By comparing literature, changing ideas, values and attitudes all which reflect the current context is evident, none the more than in the Prince by Niccolò Machiavelli, a treatise for young princes on power, and Julius Caesar by William Shakespeare, a tragedy which actualises Machiavelli’s cynical ideologies. The prince was written during the Renaissance where there was a shift from scholasticism to humanism- a more logical and less religiously influence cultural movement. Similarly, Julius Caesar was written when the Elizabethan Era- the so called golden era of Britain- was coming to an end with no obvious heir to the throne. In light of this, we can acknowledge how literary techniques and features illustrated the contextual links to the texts. Deception is to politics what death is to life, unavoidable and completely justifiable. This quintessentially Machiavellian idea that the “end justifies the means” was popularised into society by The Prince. And rightly so with Italy in a period of intense political instability. Pope Julius had just defeated Florence and demanded that the Medici’s be returned to power if peace was hoped for. The educative nature of the quote “It is better to be feared than loved” legitimises …show more content…
But by his indirect dialogue, he prevents agitating the conspirators, legitimises Caesars death while at the same time manipulating Caesar to appearing like the good guy. And in that, Anthony was what Machiavelli would call virtuous- appearing like a good Christian while being internally
Otto von Bismarck Otto von Bismarck was the first chancellor of the German Empire. He was a master strategist who used realpolitik. As an aristocrat, he “adopted the liberal goal of national unity, giving the German Empire a broad political base” (Background essay). Otto von Bismarck could be considered Machiavelli's model of the ideal ruler in that, he was feared by his people and he used any ends to justify the tactics he used in bringing about the unification of the German states. Niccolò Machiavelli was a diplomat for many years in Italy’s Florentine Republic during the Medici family’s exile.
Many Roman leaders took stands, but not all were successful. Cassius killed Caesar. Cincinnatus dictated through a one day victory. Caesar changed the modern calendar. Many Roman leaders led actions that affected the modern world.
In Niccolo Machiavelli's book, The Prince (1513), he evaluates on how a prince can be a successful leader. Machiavelli’s purpose of this guidebook was to construct his argument to the rising ruler Giuliano de Medici for when he comes to power in Florence. He adopts a casual but authoritative tone in order to convince the prince that Machiavelli’s evaluation on how to be the best prince, is the right thing for the prince to do without coming off as he knows more than the prince or is trying to intimidate him.. Machiavelli’s reference to previous rulers and whether their tactics failed or succeeded helps to benefit his credibility along with his allusion to historic text. He appeals to our logic by simply stating a prince can only do what is within his power to control, and his use of an analogy furthers his argument.
Shakespeare’s “Julius Caesar”, surely was meant for entertainment and to be informative, on the other hand it also displays complexity of humans. Shakespeare constantly uses the writing format of ethos, pathos and logos throughout this play. Ethos and pathos are used to persuade people in devious ways, as Brutus is persuaded to overthrow Caesar and become the new Emperor of Rome. Shakespeare wrote “Julius Caesar” for later generations to remember the history, which took place, as he did state, this play shall be rehearsed in various forms. Although his main intention is to entertain people with his play and to show how easy people in negative or positive aspects manipulate their peers.
In Machiavelli’s book, The Prince, he maintains a harsh perspective on reality. His advice on how to maintain power leaves no room for compassion or generousity. While some may believe that these are qualities of a good person, Machiavelli believes these qualities lead to the downfall of rulers. He acknowledges that, in reality, it is impossible for someone to have qualities of a good person and simultaneously a good ruler. Machiavelli’s realistic outlook causes him to emphasize that it is better to maintain power through fear, rather than compassion.
Julius Caesar was the Dictator of Rome in 42 BC who accomplished many things. Many people believed that he was a hero, but Julius Caesar was a very ambitious dictator and was more of a villain than a hero. Julius Caesar was a villain because he didn’t think first before doing something, he forced the Senate to name him dictator for life and he also was a glory hound and put his needs before the republic. To begin with, Julius Caesar was a was a glory hound and put his needs before the republic. Caesar used his power as dictator more towards his advantage instead of helping the people in Rome.
One is familiar with Shakespeare’s tragedies such as “The Tragedy of Romeo and Juliet”, “The Tragedy of Hamlet” and so forth. Shakespeare’s tragedies have been known for centuries as a reflection of the societies in different eras which appealed to many until today. They express the darkness that lies within the human’s soul and mind. “The Tragedy of Julius Caesar” and “The Tragedy of Macbeth” are both remarkable works of Shakespeare’s that although they are of different plots, they both share indistinguishable characteristics and themes such as a tragic hero, tragic flaw and hero’s downfall. It had been noted that all Shakespearean tragedies reflect a flaw in the main character or a conflict with an overpowering force that can be observed in the characteristics of Julius Caesar’s, Brutus’s, and Macbeth’s.
Machiavelli wrote about a fictitious prince, describing how he is a terrible being who has no respect for people who have a lower status than him. He is described as being selfish and untrustworthy. His writing about this prince was supposed to replicate princes and kings that were ruling and open he reader’s eyes to real issues occuring. In Document 1 there is an excerpt from The Prince, written by Machiavelli, telling about how terrible the Prince of England. Document 1 states, “For all men in general this observation may be made: they are ungrateful, fickle, and deceitful, eager to avoid dangers, and avid for gain, and while you are useful to them they are all with you, but when it [danger] approaches they turn on you”.
Although Cassius and Brutus play significant roles in Shakespeare’s Julius Caesar, both men differ in their rank, views of justice, and possess contrasting personalities. Both men knew Caesar but differed in their motives to kill him. For example, the reader may view Brutus as a hero who desires fair treatment in Rome. Cassius may be looked upon as a manipulative and jealous man seeking to fulfill his own agenda. Despite Brutus’ decision to kill Caesar, it can be argued that he is a man of virtue while Cassius is a man of vice.
In William Shakespeare’s play Julius Caesar, Marc Antony appears to be a strong advocate for Julius Caesar’s triumphs and increasing power. However, like Caesar, Antony is extremely manipulative and powerful. After Caesar’s death, Antony manipulated the conspirators into believing he was on their side before requesting to speak at Caesar’s funeral. While Brutus and the conspirators remained fooled by Antony’s innocence, Antony took the initiative to inform the Roman citizens of the conspirator’s horrendous actions towards their beloved leader, Julius Caesar. Caesar’s funeral was a time of reflection for the citizens of Rome, as Marc Antony caused them to question their allegiance to Brutus.
One aspect of Machiavelli’s theory which significantly contributes to his reputation as the “philosopher of evil,” is his advice to the prince on keeping their word to the public. In chapter eighteen, Machiavelli states, “a wise ruler cannot, and should not, keep his word when doing so is to his disadvantage, and when the reasons that led him to promise to do so no longer apply” (pg. 37). To simplify, Machiavelli says princes are obligated to lie in certain circumstances. He also states that while it is unnecessary for the prince to have positive qualities, such as honesty, trustworthiness, sympathy, compassion, or be religious, it is essential for the prince to be viewed so by the public (pg. 37). While many people argue that Machiavelli’s legitimization of lying and deception in politics is immoral, I argue the opposite.
Machiavelli believed that men will follow a ruler as long as the ruler serves their interests, and a quick to turn against the ruler unless they fear great punishment. Machiavelli would say that it is best to be feared rather than loved as long as the fear does not cause hate, which he believed to be perfectly possible.
In this journal we can thrash out the influences of Shakespeare and Machiavelli in the tragedy, The duchess of malfi. The Machiavellian note in the play: Niccolo Machiavelli was a statesman who flourished in Florence during the years 1469-1527.His book the PRINCE was the most popular work of the time and had wide influence . His doctrine may be thus summarized: (1) One should not allow oneself to be hampered by any kind of moral considerations in the pursuit
Plato and Machiavelli were nevertheless, as similar as they were different on their beliefs in an idealistic government. Both of their ideas have been taught for years, and are certainly essential to understand how they interpret a perfect polis. Plato emphasis the question on what is justice for the people as well as for the Kallipolis and whether a just person is better off than an unjust person. Ethical beliefs are Plato’s main focus in a government.
‘Julius Caesar’ and ‘Henry V’ are plays whose themes are reflective of their respective contextual climates. They were both written in the time of renaissance theatre under the reign of Queen Elizabeth I, who was an avid supporter of Shakespeare’s work. The plays were written consecutively, and they both present historical figures that were greatly idolised in the period in which they were composed. Both history plays convey how, on political scenery, deceit is omnipresent. In Julius Caesar, it is used to bring down the monarchial rule and to ultimately implant a new democratic government, while in Henry V, the King makes use of multiple facets of his personality among which is deceitful behavior in order to conquer France and win over