When Lorraine says that she has been hanging out with kids at a local diner after school, her mother tells her that she is no longer allowed to go because there are always boys hanging around there. She does not want Lorraine hanging around boys because she believes that boys " 'only [have] one thing on their minds '" (46). Mrs. Jensen also tells her daughter that she is " 'not a pretty girl '" (11). Lorraine hearing this from her mother makes her become very insecure about her body image. Many girls can understand how Lorraine feels because many of them struggle with the same problems.
Charlotte’s insecurity is a partial result of her mother’s disapproving and unresponsive nature. Unlike Charlotte’s father, who listens attentively and enthusiastically to Charlotte’s day at school, Charlotte’s mother shows no interest. She simply gives a half-hearted comment, “without emphasis of any kind”(71), then changes the subject. Additionally, when Charlotte is distressed over Ms. Hancock's death, her mother gets irritated and blames her for “disturbing the even tenor of [their] home”(80).
She has a strained relationship with her family. She does not get along with her mother or sister because she feels that they are jealous of her beauty. Because of this, childhood and adolescence are depicted as times of tribulation, innocence and terror in “Where Are You Going? Where Have You Been?
It was a definition, always touched with emphasis, with reproach and disappointment. Also it was a joke on me(142)”. The main character does not take into account how her mother might want someone to bond with until she is older. Because of her immaturity she has a bad relationship with her parents and her brother even though her thoughts are justifiable. The story is split between the parents versus the children on the relationship they all have and how they contribute to each other’s character.
As Jo gets older, her sisters press her more and more to be ladylike because the want her to fit in with society, but Jo never truly lets go of her “inner boy.” Meg is only a bit older than Jo and at a glance they may seem
He never does what his heart tells him to do when he confronts his co-worker, Cheryl Melhoff, to show her the hopeless crush he has on her; neither when he confronts hi new boss (name). This led him to slip into fantasies about the things he would like to experience. It is possible to
In Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” Connie, a teenage girl who acts older than she actually is, argues with her family about how she dresses and acts. While sneaking out with friends one night, Connie encounters an older man named Arnold Friend who is convinced that he is her lover. One day while her family is not home, Connie is confronted by Arnold, asking and threatening her to come with him. The story ends with her going away with this strange man who showed up at her door, leaving the reader to ponder what will become of Connie.
She is not proud of her life in America because she is forced to do things that her mother warned her against. She lives with a man with whom they are not married, and she hates it that the practice goes against the values that her mother taught her. On the other hand, in the story “Silver Pavements and Golden Roofs” a girl from
To describe Minnie Cooper’s loss of popularity, Faulkner writes, “She was the last to realize that she was losing ground… girls with whom she had grown up as they married and got homes and children, but no man ever called on her
Think I like to stick in that house alla time?” (Steinbeck 77). Curley’s wife expresses her need of speaking to others; she is tired of staying in the house all the time and having no one to talk to but Curley, whom she openly despises The way the men describe her, as a whore, only adds to her loneliness and depression. It brings her to the point in which she angrily cries out at Lennie,
Clara and Pedro’s daughter was falling in love with a man that her father did not like. She did not care at all about what her parents think of her and her new lover. When her father found out about who she was dating he said, “‘Who is it? Tell me who it is or I’ll kill you!’ said Esteban.
(11) Curley’s wife complains to Crooks, Lennie, and Candy about her husband, how he “Spends all his time sayin’ what he’s gonna do to guys he don’t like, and he don’t like nobody. Think I’m gonna stay in that two-by-four house and listen how Curley’s gonna lead with his left twict, and then bring in the ol’ right cross?” (78). Obviously, Curley’s wife did not marry Curley because she loves him, but most likely she may be running from someone or something in her life. The unsatisfied wife endures Curley just so she can live in
Connie, the main character in Joyce Carol Oates’ short story, “Where Are You Going, Where Have You Been?” is a young woman with palpably low self-esteem. This vulnerability allows Arnold Friend, the main antagonist of the story, to successfully attract and manipulate Connie. The story begins by highlighting Connie’s daily rituals of self-assurance (369). In order to feel secure with herself, even for a fleeting moment, Connie looks at herself in a mirror to make sure that she is satisfied with what she sees; this ritual is coupled with her tendency, when in public, to scan the area in order to make sure that no one is making any disgruntled looks about her appearance (369).
“Where Are You Going, Where Have You Been?” Essay Since it’s publication in 1966, Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” the character Arnold Friend has caught the attention of many critics and readers. Connie is a fifteen year old girl who has an encounter with Friend while she is home alone one summer afternoon.
In one moment it’s ripped away from them: the only thing keeping them young; the only thing keeping them shielded from the world. It’s the mother watching her fatherless daughter cry over his coffin. It is the boy being slapped by his loving father for the first time. I That thing is known as “loss of innocence”, but is it really a loss? All one loses is their naivety and artlessness.