Joyce Carol Oates’s story, “Where Is Here?” is the haunting tale of a family who receives a strange visitor who tours their home claiming to have lived there as a child. The work is incredibly elusive, leaving the reader with many questions by not naming the characters and mentioning many characters that are never seen. Oates leaves her audience in the dark with this work, but she does give them a few clues as to what is really going on. When the visitor first appears, Oates writes “He had not seen the house since January 1949… he thought of it often, dreamed of it often, never more powerfully than in recent months.” The father agrees and offers him to come inside, but the stranger denies him by saying, “I think I’ll just poke around outside …show more content…
Homes are incredibly private places, and are made with places to hide one’s life, with each room having different levels of security. The first two room the stranger visits, the kitchen and the dining room, are rooms typically regarded as a rooms made for guests and are typically designed to be big enough to fit lots of people in. So it would make sense that the mother and father are quite alright with hosting a visitor in their kitchen and dining room. The third room they visit is the living room, a slightly more secure room in the home. This is where the family lives. This is where the family gathers to be with one another. This is where they keep their pictures and important things. The last places visited is the upstair, and this totally angers the parents. In homes, the purpose of upstairs rooms are to be closed off from the rest of the house. Upstairs rooms in the house have the highest level of security, so when the visitor invades this part of the house, all of the protective walls come crumbling down. As the stranger is finally leaving the house, the father and the mother get into an argument and the father shoved the mother, leaving a bruise on her. Through the visitor visiting and infiltrating each room, we are able to see the family for what it truly is. The order of the rooms the stranger visits is a metaphor for revealing the family’s true
The line comes from the Joyce Carol Oates' story "Where Are You Going, Where Have You Been? " I believe the author is referring to how her family and her friend perceive here. Connie sees herself while at home as dull and quiet compared to the rebellious and outgoing look she presents to her friends. It appears that that neither groups, family or friends, know who she really is. I believe its natural for you to act one way with you friends and another way with your family.
Last year me and my family went to universal for horror night. We had decided to go the the Insidious maze last so we continued and went to all the mazes. When the time had came, it was time for the Insidious maze we (me and my family) were all nervous so we voted who was going to be in front of the line. And they all chose me so when we were up I walked slowly since it was pretty dark inside the maze.
The room is described by the narrator as “a filthy cocoon” that “took you in and hold you close” (190). The image of a cocoon implies a sense of comfort, a covering that is both snug and protective. Yet, it is also isolating, disconnecting one from the outside world, and is difficult to break free from. Furthermore, this cocoon is “filthy”, filled with “rubbish” and where one loses track of time since there are “no clocks and [watches are] lost and buried” (190). It seems as if this cocoon clutches onto everything not even garbage and time can escape.
The Yellow Wallpaper In “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, a married couple is getting their house renovated, and they rent a spooky house for three months. The wife believes she sees creepy things happening in the house but the husband disagrees and says everything is fine. During the short story, Gilman vividly describes the setting of the house to be a gloomy, mysterious place that she calls a “haunted house.” Gilman is trying to show that the woman is not allowed to present her expressions of the house to her husband, and she does not get to show her feelings, because he shows authority in the marriage.
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
In Joyce Carol Oates’s Where Are You Going, Where Have You Been , there certainly is no clear cut way to interpret the story. Oates includes symbolism throughout the story that adds depth and requires the reader to look farther into the reasons behind the details that are included the work. She writes about a fifteen year old girl, Connie, who becomes a victim of Arnold Friend while left home alone . Where Are You Going, Where Have You Been was written in 1966, a time during which a social revolution for American women was in full swing. This empowerment that woman had, as they pushed for complete gender equality, inspired the character of Connie.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
The story “Where is Here” ,written by Joyce Oates, begins when a man goes to look at the house he grew up in. He knocks on the door and the dad invites him in, but he declines and just walks around the outer parts of the house. While he is walking outside, the mom of the house tells him to come inside and walk around. The house brings back many good and bad memories that help the reader piece together the strange man's past. The short story, “Where is Here,” has a bleak setting, tortured characters, and supernatural events which help make it an American gothic piece.
In an excerpt from her novel We Were the Mulvaneys, Joyce Carol Oates uses disorganized syntax, detailed imagery, and repetition to characterize the speaker, Judd Mulvaney, as a young, curious boy, coming-of-age and suddenly aware of his maturity and of the realities of life. In the excerpt, Oates uses disorganized and unusual syntax to display the enormity of Judd’s revelation, thus alluding to his sudden awareness and depicting him as a young boy shocked by the brevity of life. As Judd comes to terms with the fact that one day he will die, he becomes disturbed by the reality that death is inevitable and his heart rate quickens. He interrupts his sentence to describe its rhythm: “ONEtwothree ONEtwothree!”.
In Rita Dove’s “Daystar”, there are several phrases and words that lead the reader of the poem to a profound understanding of the struggles that the main character of this poem experiences. According to the context of the poem, the main character appears to be a mother and wife in distress. Throughout the poem, she is presented as having a dreary, lethargic, and disconnected outlook of her current situation. The main question that must be asked is what the narrator tried to convey by stating that “she was nothing, pure nothing, in the middle of the day” (21-22). There are many possible answers strung across the poem that suggest why this mother describes her state of being in this way, such as the words that were being used to express how
Oates reminisces back to when she was a child wandering the fields and abandoned buildings behind her home. As she explores these abandoned structures, she takes notice of the “remnants of a lost household” within this “absolute emptiness of a house whose
My love for books again has brought me the opportunity to see a film of a novel I have recently read. I could not put the book down; luckily it was over a weekend when I started reading! Lenny Abrahamson has brought to life the heart throbbing novel by Emma Donoghue with many talented actors and a real life story of a mothers struggle to gain back a live worth living and manage a young Jack with all the wonders in the world. Room is an incredible film with a real testimony of the strength of family and will power, still with some language and suspenseful story line the film is recommended for viewers 17 and older.
According to her biography, young Joyce enjoying the natural surroundings of farm country, appear premature interested in writing a book. Although her parents have little education, they encouraged her ambitions. At the age of 14, when her grandmother gave her first typewriter, she began, "write the novel after novel," Through high school and college, to consciously prepare herself. Joyce Carol Oates has written 56 novels, over 30 collections of short stories, 8 volumes of poetry, plays, countless essays and book reviews, as well as longer nonfiction works on literary subjects (arts.princeton.edu). Whenever she asked how she how she accomplished to create so much tremendous work in a varied diversity of categories, she gave the same basic answer,