruno's.”
Paul Conspiracy” is the first book in the “McRyan Mystery” series. The first of November in St. Paul and finds that a serial killer is killing blue collar women that work on University Avenue. With this latest victim, this killer has killed five women now, and it has put the citizens of St. Paul on edge. Michael McKenzie “Mac” McRyan, a Homicide Detective in St. Paul, he is not working the case and so he would have less stress that day. Then his phone rings.
Lois Simmie’s novel, “The Secret lives of Sgt. John Wilson: A Story of Love & Murder,” is a true important novel that includes many real events that had happened in the province of Saskatchewan. John Wilson came to Canada from Scotland in the year of 1912 leaving behind a wife and a family, promising he’d return in a year. In 1914 he joined the Royal North West Mounty Police. He was located in a small community in Saskatchewan where he shortly fell in love with a young woman named Jessie who he would do anything for, including murdering his wife.
The altar of the Virgin represents Mexican feminine ideals, and the shrine of Hollywood movie stars showcases American ones. Marcela herself lies “between” these two altars/shrines, distinct from neither one nor the other, and belonging to neither (Paredes 23). These relationships of proximity, of going between, are symbolic of the Mexican-American experience at the time, and is paralleled by the distinct, yet interconnected spaces of the Anglo Fort Jones and the surrounding Mexican-American community. The image of the Virgin, and the layout of the shack where Marcela’s body is found are representative of the conflict between Mexican and American culture represented in this story, while Marcela’s death expresses the