Othello’s search for justice ultimately brought upon the destruction to not only himself but to those around him. Led by “honest Iago” to believe Desdemona has cuckolded him, he lets himself be the judge and jury of her alleged infidelity, and finally executes her with his bare hands . It is truly ironic when Othello says that it is “My life upon her faith!” (1.3.335) , when in fact it is her life upon his faith . In a sense, its romantic , even poetic how much trust he places on her faithfulness to him, yet there is a underlying hint of desperation of overwhelming importance for her to be chaste for him to function . Desdemona is of noble linage and has gone out of her social sphere to marry him , and he is aware of this. There is a hint of …show more content…
Fortune has brought his enemies within his grasp and Prospero seizes the opportunity for justice. He conjures the tempest causing turmoil on the ship .There was a temporary inversion of powers , the Boatswain rejected the social authority order and commands the King and Noblemen, as if of higher status. This change of power foreshadows trouble and upheaval , a time where social rank does not exist. “Hence! What care these roarers for the name of the king? To cabin! Silence! Trouble us not.”(I.I.16-18) . In the Elizabethan era, the people were very much dependent on their monarch to rule over them and to maintain order. The monarchs were considered a representative of God on earth, and being a very devoted Christian society , the thought that the monarchs being overpowered would cause chaos and disorder. The shipwreck also have links to the disruption natural order or for Prospero ,the beginning of the reestablishment of his rightful throne . The tempest would seem as a bad omen to the people then, however , none of the ships passengers were physically harmed when they marooned on Prospero’s island. It seems as though Prospero uses magic to intimidate , but at his core, he is compassionate. Zimbardo points out that he uses music, the very symbol of order, in creating his effect , he manipulates other characters to …show more content…
The innocent Desdemona is murdered , Cassio is stripped of his rank as lieutenant, Roderigo is killed and Othello also perishes in the end. Iago feels wronged by Othello when Cassio was chosen as lieutanent instead for Cassio has no real experience on the battlefield “That never set a squadron in the field, Nor the division of a battle knows" . He also resents the fact that his years of service are of no use because “preferment goes by letter and affection". To him , it is unjust , as he sincerely believes that he would be the better man for the job. So , to claim justice for himself, he sets out on a quest to plot revenge against the moor and Cassio. He decides the fate each character is to receive and does it without an ounce of shame or remorse. His manipulative lies and hints drive Othello mad , “Trifles light as air Are to the jealous confirmations strong as proofs of holy writ: this may do something. The Moor already changes with my poison: Dangerous conceits are in the natures poisons, Which at the first are scarce found to distaste but with a little act upon blood burn like the mines of sulphur". He is clearly adept at controlling human emotions to serve his own purposes,and he almost succeeds in his revenge if it wasn’t for his wife Emilia who after connecting the dots and wanted to clear her framed mistress name , accused Iago of his lies. In the end order might have been
Now, Desdemona does not get to live out her life, all because of one man’s jealousy. These two examples reveal that Othello’s stupidity and his desire for revenge influence his decision to yell at and eventually kill Desdemona, showing how an innocent woman was caught in the crosshairs of a bigger
Othello’s jealousy, like Iago’s determination, results in his own downfall. For most of the play Othello appears to be an extremely well composed general who remains calm in the face of disaster. However once Iago confides in Othello that he believes Desdemona is cheating on him, Othello transforms into an entirely different person. Believing her to be unfaithful, Othello heartlessly suffocates Desdemona in her bed despite her denying being involved in any affair up until her final breath. Othello’s jealousy causes him to jump to conclusions and not doing his due diligence in investigating Desdemona’s possible infidelity himself.
After hearing this, Othello doubts himself, triggering insecurity and jealousy. After Iago tells Othello about Cassio’s possession of Desdemona's handkerchief in Act 3 Scene 3, Othello doubts Desdamona’s faithfulness and grieves by saying “O that the slave had forty thousand lives! One is too poor, too weak, for my revenge…All my fond love thus do I blow to heaven. ‘Tis gone '' The description of Othello’s love dissipating as ‘blowing to heaven’ is a metaphor that amplifies the effects of internalised prejudice on the marriage. Othello demonstrates the destructive power this can have on love and the tragic ends to which Othello is willing to go to repent this love.
Then once Montano comes to intervene the fight Cassio turns to fight Montano. This ruckus awakes Othello and Othello requires Iago to tell the story. Iago says it's basically all Cassio’s fault, so Othello takes Cassio’s position as lieutenant. Later on, Cassio pleads to Desdemona to tell Othello to give him his job back. The pleads Desdemona gives to Othello makes Othello think Cassio and Desdemona are having an affair.
At this point in the play Iago had told Othello just enough to make him start to doubt his relationship with Desdemona. Iago realized that the small details would begin to drive Othello mad and he would believe anything, even if it was not real evidence of a relationship between Desdemona and Cassio. Othello will eventually let the Jealously take over and kill his wife over the lies told by
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
In the beginning of the novel, Shakespeare describes Iago as a mastermind of manipulating others. Iago holds a grudge and resentment towards the Moor, Othello, because another soldier, lieutenant Cassio, has been promoted
Secondly, Iago manipulates Cassio the most throughout the book. He uses Cassio’s social status and his trust with Othello to ruin his reputation. Iago is jealous of Cassio because he is higher status and has a strong relationship with Othello. For Iago’s plan to work he needs to get closer to Othello, but first he needs to break Othello and Cassio’s trust first. So one night Cassio is supposed to be keeping a party under control Othello tells him “good Michael, look you to the guard tonight.
Love: is it human’s greatest success or human’s greatest flaw? Are we as humans so pulled towards the false ideology of what love is supposed to be like that we completely lose sight of who we are as people in the process and willing to go to great, dangerous lengths to attain this unachievable love? We are forced to ponder this question as we are taken through a journey of love in both the novel by F. Scott Fitzgerald, The Great Gatsby, and also William Shakespeare’s play, Othello. Readers are shown through both the novel and the play of the lives of the men who are so different yet portrayed as the same kind of fools in love—the dashing Jay Gatsby of West Egg and the Lieutenant Othello of Cyprus—in these tragedies that love is not just what
In William Shakespeare’s Othello the two main characters are Iago and Othello. The entire story centers around Iago 's plan to achieve revenge on Othello for not promoting him to lieutenant. Throughout the story Iago tries to convince Othello that his wife Desdemona has cheated on him with his lieutenant Cassio. Iago’s plan is successfully and easily executed. Othello is tricked into believing that desdemona has been unfaithful and in the end he kills her.
Through The Tempest, the author tells the story of Prospero’s revenge on the men who took his dukedom away and left him and his daughter to die. Throughout the book Prospero tortures and manipulates them until he has complete control over them. In Act 5, Prospero’s chooses to forgive them and in the meantime abandons his art which can be a sign of change in character. However, through triumph, not change, the author uses Prospero’s choices to reveal that his desires are for power and superiority.
Manipulation is shown in many ways such as politics, the media, misleading information and false advertising. To convey one’s thoughts to your own advantage is seen as crude and unnecessary. However, many people have their reasons in manipulating someone whether they are good or bad. In Shakespeare’s Othello, the concept of taking advantage of someone through manipulation leads to unnecessary, horrible events.
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the
Over Desdemona and Othello’s time spent in Cyprus their love becomes utterly devastated. Not only is the trust of their relationship gone but also accusations of unfaithfulness are established. These untrustworthy thoughts involving his love, lead Othello into, not only a violent state, but also create an erratic attitude. He is no longer a reasonable man, but dwells only on the jealous thoughts rooted in his heart . Jealousy, in this case ,is like a monster, it stays in the dark until your guard is down and your insecurities allow it to control your life.